Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“Aulus,” said Pomponia. “Nero is only a handful of rotten dust before God.”
But Aulus began to walk with long steps over the mosaic of the pinacotheca. In his life there had been great deeds, but no great misfortunes; hence he was unused to them. The old soldier had grown more attached to Lygia than he himself had been aware of, and now he could not be reconciled to the thought that he had lost her. Besides, he felt humiliated. A hand was weighing on him which he despised, and at the same time he felt that before its power his power was as nothing.
But when at last he stifled in himself the anger which disturbed his thoughts, he said—“I judge that Petronius has not taken her from us for Caesar, since he would not offend Poppaea. Therefore he took her either for himself or Vinicius. Today I will discover this.”
And after a while the litter bore him in the direction of the Palatine. Pomponia, when left alone, went to little Aulus, who did not cease crying for his sister, or threatening Caesar.
VAulus had judged rightly that he would not be admitted to Nero’s presence. They told him that Caesar was occupied in singing with the lute-player, Terpnos, and that in general he did not receive those whom he himself had not summoned. In other words, that Aulus must not attempt in future to see him.
Seneca, though ill with a fever, received the old general with due honor; but when he had heard what the question was, he laughed bitterly, and said—“I can render thee only one service, noble Plautius, not to show Caesar at any time that my heart feels thy pain, or that I should like to aid thee; for should Caesar have the least suspicion on this head, know that he would not give thee back Lygia, though for no other reason than to spite me.”
He did not advise him, either, to go to Tigellinus or Vatinius or Vitellius. It might be possible to do something with them through money; perhaps, also, they would like to do evil to Petronius, whose influence they were trying to undermine, but most likely they would disclose before Nero how dear Lygia was to Plautius, and then Nero would all the more resolve not to yield her to him. Here the old sage began to speak with a biting irony, which he turned against himself: “Thou hast been silent, Plautius, thou hast been silent for whole years, and Caesar does not like those who are silent. How couldst thou help being carried away by his beauty, his virtue, his singing, his declamation, his chariot-driving, and his verses? Why didst thou not glorify the death of Britannicus, and repeat panegyrics in honor of the mother-slayer, and not offer congratulations after the stifling of Octavia? Thou art lacking in foresight, Aulus, which we who live happily at the court possess in proper measure.”
Thus speaking, he raised a goblet which he carried at his belt, took water from a fountain at the impluvium, freshened his burning lips, and continued—“Ah, Nero has a grateful heart. He loves thee because thou hast served Rome and glorified its name at the ends of the earth; he loves me because I was his master in youth. Therefore, seest thou, I know that this water is not poisoned, and I drink it in peace. Wine in my own house would be less reliable. If thou art thirsty, drink boldly of this water. The aqueducts bring it from beyond the Alban hills, and anyone wishing to poison it would have to poison every fountain in Rome. As thou seest, it is possible yet to be safe in this world and to have a quiet old age. I am sick, it is true, but rather in soul than in body.”
This was true. Seneca lacked the strength of soul which Cornutus possessed, for example, or Thrasea; hence his life was a series of concessions to crime. He felt this himself; he understood that an adherent of the principles of Zeno, of Citium, should go by another road, and he suffered more from that cause than from the fear of death itself.
But the general interrupted these reflections full of grief.
“Noble Annaeus,” said he, “I know how Caesar rewarded thee for the care with which thou didst surround his years of youth. But the author of the removal of Lygia is Petronius. Indicate to me a method against him, indicate the influences to which he yields, and use besides with him all the eloquence with which friendship for me of long standing can inspire thee.”
“Petronius and I,” answered Seneca, “are men of two opposite camps; I know of no method against him, he yields to no man’s influence. Perhaps with all his corruption he is worthier than those scoundrels with whom Nero surrounds himself at present. But to show him that he has done an evil deed is to lose time simply. Petronius has lost long since that faculty which distinguishes good from evil. Show him that his act is ugly, he will be ashamed of it. When I see him, I will say, ‘Thy act is worthy of a freedman.’ If that will not help thee, nothing can.”
“Thanks for that, even,” answered the general.
Then he gave command to carry him to the house of Vinicius, whom he found at sword practice with his domestic trainer. Aulus was borne away by terrible anger at sight of the young man occupied calmly with fencing during the attack on Lygia; and barely had the curtain dropped behind the trainer when this anger burst forth in a torrent of bitter reproaches and injuries. But Vinicius, when he learned that Lygia had been carried away, grew so terribly pale that Aulus could not for even an instant suspect him of sharing in
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