War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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Toward evening DolgorΓΊkov came back, went straight to the Tsar, and remained alone with him for a long time.
On the eighteenth and nineteenth of November, the army advanced two daysβ march and the enemyβs outposts after a brief interchange of shots retreated. In the highest army circles from midday on the nineteenth, a great, excitedly bustling activity began which lasted till the morning of the twentieth, when the memorable battle of Austerlitz was fought.
Till midday on the nineteenth, the activityβ βthe eager talk, running to and fro, and dispatching of adjutantsβ βwas confined to the Emperorβs headquarters. But on the afternoon of that day, this activity reached KutΓΊzovβs headquarters and the staffs of the commanders of columns. By evening, the adjutants had spread it to all ends and parts of the army, and in the night from the nineteenth to the twentieth, the whole eighty thousand allied troops rose from their bivouacs to the hum of voices, and the army swayed and started in one enormous mass six miles long.
The concentrated activity which had begun at the Emperorβs headquarters in the morning and had started the whole movement that followed was like the first movement of the main wheel of a large tower clock. One wheel slowly moved, another was set in motion, and a third, and wheels began to revolve faster and faster, levers and cogwheels to work, chimes to play, figures to pop out, and the hands to advance with regular motion as a result of all that activity.
Just as in the mechanism of a clock, so in the mechanism of the military machine, an impulse once given leads to the final result; and just as indifferently quiescent till the moment when motion is transmitted to them are the parts of the mechanism which the impulse has not yet reached. Wheels creak on their axles as the cogs engage one another and the revolving pulleys whirr with the rapidity of their movement, but a neighboring wheel is as quiet and motionless as though it were prepared to remain so for a hundred years; but the moment comes when the lever catches it and obeying the impulse that wheel begins to creak and joins in the common motion the result and aim of which are beyond its ken.
Just as in a clock, the result of the complicated motion of innumerable wheels and pulleys is merely a slow and regular movement of the hands which show the time, so the result of all the complicated human activities of 160,000 Russians and Frenchβ βall their passions, desires, remorse, humiliations, sufferings, outbursts of pride, fear, and enthusiasmβ βwas only the loss of the battle of Austerlitz, the so-called battle of the three Emperorsβ βthat is to say, a slow movement of the hand on the dial of human history.
Prince AndrΓ©y was on duty that day and in constant attendance on the commander in chief.
At six in the evening, KutΓΊzov went to the Emperorβs headquarters and after staying but a short time with the Tsar went to see the grand marshal of the court, Count TolstΓ³y.
BolkΓ³nski took the opportunity to go in to get some details of the coming action from DolgorΓΊkov. He felt that KutΓΊzov was upset and dissatisfied about something and that at headquarters they were dissatisfied with him, and also that at the Emperorβs headquarters everyone adopted toward him the tone of men who know something others do not know: he therefore wished to speak to DolgorΓΊkov.
βWell, how dβyou do, my dear fellow?β said DolgorΓΊkov, who was sitting at tea with BilΓbin. βThe fΓͺte is for tomorrow. How is your old fellow? Out of sorts?β
βI wonβt say he is out of sorts, but I fancy he would like to be heard.β
βBut they heard him at the council of war and will hear him when he talks sense, but to temporize and wait for something now when Bonaparte fears nothing so much as a general battle is impossible.β
βYes, you have seen him?β said Prince AndrΓ©y. βWell, what is Bonaparte like? How did he impress you?β
βYes, I saw him, and am convinced that he fears nothing so much as a general engagement,β repeated DolgorΓΊkov, evidently prizing this general conclusion which he had arrived at from his interview with Napoleon. βIf he werenβt afraid of a battle why did he ask for that interview? Why negotiate, and above all why retreat, when to retreat is so contrary to his method of conducting war? Believe me, he is afraid, afraid of a general battle. His hour has come! Mark my words!β
βBut tell me, what is he like, eh?β said Prince AndrΓ©y again.
βHe is a man in a gray overcoat, very anxious that I should call him βYour Majesty,β but who, to his chagrin, got no title from me! Thatβs the sort of man he is, and nothing more,β replied DolgorΓΊkov, looking round at BilΓbin with a smile.
βDespite my great respect for old KutΓΊzov,β he continued, βwe should be a nice set of fellows if we were to wait about and so give him a chance to escape, or to trick us, now that we certainly have him in our hands! No, we mustnβt forget SuvΓ³rov and his ruleβ βnot to put yourself in a position to be attacked, but yourself to attack. Believe me in war the energy of young men often shows the way better than all the experience of old Cunctators.β
βBut in what position are we going to attack him? I have been at the outposts today and it is impossible to say where his chief forces are situated,β said Prince AndrΓ©y.
He wished to explain to DolgorΓΊkov a plan of attack he had himself formed.
βOh, that is all the same,β DolgorΓΊkov said quickly, and getting up he spread a map on the table. βAll
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