Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
Read free book «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Henryk Sienkiewicz
Read book online «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕». Author - Henryk Sienkiewicz
And he pushed her aside gently; but she said—“God grant thy fate and mine to be one, O Aulus!”
Then, failing on her knees, she began to pray with that force which fear for some dear one alone can give.
Aulus passed out to the atrium, where the centurion was waiting for him. It was old Caius Hasta, his former subordinate and companion in British wars.
“I greet thee, general,” said he. “I bring a command, and the greeting of Caesar; here are the tablets and the signet to show that I come in his name.”
“I am thankful to Caesar for the greeting, and I shall obey the command,” answered Aulus. “Be welcome, Hasta, and say what command thou hast brought.”
“Aulus Plautius,” began Hasta, “Caesar has learned that in thy house is dwelling the daughter of the king of the Lygians, whom that king during the life of the divine Claudius gave into the hands of the Romans as a pledge that the boundaries of the empire would never be violated by the Lygians. The divine Nero is grateful to thee, O general, because thou hast given her hospitality in thy house for so many years; but, not wishing to burden thee longer, and considering also that the maiden as a hostage should be under the guardianship of Caesar and the senate, he commands thee to give her into my hands.”
Aulus was too much a soldier and too much a veteran to permit himself regret in view of an order, or vain words, or complaint. A slight wrinkle of sudden anger and pain, however, appeared on his forehead. Before that frown legions in Britain had trembled on a time, and even at that moment fear was evident on the face of Hasta. But in view of the order, Aulus Plautius felt defenseless. He looked for some time at the tablets and the signet; then raising his eyes to the old centurion, he said calmly—“Wait, Hasta, in the atrium till the hostage is delivered to thee.”
After these words he passed to the other end of the house, to the hall called oecus, where Pomponia Graecina, Lygia, and little Aulus were waiting for him in fear and alarm.
“Death threatens no one, nor banishment to distant islands,” said he; “still Caesar’s messenger is a herald of misfortune. It is a question of thee, Lygia.”
“Of Lygia?” exclaimed Pomponia, with astonishment.
“Yes,” answered Aulus.
And turning to the maiden, he began: “Lygia, thou wert reared in our house as our own child; I and Pomponia love thee as our daughter. But know this, that thou art not our daughter. Thou art a hostage, given by thy people to Rome, and guardianship over thee belongs to Caesar. Now Caesar takes thee from our house.”
The general spoke calmly, but with a certain strange, unusual voice. Lygia listened to his words, blinking, as if not understanding what the question was. Pomponia’s cheeks became pallid. In the doors leading from the corridor to the oecus, terrified faces of slaves began to show themselves a second time.
“The will of Caesar must be accomplished,” said Aulus.
“Aulus!” exclaimed Pomponia, embracing the maiden with her arms, as if wishing to defend her, “it would be better for her to die.”
Lygia, nestling up to her breast, repeated, “Mother, mother!” unable in her sobbing to find other words.
On Aulus’s face anger and pain were reflected again. “If I were alone in the world,” said he, gloomily, “I would not surrender her alive, and my relatives might give offerings this day to ‘Jupiter Liberator.’ But I have not the right to kill thee and our child, who may live to happier times. I will go to Caesar this day, and implore him to change his command. Whether he will hear me, I know not. Meanwhile, farewell, Lygia, and know that I and Pomponia ever bless the day in which thou didst take thy seat at our hearth.”
Thus speaking, he placed his hand on her head; but though he strove to preserve his calmness, when Lygia turned to him eyes filled with tears, and seizing his hand pressed it to her lips, his voice was filled with deep fatherly sorrow.
“Farewell, our joy, and the light of our eyes,” said he.
And he went to the atrium quickly, so as not to let himself be conquered by emotion unworthy of a Roman and a general.
Meanwhile Pomponia, when she had conducted Lygia to the cubiculum, began to comfort, console, and encourage her, uttering words meanwhile which sounded strangely in that house, where near them in an adjoining chamber the lararium remained yet, and where the hearth was on which Aulus Plautius, faithful to ancient usage, made offerings to the household divinities. Now the hour of trial had come. On a time Virginius had pierced the bosom of his own daughter to save her from the hands of Appius; still earlier Lucretia had redeemed her shame with her life. The house of Caesar is a den of infamy, of evil, of crime. But we, Lygia, know why we have not the right to raise hands on ourselves! Yes! The law under which we both live is another, a greater, a holier, but it gives permission to defend oneself from evil and shame even should it happen to pay for that defense with life and torment. Whoso goes forth pure from the dwelling of corruption has the greater merit thereby. The earth is that dwelling; but fortunately life is one twinkle of the eye, and resurrection is only from the grave; beyond that not Nero, but Mercy bears rule, and there instead of pain is delight, there instead of tears is rejoicing.
Next she began to speak of herself. Yes! she was calm; but in her breast there was no lack of painful wounds. For example, Aulus was a cataract on her eye; the fountain of light had not flowed to him yet. Neither was it permitted her to rear her son in Truth. When she thought, therefore, that
Comments (0)