New Grub Street by George Gissing (best mobile ebook reader .txt) π

Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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On the morning of the third dayβ βit was Saturdayβ βhe kept silence through breakfast, and just as all were about to rise from the table, he made a sudden announcement:
βI shall go to London this afternoon.β
βThis afternoon?β all exclaimed. βBut Monday is your day.β
βNo, I shall go this afternoon, by the 2:45.β
And he left the room. Mrs. Milvain and the girls exchanged looks.
βI suppose he thinks the Sunday will be too wearisome,β said the mother.
βPerhaps so,β Maud agreed, carelessly.
Half an hour later, just as Dora was ready to leave the house for her engagements in Wattleborough, her brother came into the hall and took his hat, saying:
βIβll walk a little way with you, if you donβt mind.β
When they were in the road, he asked her in an offhand manner:
βDo you think I ought to say goodbye to the Yules? Or wonβt it signify?β
βI should have thought you would wish to.β
βI donβt care about it. And, you see, thereβs been no hint of a wish on their part that I should see them in London. No, Iβll just leave you to say goodbye for me.β
βBut they expect to see us today or tomorrow. You told them you were not going till Monday, and you donβt know but Mr. Yule might mean to say something yet.β
βWell, I had rather he didnβt,β replied Jasper, with a laugh.
βOh, indeed?β
βI donβt mind telling you,β he laughed again. βIβm afraid of that girl. No, it wonβt do! You understand that Iβm a practical man, and I shall keep clear of dangers. These days of holiday idleness put all sorts of nonsense into oneβs head.β
Dora kept her eyes down, and smiled ambiguously.
βYou must act as you think fit,β she remarked at length.
βExactly. Now Iβll turn back. Youβll be with us at dinner?β
They parted. But Jasper did not keep to the straight way home. First of all, he loitered to watch a reaping-machine at work; then he turned into a lane which led up the hill on which was John Yuleβs house. Even if he had purposed making a farewell call, it was still far too early; all he wanted to do was to pass an hour of the morning, which threatened to lie heavy on his hands. So he rambled on, and went past the house, and took the field-path which would lead him circuitously home again.
His mother desired to speak to him. She was in the dining-room; in the parlour Maud was practising music.
βI think I ought to tell you of something I did yesterday, Jasper,β Mrs. Milvain began. βYou see, my dear, we have been rather straitened lately, and my health, you know, grows so uncertain, and, all things considered, I have been feeling very anxious about the girls. So I wrote to your uncle William, and told him that I must positively have that money. I must think of my own children before his.β
The matter referred to was this. The deceased Mr. Milvain had a brother who was a struggling shopkeeper in a Midland town. Some ten years ago, William Milvain, on the point of bankruptcy, had borrowed a hundred and seventy pounds from his brother in Wattleborough, and this debt was still unpaid; for on the death of Jasperβs father repayment of the loan was impossible for William, and since then it had seemed hopeless that the sum would ever be recovered. The poor shopkeeper had a large family, and Mrs. Milvain, notwithstanding her own position, had never felt able to press him; her relative, however, often spoke of the business, and declared his intention of paying whenever he could.
βYou canβt recover by law now, you know,β said Jasper.
βBut we have a right to the money, law or no law. He must pay it.β
βHe will simply refuseβ βand be justified. Poverty doesnβt allow of honourable feeling, any more than of compassion. Iβm sorry you wrote like that. You wonβt get anything, and you might as well have enjoyed the reputation of forbearance.β
Mrs. Milvain was not able to appreciate this characteristic remark. Anxiety weighed upon her, and she became irritable.
βI am obliged to say, Jasper, that you seem rather thoughtless. If it were only myself I would make any sacrifice for you; but you must rememberβ ββ
βNow listen, mother,β he interrupted, laying a hand on her shoulder; βI have been thinking about all this, and the fact of the matter is, I shall do my best to ask you for no more money. It may or may not be practicable, but Iβll have a try. So donβt worry. If uncle writes that he canβt pay, just explain why you wrote, and keep him gently in mind of the thing, thatβs all. One doesnβt like to do brutal things if one can avoid them, you know.β
The young man went to the parlour and listened to Maudβs music for awhile. But restlessness again drove him forth. Towards eleven oβclock he was again ascending in the direction of John Yuleβs house. Again he had no intention of calling, but when he reached the iron gates he lingered.
βI will, by Jove!β he said within himself at last. βJust to prove I have complete command of myself. Itβs to be a display of strength, not weakness.β
At the house door he inquired for Mr. Alfred Yule. That gentleman had gone in the carriage to Wattleborough, half an hour ago, with his brother.
βMiss Yule?β
Yes, she was within. Jasper entered the sitting-room, waited a few moments, and Marian appeared. She wore a dress in which Milvain had not yet seen her, and it had the effect of making him regard her attentively. The smile with which she had come towards him passed from her face, which was perchance a little warmer of hue than commonly.
βIβm sorry your
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