The Works of Max Beerbohm by Max Beerbohm (reading like a writer .txt) π
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The Works of Max Beerbohm is a collection of satirical essays by Max Beerbohm. It was published in 1896 at The Bodley Head, his publisher John Lane contributing a detailed bibliography of the works of the author, then aged 24. Before their publication as a book, the essays had appeared in prominent literary periodicals such as The Yellow Book and The Savoy. Most of the essays were written while he was a student at Oxford, although he had left Merton College in 1894. By then he was already known as a caricaturist, parodist and essayist and well acquainted with the writers and artists connected with The Bodley Head, notably Aubrey Beardsley and Oscar Wilde.
The essays can perhaps be best described as both elaborate parody and vicious satire. Beerbohmβs intimate knowledge of the social circles of the time and his penchant for pointed descriptions of character are always on display, dismantling the purported greatness that surrounds him.
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- Author: Max Beerbohm
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In one of his letters to the King, craving for a military appointment, George urges that, whilst his next brother, the Duke of York, commanded the army, and the younger branches of the family were either generals or lieutenant-generals, he, who was Prince of Wales, remained colonel of dragoons. And herein, could he have known it, lay the right limitation of his life. As Royalty was and is constituted, it is for the younger sons to take an active part in the services, whilst the eldest son is left as the ruler of Society. Thousands and thousands of guineas were given by the nation that the Prince of Wales, the Regent, the King, might be, in the best sense of the word, ornamental. It is not for us, at this moment, to consider whether Royalty, as a wholly Pagan institution, is not out of place in a community of Christians. It is enough that we should inquire whether the god, whom our grandfathers set up and worshipped and crowned with offerings, gave grace to his worshippers.
That George was a moral man, in our modern sense, I do not for one moment pretend. It were idle to deny that he was profligate. When he died there were found in one of his cabinets more than a hundred locks of womenβs hair. Some of these were still plastered with powder and pomatum, some were mere little golden curls, such as grow low down upon a girlβs neck, others were streaked with grey. The whole of this collection subsequently passed into the hands of Adam, the famous Scotch henchman of the Regent. In his family, now resident in Glasgow, it is treasured as an heirloom. I myself have been privileged to look at all these locks of hair, and I have seen a clairvoyante take them one by one, and, pinching them between her lithe fingers, tell of the love that each symbolised. I have heard her tell of long rides by night, of a boudoir hung with grass-green satin, and of a tryst at Windsor;
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