Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“So it is,” continued Acte. “I too have read the letters of Paul of Tarsus, and I know that above the earth is God, and the Son of God, who rose from the dead; but on the earth there is only Caesar. Think of this, Lygia. I know too that thy doctrine does not permit thee to be what I was, and that to you as to the Stoics—of whom Epictetus has told me—when it comes to a choice between shame and death, it is permitted to choose only death. But canst thou say that death awaits thee and not shame too? Hast thou heard of the daughter of Sejanus, a young maiden, who at command of Tiberius had to pass through shame before her death, so as to respect a law which prohibits the punishment of virgins with death? Lygia, Lygia, do not irritate Caesar. If the decisive moment comes when thou must choose between disgrace and death, thou wilt act as thy faith commands; but seek not destruction thyself, and do not irritate for a trivial cause an earthly and at the same time a cruel divinity.”
Acte spoke with great compassion, and even with enthusiasm; and being a little shortsighted, she pushed her sweet face up to Lygia’s as if wishing to see surely the effect of her words.
But Lygia threw her arms around Acte’s neck with childish trustfulness and said—“Thou art kind, Acte.”
Acte, pleased by the praise and confidence, pressed her to her heart; and then disengaging herself from the arms of the maiden, answered—“My happiness has passed and my joy is gone, but I am not wicked.” Then she began to walk with quick steps through the room and to speak to herself, as if in despair.
“No! And he was not wicked. He thought himself good at that time, and he wished to be good. I know that best. All his change came later, when he ceased to love. Others made him what he is—yes, others—and Poppaea.”
Here her eyelids filled with tears. Lygia followed her for some time with her blue eyes, and asked at last—“Art thou sorry for him, Acte?”
“I am sorry for him!” answered the Grecian, with a low voice. And again she began to walk, her hands clinched as if in pain, and her face without hope.
“Dost thou love him yet, Acte?” asked Lygia, timidly.
“I love him.”
And after a while she added—“No one loves him but me.”
Silence followed, during which Acte strove to recover her calmness, disturbed by memories; and when at length her face resumed its usual look of calm sorrow, she said—
“Let us speak of thee, Lygia. Do not even think of opposing Caesar; that would be madness. And be calm. I know this house well, and I judge that on Caesar’s part nothing threatens thee. If Nero had given command to take thee away for himself, he would not have brought thee to the Palatine. Here Poppaea rules; and Nero, since she bore him a daughter, is more than ever under her influence. No, Nero gave command, it is true, that thou shouldst be at the feast, but he has not seen thee yet; he has not inquired about thee, hence he does not care about thee. Maybe he took thee from Aulus and Pomponia only through anger at them. Petronius wrote me to have care of thee; and since Pomponia too wrote, as thou knowest, maybe they had an understanding. Maybe he did that at her request. If this be true, if he at the request of Pomponia will occupy himself with thee, nothing threatens thee; and who knows if Nero may not send thee back to Aulus at his persuasion? I know not whether Nero loves him over much, but I know that rarely has he the courage to be of an opinion opposite to his.”
“Ah, Acte!” answered Lygia; “Petronius was with us before they took me, and my mother was convinced that Nero demanded my surrender at his instigation.”
“That would be bad,” said Acte. But she stopped for a while, and then said—“Perhaps
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