The Works of Max Beerbohm by Max Beerbohm (reading like a writer .txt) 📕

by a retinue of bruisers⁠—rapscallions, such as used to follow Clodius through the streets of Rome⁠—and he loved to join in the scuffles like any commoner. Pugilism he learnt from Angelo, and he was considered by some to be a fine performer. On one occasion, too, at an exposition d’escrime, when he handled the foils against the maître, he “was highly complimented upon his graceful postures.” In fact, despite all his accomplishments, he seems to have been a thoroughly manly young fellow. He was just the kind of figurehead Society had long been in need of. A certain lack of tone had crept into the amusements of the haut monde, due, doubtless, to the lack of an acknowledged leader. The King was not yet mad, but he was always bucolic, and socially out of the question. So at the coming of his son Society broke into a gallop. Balls and masquerades were given in his honour night after night. Good Samaritans must have approved when they found that at these entertainments great ladies and courtesans brushed beautiful shoulders in utmost familiarity, but those who delighted in the high charm of society probably shook their heads. We need not, however, find it a flaw in George’s social bearing that he did not check this kind of freedom. At the first, as a young man full of life, of course he took everything as it came, joyfully. No one knew better than he did, in later life, that there is a time for laughing with great ladies and a time for laughing with courtesans. But as yet it was not possible for him to exert influence. How great that influence became I will suggest hereafter.

I like to think of him as he was at this period, charging about, in pursuit of pleasure, like a young bull. The splendid taste for building had not yet come to him. His father would not hear of him patronising the Turf. But already he was implected with a passion for dress and seems to have erred somewhat on the side of dressing up, as is the way of young men. It is fearful to think of him, as Cyrus Redding saw him, “arrayed in deep-brown velvet, silver embroidered, with cut-steel buttons, and a gold net thrown over all.” Before that “gold net thrown over all,” all the mistakes of his afterlife seem to me to grow almost insignificant. Time, however, toned his too florid sense of costume, and we should at any rate be thankful that his imagination never deserted him. All the delightful munditiae that we find in the contemporary “fashion-plates for gentlemen” can be traced to George himself. His were the much-approved “quadruple stock of great dimension,” the “cocked grey-beaver,” “the pantaloons of mauve silk negligently crinkled” and any number of other little pomps and foibles of the kind. As he grew older and was obliged to abandon many of his more vigorous pastimes, he grew more and more enamoured of the pleasures of the wardrobe. He would spend hours, it is said, in designing coats for his friends, liveries for his servants, and even uniforms. Nor did he ever make the mistake of giving away outmoded clothes to his valets, but kept them to form what must have been the finest collection of clothes that has been seen in modern times. With a sentimentality that is characteristic of him, he would often, as he sat, crippled by gout, in his room at Windsor, direct his servant to bring him this or that coat, which he had worn ten or twenty or thirty years before, and, when it was brought to him, spend much time in laughing or sobbing over the memories that lay in its folds. It is pleasant to know that George, during his long and various life, never forgot a coat, however long ago worn, however seldom.

But in the early days of which I speak he had not yet touched that self-conscious note which, in manner and mode of life, as well as in costume, he was to touch later. He was too violently enamoured of all around him, to think very deeply of himself. But he had already realised the tragedy of the voluptuary, which is, after a little time, not that he must go on living, but that he cannot live in two places at once. We have, at this end of the century, tempered this tragedy by the perfection of railways, and it is possible for our good Prince, whom Heaven bless, to waken to the sound of the Braemar bagpipes, while the music of Mdlle. Guilbert’s latest song, cooed over the footlights of the Concerts Parisiens, still rings in his ears. But in the time of our Prince’s illustrious great-uncle there were not railways; and we find George perpetually driving, for wagers, to Brighton and back (he had already acquired that taste for Brighton which was one of his most loveable qualities) in incredibly short periods of time. The rustics who lived along the road were well accustomed to the sight of a high, tremulous phaeton flashing past them, and the crimson face of the young Prince bending over the horses. There is something absurd in representing George as, even before he came of age, a hardened and cynical profligate, an Elagabalus in trousers. His blood flowed fast enough through his veins. All his escapades were those of a healthful young man of the time. Need we blame him if he sought, every day, to live faster and more fully?

In a brief essay like this, I cannot attempt to write, as I hope one day to do, in any detail a history of George’s career, during the time when he was successively Prince of Wales and Regent and King. Merely is it my wish at present to examine some of the principal accusations that have been brought against him, and to point out in what ways he has been harshly and hastily