The Works of Max Beerbohm by Max Beerbohm (reading like a writer .txt) π
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The Works of Max Beerbohm is a collection of satirical essays by Max Beerbohm. It was published in 1896 at The Bodley Head, his publisher John Lane contributing a detailed bibliography of the works of the author, then aged 24. Before their publication as a book, the essays had appeared in prominent literary periodicals such as The Yellow Book and The Savoy. Most of the essays were written while he was a student at Oxford, although he had left Merton College in 1894. By then he was already known as a caricaturist, parodist and essayist and well acquainted with the writers and artists connected with The Bodley Head, notably Aubrey Beardsley and Oscar Wilde.
The essays can perhaps be best described as both elaborate parody and vicious satire. Beerbohmβs intimate knowledge of the social circles of the time and his penchant for pointed descriptions of character are always on display, dismantling the purported greatness that surrounds him.
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- Author: Max Beerbohm
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Certainly George was, in the practical sense of the word, a fine king. His wonderful physique, his wealth, his brilliant talents, he gave them all without stint to Society. From the time when, at Madame Cornelysβ, he gallivanted with rips and demireps, to the time when he sat, a stout and solitary old king, fishing in the artificial pond at Windsor, his life was beautifully ordered. He indulged to the full in all the delights that England could offer him. That he should have, in his old age, suddenly abandoned his career of vigorous enjoyment is, I confess, rather surprising. The Royal voluptuary generally remains young to the last. No one ever tires of pleasure. It is the pursuit of pleasure, the trouble to grasp it, that makes us old. Only the soldiers who enter Capua with wounded feet leave it demoralised. And yet George, who never had to wait or fight for a pleasure, fell enervate long before his death. I can but attribute this to the constant persecution to which he was subjected by duns and ministers, parents and wives.
Not that I regret the manner in which he spent his last years. On the contrary, I think it was exceedingly cosy. I like to think of the King, at Windsor, lying abed all the morning in his darkened room, with all the sporting papers scattered over his quilt and a little decanter of the favourite cherry-brandy within easy reach. I like to think of him sitting by his fire in the afternoon and hearing his ministers ask for him at the door and piling another log upon the fire, as he heard them sent away by his servant. It was not, I acknowledge, a life to kindle popular enthusiasm. But most people knew little of its mode. For all they knew, His Majesty might have been making his soul or writing his memoirs. In reality, George was now βtoo fat by farβ to brook the observation of casual eyes. Especially he hated to be seen by those whose memories might bear them back to the time when he had yet a waist. Among his elaborate precautions of privacy was a pair of avant-couriers, who always preceded his pony-chaise in its daily progress through Windsor Great Park and had strict commands to drive back any intruder. In The Veiled Majestic Man, Where Is the Graceful Despot of England? and other lampoons not extant, the scribblers mocked his loneliness. At Whiteβs, one evening, four gentlemen of high fashion vowed, over their wine, they would see the invisible monarch. So they rode down next day to Windsor, and secreted themselves in the branches of a holm-oak. Here they waited perdus, beguiling the hours and the frost with their flasks. When dusk was falling, they heard at last the chime of hoofs on the hard road, and saw presently a splash of the Royal livery, as two grooms trotted by, peering warily from side to side, and disappeared in the gloom. The conspirators in the tree held their breath, till they caught the distant sound of wheels. Nearer and louder came the sound, and soon they saw a white, postillioned pony, a chaise and, yes, girth immensurate among the cushions, a weary monarch, whose face, crimson above the dark accumulation of his stock, was like some ominous sunset.β ββ β¦ He had passed them and they had seen him, monstrous and moribund among the cushions. He had been borne past them like a wounded Bacchanal. The King! The Regent!β ββ β¦ They shuddered in the frosty branches. The night was gathering and they climbed silently to the ground, with an awful, indispellible image before their eyes.
You see, these gentlemen were not philosophers. Remember, also, that the strangeness of their escapade, the cramped attitude they had been compelled to maintain in the branches of the holm-oak, the intense cold and their frequent resort to the flask must have all conspired to exaggerate their emotions and prevent them from looking at things in a rational way. After all, George had lived his life. He had lived more fully than any other man. And it was better really that his death should be preceded by decline. For everyone, obviously, the most desirable kind of death is that which strikes men down, suddenly, in their prime. Had they not been so dangerous, railways would never have ousted the old coaches from popular favour. But, however keenly we may court such a death for ourselves or for those who are near and dear to us, we must always be offended whenever it befall one in whom our interest is aesthetic merely. Had his father permitted George to fight at Waterloo, and had some fatal bullet pierced the padding of that splendid breast, I should have been really annoyed, and this essay would never have been written. Sudden death mars the unity of an admirable life. Natural decline, tapering to tranquillity, is its proper end. As a manβs life begins, faintly, and gives no token of childhoodβs intensity and the
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