Nana by Émile Zola (top 100 novels of all time .txt) 📕
Then to put an end to the discussion, he introduced his cousin, M.Hector de la Faloise, a young man who had come to finish hiseducation in Paris. The manager took the young man's measure at aglance. But Hector returned his scrutiny with deep interest. This,then, was that Bordenave, that showman of the sex who treated womenlike a convict overseer, that clever fellow who was always at fullsteam over some advertising dodge, that shouting, spitting, thigh-slapping fellow, that cynic with the soul of a policeman! Hectorwas under the impression that he ought to discover some amiableobservation for the occasion.
"Your theater--" he began in dulcet tones.
Bordenave interrupted him with a savage phrase, as becomes a man whodotes on frank situations.
"Call it my brothel!"
At this Fauchery laughed approvingly, while La Faloise stopped with
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“Oh, the dirty old thing! Just you bloody well leave me alone!”
It was the Marquis de Chouard who was tumbling down over Satin. The
girl had decidedly had enough of the fashionable world! Nana had
certainly introduced her to Bordenave, but the necessity of standing
with sealed lips for fear of allowing some awkward phrase to escape
her had been too much for her feelings, and now she was anxious to
regain her freedom, the more so as she had run against an old flame
of hers in the wings. This was the super, to whom the task of
impersonating Pluto had been entrusted, a pastry cook, who had
already treated her to a whole week of love and flagellation. She
was waiting for him, much irritated at the things the marquis was
saying to her, as though she were one of those theatrical ladies!
And so at last she assumed a highly respectable expression and
jerked out this phrase:
“My husband’s coming! You’ll see.”
Meanwhile the worn-looking artistes were dropping off one after the
other in their outdoor coats. Groups of men and women were coming
down the little winding staircase, and the outlines of battered hats
and wornout shawls were visible in the shadows. They looked
colorless and unlovely, as became poor play actors who have got rid
of their paint. On the stage, where the side lights and battens
were being extinguished, the prince was listening to an anecdote
Bordenave was telling him. He was waiting for Nana, and when at
length she made her appearance the stage was dark, and the fireman
on duty was finishing his round, lantern in hand. Bordenave, in
order to save His Highness going about by the Passage des Panoramas,
had made them open the corridor which led from the porter’s lodge to
the entrance hall of the theater. Along this narrow alley little
women were racing pell-mell, for they were delighted to escape from
the men who were waiting for them in the other passage. They went
jostling and elbowing along, casting apprehensive glances behind
them and only breathing freely when they got outside. Fontan, Bosc
and Prulliere, on the other hand, retired at a leisurely pace,
joking at the figure cut by the serious, paying admirers who were
striding up and down the Galerie des Varietes at a time when the
little dears were escaping along the boulevard with the men of their
hearts. But Clarisse was especially sly. She had her suspicions
about La Faloise, and, as a matter of fact, he was still in his
place in the lodge among the gentlemen obstinately waiting on Mme
Bron’s chairs. They all stretched forward, and with that she passed
brazenly by in the wake of a friend. The gentlemen were blinking in
bewilderment over the wild whirl of petticoats eddying at the foot
of the narrow stairs. It made them desperate to think they had
waited so long, only to see them all flying away like this without
being able to recognize a single one. The litter of little black
cats were sleeping on the oilcloth, nestled against their mother’s
belly, and the latter was stretching her paws out in a state of
beatitude while the big tortoise-shell cat sat at the other end of
the table, her tail stretched out behind her and her yellow eyes
solemnly following the flight of the women.
“If His Highness will be good enough to come this way,” said
Bordenave at the bottom of the stairs, and he pointed to the
passage.
Some chorus girls were still crowding along it. The prince began
following Nana while Muffat and the marquis walked behind.
It was a long, narrow passage lying between the theater and the
house next door, a kind of contracted by-lane which had been covered
with a sloping glass roof. Damp oozed from the walls, and the
footfall sounded as hollow on the tiled floor as in an underground
vault. It was crowded with the kind of rubbish usually found in a
garret. There was a workbench on which the porter was wont to plane
such parts of the scenery as required it, besides a pile of wooden
barriers which at night were placed at the doors of the theater for
the purpose of regulating the incoming stream of people. Nana had
to pick up her dress as she passed a hydrant which, through having
been carelessly turned off, was flooding the tiles underfoot. In
the entrance hall the company bowed and said good-by. And when
Bordenave was alone he summed up his opinion of the prince in a
shrug of eminently philosophic disdain.
“He’s a bit of a duffer all the same,” he said to Fauchery without
entering on further explanations, and with that Rose Mignon carried
the journalist off with her husband in order to effect a
reconciliation between them at home.
Muffat was left alone on the sidewalk. His Highness had handed Nana
quietly into his carriage, and the marquis had slipped off after
Satin and her super. In his excitement he was content to follow
this vicious pair in vague hopes of some stray favor being granted
him. Then with brain on fire Muffat decided to walk home. The
struggle within him had wholly ceased. The ideas and beliefs of the
last forty years were being drowned in a flood of new life. While
he was passing along the boulevards the roll of the last carriages
deafened him with the name of Nana; the gaslights set nude limbs
dancing before his eyes—the nude limbs, the lithe arms, the white
shoulders, of Nana. And he felt that he was hers utterly: he would
have abjured everything, sold everything, to possess her for a
single hour that very night. Youth, a lustful puberty of early
manhood, was stirring within him at last, flaming up suddenly in the
chaste heart of the Catholic and amid the dignified traditions of
middle age.
Count Muffat, accompanied by his wife and daughter, had arrived
overnight at Les Fondettes, where Mme Hugon, who was staying there
with only her son Georges, had invited them to come and spend a
week. The house, which had been built at the end of the eighteenth
century, stood in the middle of a huge square enclosure. It was
perfectly unadorned, but the garden possessed magnificent shady
trees and a chain of tanks fed by running spring water. It stood at
the side of the road which leads from Orleans to Paris and with its
rich verdure and high-embowered trees broke the monotony of that
flat countryside, where fields stretched to the horizon’s verge.
At eleven o’clock, when the second lunch bell had called the whole
household together, Mme Hugon, smiling in her kindly maternal way,
gave Sabine two great kisses, one on each cheek, and said as she did
so:
“You know it’s my custom in the country. Oh, seeing you here makes
me feel twenty years younger. Did you sleep well in your old room?”
Then without waiting for her reply she turned to Estelle:
“And this little one, has she had a nap too? Give me a kiss, my
child.”
They had taken their seats in the vast dining room, the windows of
which looked out on the park. But they only occupied one end of the
long table, where they sat somewhat crowded together for company’s
sake. Sabine, in high good spirits, dwelt on various childish
memories which had been stirred up within her—memories of months
passed at Les Fondettes, of long walks, of a tumble into one of the
tanks on a summer evening, of an old romance of chivalry discovered
by her on the top of a cupboard and read during the winter before
fires made of vine branches. And Georges, who had not seen the
countess for some months, thought there was something curious about
her. Her face seemed changed, somehow, while, on the other hand,
that stick of an Estelle seemed more insignificant and dumb and
awkward than ever.
While such simple fare as cutlets and boiled eggs was being
discussed by the company, Mme Hugon, as became a good housekeeper,
launched out into complaints. The butchers, she said, were becoming
impossible. She bought everything at Orleans, and yet they never
brought her the pieces she asked for. Yet, alas, if her guests had
nothing worth eating it was their own fault: they had come too late
in the season.
“There’s no sense in it,” she said. “I’ve been expecting you since
June, and now we’re half through September. You see, it doesn’t
look pretty.”
And with a movement she pointed to the trees on the grass outside,
the leaves of which were beginning to turn yellow. The day was
covered, and the distance was hidden by a bluish haze which was
fraught with a sweet and melancholy peacefulness.
“Oh, I’m expecting company,” she continued. “We shall be gayer
then! The first to come will be two gentlemen whom Georges has
invited—Monsieur Fauchery and Monsieur Daguenet; you know them, do
you not? Then we shall have Monsieur de Vandeuvres, who has
promised me a visit these five years past. This time, perhaps,
he’ll make up his mind!”
“Oh, well and good!” said the countess, laughing. “If we only can
get Monsieur de Vandeuvres! But he’s too much engaged.”
“And Philippe?” queried Muffat.
“Philippe has asked for a furlough,” replied the old lady, “but
without doubt you won’t be at Les Fondettes any longer when he
arrives.”
The coffee was served. Paris was now the subject of conversation,
and Steiner’s name was mentioned, at which Mme Hugon gave a little
cry.
“Let me see,” she said; “Monsieur Steiner is that stout man I met at
your house one evening. He’s a banker, is he not? Now there’s a
detestable man for you! Why, he’s gone and bought an actress an
estate about a league from here, over Gumieres way, beyond the
Choue. The whole countryside’s scandalized. Did you know about
that, my friend?”
“I knew nothing about it,” replied Muffat. “Ah, then, Steiner’s
bought a country place in the neighborhood!”
Hearing his mother broach the subject, Georges looked into his
coffee cup, but in his astonishment at the count’s answer he glanced
up at him and stared. Why was he lying so glibly? The count, on
his side, noticed the young fellow’s movement and gave him a
suspicious glance. Mme Hugon continued to go into details: the
country place was called La Mignotte. In order to get there one had
to go up the bank of the Choue as far as Gumieres in order to cross
the bridge; otherwise one got one’s feet wet and ran the risk of a
ducking.
“And what is the actress’s name?” asked the countess.
“Oh, I wasn’t told,” murmured the old lady. “Georges, you were
there the morning the gardener spoke to us about it.”
Georges appeared to rack his brains. Muffat waited, twirling a
teaspoon between his fingers. Then the countess addressed her
husband:
“Isn’t Monsieur Steiner with that singer at the Varietes, that
Nana?”
“Nana, that’s the name! A horrible woman!” cried Mme Hugon with
growing annoyance. “And they are expecting her at La Mignotte.
I’ve heard all about it from the gardener. Didn’t the gardener say
they were expecting her this evening, Georges?”
The count gave a little start of astonishment, but Georges replied
with much vivacity:
“Oh, Mother, the gardener spoke without knowing anything about it.
Directly afterward the coachman said just the opposite. Nobody’s
expected at La Mignotte before the day after tomorrow.”
He tried hard to assume a natural expression while he slyly watched
the effect of his remarks on the count. The latter was twirling his
spoon again as though
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