Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“General,” said he, with a broken voice, “return home and wait for me. Know that if Petronius were my own father, I would avenge on him the wrong done to Lygia. Return home and wait for me. Neither Petronius nor Caesar will have her.”
Then he went with clinched fists to the waxed masks standing clothed in the atrium, and burst out—“By those mortal masks! I would rather kill her and myself.” When he had said this, he sent another “Wait for me” after Aulus, then ran forth like a madman from the atrium, and flew to Petronius’s house, thrusting pedestrians aside on the way.
Aulus returned home with a certain encouragement. He judged that if Petronius had persuaded Caesar to take Lygia to give her to Vinicius, Vinicius would bring her to their house. Finally, the thought was no little consolation to him, that should Lygia not be rescued she would be avenged and protected by death from disgrace. He believed that Vinicius would do everything that he had promised. He had seen his rage, and he knew the excitability innate in the whole family. He himself, though he loved Lygia as her own father, would rather kill her than give her to Caesar; and had he not regarded his son, the last descendant of his stock, he would doubtless have done so. Aulus was a soldier; he had hardly heard of the Stoics, but in character he was not far from their ideas—death was more acceptable to his pride than disgrace.
When he returned home, he pacified Pomponia, gave her the consolation that he had, and both began to await news from Vinicius. At moments when the steps of some of the slaves were heard in the atrium, they thought that perhaps Vinicius was bringing their beloved child to them, and they were ready in the depth of their souls to bless both. Time passed, however, and no news came. Only in the evening was the hammer heard on the gate.
After a while a slave entered and handed Aulus a letter. The old general, though he liked to show command over himself, took it with a somewhat trembling hand, and began to read as hastily as if it were a question of his whole house.
All at once his face darkened, as if a shadow from a passing cloud had fallen on it.
“Read,” said he, turning to Pomponia.
Pomponia took the letter and read as follows:—
“Marcus Vinicius to Aulus Plautius greeting. What has happened, has happened by the will of Caesar, before which incline your heads, as I and Petronius incline ours.”
A long silence followed.
VIPetronius was at home. The doorkeeper did not dare to stop Vinicius, who burst into the atrium like a storm, and, learning that the master of the house was in the library, he rushed into the library with the same impetus. Finding Petronius writing, he snatched the reed from his hand, broke it, trampled the reed on the floor, then fixed his fingers into his shoulder, and, approaching his face to that of his uncle, asked, with a hoarse voice—“What hast thou done with her? Where is she?”
Suddenly an amazing thing happened. That slender and effeminate Petronius seized the hand of the youthful athlete, which was grasping his shoulder, then seized the other, and, holding them both in his one hand with the grip of an iron vice, he said—“I am incapable only in the morning; in the evening I regain my former strength. Try to escape. A weaver must have taught thee gymnastics, and a blacksmith thy manners.”
On his face not even anger was evident, but in his eyes there was a certain pale reflection of energy and daring. After a while he let the hands of Vinicius drop. Vinicius stood before him shamefaced and enraged.
“Thou hast a steel hand,” said he; “but if thou hast betrayed me, I swear, by all the infernal gods, that I will thrust a knife into thy body, though thou be in the chambers of Caesar.”
“Let us talk calmly,” said Petronius. “Steel is stronger, as thou seest, than iron; hence, though out of one of thy arms two as large as mine might be made, I have no need to fear thee. On the contrary, I grieve over thy rudeness, and if the ingratitude of men could astonish me yet, I should be astonished at thy ingratitude.”
“Where is Lygia?”
“In a brothel—that is, in the house of Caesar.”
“Petronius!”
“Calm thyself, and be seated. I asked Caesar for two things, which he promised me—first, to take Lygia from the house of Aulus, and second to give her to thee. Hast thou not a knife there under the folds of thy toga? Perhaps thou wilt stab me! But I advise thee to wait a couple of days, for thou wouldst be taken to prison, and meanwhile Lygia would be wearied in thy house.”
Silence followed. Vinicius looked for some time with astonished eyes on Petronius; then he said—“Pardon me; I love her, and love is disturbing my faculties.”
“Look at me, Marcus. The day before yesterday I spoke to
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