Nana by Émile Zola (top 100 novels of all time .txt) 📕
Then to put an end to the discussion, he introduced his cousin, M.Hector de la Faloise, a young man who had come to finish hiseducation in Paris. The manager took the young man's measure at aglance. But Hector returned his scrutiny with deep interest. This,then, was that Bordenave, that showman of the sex who treated womenlike a convict overseer, that clever fellow who was always at fullsteam over some advertising dodge, that shouting, spitting, thigh-slapping fellow, that cynic with the soul of a policeman! Hectorwas under the impression that he ought to discover some amiableobservation for the occasion.
"Your theater--" he began in dulcet tones.
Bordenave interrupted him with a savage phrase, as becomes a man whodotes on frank situations.
"Call it my brothel!"
At this Fauchery laughed approvingly, while La Faloise stopped with
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as with pussycat caresses she kissed him all round his face and
whiskers and vowed that he was her own dear pet and the only little
man she adored. He was no longer afraid of Georges, whom his mother
kept down at Les Fondettes. There was only fat Steiner to reckon
with, and he believed he was really ousting him, but he did not dare
provoke an explanation on his score. He knew he was once more in an
extraordinary financial scrape and on the verge of being declared
bankrupt on ‘change, so much so that he was clinging fiercely to the
shareholders in the Landes Salt Pits and striving to sweat a final
subscription out of them. Whenever he met him at Nana’s she would
explain reasonably enough that she did not wish to turn him out of
doors like a dog after all he had spent on her. Besides, for the
last three months he had been living in such a whirl of sensual
excitement that, beyond the need of possessing her, he had felt no
very distinct impressions. His was a tardy awakening of the fleshly
instinct, a childish greed of enjoyment, which left no room for
either vanity or jealousy. Only one definite feeling could affect
him now, and that was Nana’s decreasing kindness. She no longer
kissed him on the beard! It made him anxious, and as became a man
quite ignorant of womankind, he began asking himself what possible
cause of offense he could have given her. Besides, he was under the
impression that he was satisfying all her desires. And so he harked
back again and again to the letter he had received that morning with
its tissue of falsehoods, invented for the extremely simple purpose
of passing an evening at her own theater. The crowd had pushed him
forward again, and he had crossed the passage and was puzzling his
brain in front of the entrance to a restaurant, his eyes fixed on
some plucked larks and on a huge salmon laid out inside the window.
At length he seemed to tear himself away from this spectacle. He
shook himself, looked up and noticed that it was close on nine
o’clock. Nana would soon be coming out, and he would make her tell
the truth. And with that he walked on and recalled to memory the
evenings he once passed in that region in the days when he used to
meet her at the door of the theater.
He knew all the shops, and in the gas-laden air he recognized their
different scents, such, for instance, as the strong savor of Russia
leather, the perfume of vanilla emanating from a chocolate dealer’s
basement, the savor of musk blown in whiffs from the open doors of
the perfumers. But he did not dare linger under the gaze of the
pale shopwomen, who looked placidly at him as though they knew him
by sight. For one instant he seemed to be studying the line of
little round windows above the shops, as though he had never noticed
them before among the medley of signs. Then once again he went up
to the boulevard and stood still a minute or two. A fine rain was
now falling, and the cold feel of it on his hands calmed him. He
thought of his wife who was staying in a country house near Macon,
where her friend Mme de Chezelles had been ailing a good deal since
the autumn. The carriages in the roadway were rolling through a
stream of mud. The country, he thought, must be detestable in such
vile weather. But suddenly he became anxious and re-entered the
hot, close passage down which he strode among the strolling people.
A thought struck him: if Nana were suspicious of his presence there
she would be off along the Galerie Montmartre.
After that the count kept a sharp lookout at the very door of the
theater, though he did not like this passage end, where he was
afraid of being recognized. It was at the corner between the
Galerie des Varietes and the Galerie Saint-Marc, an equivocal corner
full of obscure little shops. Of these last one was a shoemaker’s,
where customers never seemed to enter. Then there were two or three
upholsterers’, deep in dust, and a smoky, sleepy reading room and
library, the shaded lamps in which cast a green and slumberous light
all the evening through. There was never anyone in this corner save
well-dressed, patient gentlemen, who prowled about the wreckage
peculiar to a stage door, where drunken sceneshifters and ragged
chorus girls congregate. In front of the theater a single gas jet
in a ground-glass globe lit up the doorway. For a moment or two
Muffat thought of questioning Mme Bron; then he grew afraid lest
Nana should get wind of his presence and escape by way of the
boulevard. So he went on the march again and determined to wait
till he was turned out at the closing of the gates, an event which
had happened on two previous occasions. The thought of returning
home to his solitary bed simply wrung his heart with anguish. Every
time that golden-haired girls and men in dirty linen came out and
stared at him he returned to his post in front of the reading room,
where, looking in between two advertisements posted on a windowpane,
he was always greeted by the same sight. It was a little old man,
sitting stiff and solitary at the vast table and holding a green
newspaper in his green hands under the green light of one of the
lamps. But shortly before ten o’clock another gentleman, a tall,
good-looking, fair man with well-fitting gloves, was also walking up
and down in front of the stage door. Thereupon at each successive
turn the pair treated each other to a suspicious sidelong glance.
The count walked to the corner of the two galleries, which was
adorned with a high mirror, and when he saw himself therein, looking
grave and elegant, he was both ashamed and nervous.
Ten o’clock struck, and suddenly it occurred to Muffat that it would
be very easy to find out whether Nana were in her dressing room or
not. He went up the three steps, crossed the little yellow-painted
lobby and slipped into the court by a door which simply shut with a
latch. At that hour of the night the narrow, damp well of a court,
with its pestiferous water closets, its fountain, its back view ot
the kitchen stove and the collection of plants with which the
portress used to litter the place, was drenched in dark mist; but
the two walls, rising pierced with windows on either hand, were
flaming with light, since the property room and the firemen’s office
were situated on the ground floor, with the managerial bureau on the
left, and on the right and upstairs the dressing rooms of the
company. The mouths of furnaces seemed to be opening on the outer
darkness from top to bottom of this well. The count had at once
marked the light in the windows of the dressing room on the first
floor, and as a man who is comforted and happy, he forgot where he
was and stood gazing upward amid the foul mud and faint decaying
smell peculiar to the premises of this antiquated Parisian building.
Big drops were dripping from a broken waterspout, and a ray of
gaslight slipped from Mme Bron’s window and cast a yellow glare over
a patch of moss-clad pavement, over the base of a wall which had
been rotted by water from a sink, over a whole cornerful of nameless
filth amid which old pails and broken crocks lay in fine confusion
round a spindling tree growing mildewed in its pot. A window
fastening creaked, and the count fled.
Nana was certainly going to come down. He returned to his post in
front of the reading room; among its slumbering shadows, which
seemed only broken by the glimmer of a night light, the little old
man still sat motionless, his side face sharply outlined against his
newspaper. Then Muffat walked again and this time took a more
prolonged turn and, crossing the large gallery, followed the Galerie
des Varietes as far as that of Feydeau. The last mentioned was cold
and deserted and buried in melancholy shadow. He returned from it,
passed by the theater, turned the corner of the Galerie Saint-Marc
and ventured as far as the Galerie Montmartre, where a sugar-chopping machine in front of a grocer’s interested him awhile. But
when he was taking his third turn he was seized with such dread lest
Nana should escape behind his back that he lost all self-respect.
Thereupon he stationed himself beside the fair gentleman in front of
the very theater. Both exchanged a glance of fraternal humility
with which was mingled a touch of distrust, for it was possible they
might yet turn out to be rivals. Some sceneshifters who came out
smoking their pipes between the acts brushed rudely against them,
but neither one nor the other ventured to complain. Three big
wenches with untidy hair and dirty gowns appeared on the doorstep.
They were munching apples and spitting out the cores, but the two
men bowed their heads and patiently braved their impudent looks and
rough speeches, though they were hustled and, as it were, soiled by
these trollops, who amused themselves by pushing each other down
upon them.
At that very moment Nana descended the three steps. She grew very
pale when she noticed Muffat.
“Oh, it’s you!” she stammered.
The sniggering extra ladies were quite frightened when they
recognized her, and they formed in line and stood up, looking as
stiff and serious as servants whom their mistress has caught
behaving badly. The tall fair gentleman had moved away; he was at
once reassured and sad at heart.
“Well, give me your arm,” Nana continued impatiently.
They walked quietly off. The count had been getting ready to
question her and now found nothing to say.
It was she who in rapid tones told a story to the effect that she
had been at her aunt’s as late as eight o’clock, when, seeing
Louiset very much better, she had conceived the idea of going down
to the theater for a few minutes.
“On some important business?” he queried.
‘Yes, a new piece,” she replied after some slight hesitation. “They
wanted my advice.”
He knew that she was not speaking the truth, but the warm touch of
her arm as it leaned firmly on his own, left him powerless. He felt
neither anger nor rancor after his long, long wait; his one thought
was to keep her where she was now that he had got hold of her.
Tomorrow, and not before, he would try and find out what she had
come to her dressing room after. But Nana still appeared to
hesitate; she was manifestly a prey to the sort of secret anguish
that besets people when they are trying to regain lost ground and to
initiate a plan of action. Accordingly, as they turned the corner
of the Galerie des Varietes, she stopped in front of the show in a
fan seller’s window.
“I say, that’s pretty,” she whispered; “I mean that mother-of-pearl
mount with the feathers.”
Then, indifferently:
“So you’re seeing me home?”
“Of course,” he said, with some surprise, “since your child’s
better.”
She was sorry she had told him that story. Perhaps Louiset was
passing through another crisis! She talked of returning to the
Batignolles. But when he offered to accompany her she did not
insist on going. For a second or two she was possessed with the
kind of white-hot fury which a woman experiences when she feels
herself
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