Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“I will not do what thou advisest, but, lest thou go without just reward, I will command to give thee three hundred stripes in the domestic prison.”
Chilo grew pale. There was so much cold resolution in the beautiful face of Vinicius that he could not deceive himself for a moment with the hope that the promised reward was no more than a cruel jest.
Hence he threw himself on his knees in one instant, and bending double began to groan in a broken voice—“How, O king of Persia? Why?—O pyramid of kindness! Colossus of mercy! For what?—I am old, hungry, unfortunate—I have served thee—dost thou repay in this manner?”
“As thou didst the Christians,” said Vinicius. And he called the dispensator.
But Chilo sprang toward his feet, and, embracing them convulsively, talked, while his face was covered with deathly pallor—“O lord, O lord! I am old! Fifty, not three hundred stripes. Fifty are enough! A hundred, not three hundred! Oh, mercy, mercy!”
Vinicius thrust him away with his foot, and gave the order. In the twinkle of an eye two powerful Quadi followed the dispensator, and, seizing Chilo by the remnant of his hair, tied his own rags around his neck and dragged him to the prison.
“In the name of Christ!” called the Greek, at the exit of the corridor.
Vinicius was left alone. The order just issued roused and enlivened him. He endeavored to collect his scattered thoughts, and bring them to order. He felt great relief, and the victory which he had gained over himself filled him with comfort. He thought that he had made some great approach toward Lygia, and that some high reward should be given him. At the first moment it did not even occur to him that he had done a grievous wrong to Chilo, and had him flogged for the very acts for which he had rewarded him previously. He was too much of a Roman yet to be pained by another man’s suffering, and to occupy his attention with one wretched Greek. Had he even thought of Chilo’s suffering he would have considered that he had acted properly in giving command to punish such a villain. But he was thinking of Lygia, and said to her: I will not pay thee with evil for good; and when thou shalt learn how I acted with him who strove to persuade me to raise hands against thee, thou wilt be grateful. But here he stopped at this thought: Would Lygia praise his treatment of Chilo? The religion which she professes commands forgiveness; nay, the Christians forgave the villain, though they had greater reasons for revenge. Then for the first time was heard in his soul the cry: “In the name of Christ!” He remembered then that Chilo had ransomed himself from the hands of Ursus with such a cry, and he determined to remit the remainder of the punishment.
With that object he was going to summon the dispensator, when that person stood before him, and said—“Lord, the old man has fainted, and perhaps he is dead. Am I to command further flogging?”
“Revive him and bring him before me.”
The chief of the atrium vanished behind the curtain, but the revival could not have been easy, for Vinicius waited a long time and was growing impatient, when the slaves brought in Chilo, and disappeared at a signal.
Chilo was as pale as linen, and down his legs threads of blood were flowing to the mosaic pavement of the atrium. He was conscious, however, and, falling on his knees, began to speak, with extended hands—“Thanks to thee, lord. Thou art great and merciful.”
“Dog,” said Vinicius, “know that I forgave thee because of that Christ to whom I owe my own life.”
“O lord, I will serve Him and thee.”
“Be silent and listen. Rise! Thou wilt go and show me the house in which Lygia dwells.”
Chilo sprang up; but he was barely on his feet when he grew more deathly pale yet, and said in a failing voice—“Lord, I am really hungry—I will go, lord, I will go! but I have not the strength. Command to give me even remnants from the plate of thy dog, and I will go.”
Vinicius commanded to give
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