Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“Immediately after our arrival I talked long with Paul at dinner. We spoke of thee, and afterward he taught. I listened long, and I say only this, that even could I write like Petronius, I should not have power to explain everything which passed through my soul and my mind. I had not supposed that there could be such happiness in this world, such beauty and peace of which hitherto people had no knowledge. But I retain all this for conversation with thee, for at the first free moment I shall be in Rome.
“How could the earth find place at once for the Apostle Peter, Paul of Tarsus, and Caesar? Tell me this. I ask because I passed the evening after Paul’s teaching with Nero, and dost thou know what I heard there? Well, to begin with, he read his poem on the destruction of Troy, and complained that never had he seen a burning city. He envied Priam, and called him happy just for this, that he saw the conflagration and ruin of his birthplace. Whereupon Tigellinus said, ‘Speak a word, O divinity, I will take a torch, and before the night passes thou shalt see blazing Antium.’ But Caesar called him a fool. ‘Where,’ asked he, ‘should I go to breathe the sea air, and preserve the voice with which the gods have gifted me, and which men say I should preserve for the benefit of mankind? Is it not Rome that injures me; is it not the exhalations of the Subura and the Esquiline which add to my hoarseness? Would not the palaces of Rome present a spectacle a hundredfold more tragic and magnificent than Antium?’ Here all began to talk, and to say what an unheard tragedy the picture of a city like that would be, a city which had conquered the world turned now into a heap of gray ashes. Caesar declared that then his poem would surpass the songs of Homer, and he began to describe how he would rebuild the city, and how coming ages would admire his achievements, in presence of which all other human works would be petty. ‘Do that! do that!’ exclaimed the drunken company. ‘I must have more faithful and more devoted friends,’ answered he.
“I confess that I was alarmed at once when I heard this, for thou art in Rome, carissima. I laugh now at that alarm, and I think that Caesar and his friends, though mad, would not dare to permit such insanity. Still, see how a man fears for his love; I should prefer that the house of Linus were not in that narrow Trans-Tiber alley, and in a part occupied by common people, who are less considered in such a case. For me, the very palaces on the Palatine would not be a residence fit for thee; hence I should wish also that nothing were lacking thee of those ornaments and comforts to which thou art accustomed from childhood.
“Go to the house of Aulus, my Lygia. I have thought much here over this matter. If Caesar were in Rome, news of thy return might reach the Palatine through slaves, turn attention to thee, and bring persecution, because thou didst dare to act against the will of Caesar. But he will remain long in Antium, and before he returns slaves will have ceased to speak of thee. Linus and Ursus can be with thee. Besides, I live in hope that before Palatine sees Caesar, thou, my goddess, shalt be dwelling in thy own house on the Carinae. Blessed be the day, hour, and moment in which thou shalt cross my threshold; and if Christ, whom I am learning to accept, effects this, may His name be blessed also. I shall serve Him, and give life and blood for Him. I speak incorrectly; we shall serve Him, both of us, as long as the threads of life hold.
“I love thee and salute thee with my whole soul.”
XXXIXUrsus was taking water from a cistern, and while drawing up a double amphora, with a rope, was singing a strange Lygian song in an undertone, looking meanwhile with delighted eyes at Lygia and Vinicius, who, among the cypresses in Linus’s garden, seemed as white as two statues. Their clothing was not moved by the least breeze. A golden and lily-colored twilight was sinking on the world while they were conversing in the calm of evening, each holding the other by the hand.
“May not some evil meet thee, Marcus, because thou hast left Antium without Caesar’s knowledge?” asked Lygia.
“No, my dear,” answered Vinicius. “Caesar announced that he would shut himself in for two days with Terpnos, and compose new songs. He acts thus frequently, and at such times neither knows nor remembers aught else. Moreover, what is Caesar to me since I am near thee and am looking at thee? I have yearned too much already, and these last nights sleep has left me. More than once, when I dozed from weariness, I woke on a sudden, with a feeling that danger was hanging over thee; at times I dreamed that the relays of horses which were to bear me from Antium to Rome were stolen—horses with which I passed that road more swiftly than any of Caesar’s couriers. Besides, I could not live longer without thee; I love thee too much for that, my dearest.”
“I knew that thou wert coming. Twice Ursus ran out, at my request, to the
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