New Grub Street by George Gissing (best mobile ebook reader .txt) π

Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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Marian had just caught the far-off sound of the train. She looked eagerly, and in a few moments saw it approaching. The front of the engine blackened nearer and nearer, coming on with dread force and speed. A blinding rush, and there burst against the bridge a great volley of sunlit steam. Milvain and his companion ran to the opposite parapet, but already the whole train had emerged, and in a few seconds it had disappeared round a sharp curve. The leafy branches that grew out over the line swayed violently backwards and forwards in the perturbed air.
βIf I were ten years younger,β said Jasper, laughing, βI should say that was jolly! It enspirits me. It makes me feel eager to go back and plunge into the fight again.β
βUpon me it has just the opposite effect,β fell from Marian, in very low tones.
βOh, donβt say that! Well, it only means that you havenβt had enough holiday yet. I have been in the country more than a week; a few days more and I must be off. How long do you think of staying?β
βNot much more than a week, I think.β
βBy the by, you are coming to have tea with us tomorrow,β Jasper remarked apropos of nothing. Then he returned to another subject that was in his thoughts.
βIt was by a train like that that I first went up to London. Not really the first time; I mean when I went to live there, seven years ago. What spirits I was in! A boy of eighteen going to live independently in London; think of it!β
βYou went straight from school?β
βI was for two years at Redmayne College after leaving Wattleborough Grammar School. Then my father died, and I spent nearly half a year at home. I was meant to be a teacher, but the prospect of entering a school by no means appealed to me. A friend of mine was studying in London for some Civil Service exam, so I declared that I would go and do the same thing.β
βDid you succeed?β
βNot I! I never worked properly for that kind of thing. I read voraciously, and got to know London. I might have gone to the dogs, you know; but by when I had been in London a year a pretty clear purpose began to form in me. Strange to think that you were growing up there all the time. I may have passed you in the street now and then.β
Marian laughed.
βAnd I did at length see you at the British Museum, you know.β
They turned a corner of the road, and came full upon Marianβs father, who was walking in this direction with eyes fixed upon the ground.
βSo here you are!β he exclaimed, looking at the girl, and for the moment paying no attention to Jasper. βI wondered whether I should meet you.β Then, more dryly, βHow do you do, Mr. Milvain?β
In a tone of easy indifference Jasper explained how he came to be accompanying Miss Yule.
βShall I walk on with you, father?β Marian asked, scrutinising his rugged features.
βJust as you please; I donβt know that I should have gone much further. But we might take another way back.β
Jasper readily adapted himself to the wish he discerned in Mr. Yule; at once he offered leave-taking in the most natural way. Nothing was said on either side about another meeting.
The young man proceeded homewards, but, on arriving, did not at once enter the house. Behind the garden was a field used for the grazing of horses; he entered it by the unfastened gate, and strolled idly hither and thither, now and then standing to observe a poor worn-out beast, all skin and bone, which had presumably been sent here in the hope that a little more labour might still be exacted from it if it were suffered to repose for a few weeks. There were sores upon its back and legs; it stood in a fixed attitude of despondency, just flicking away troublesome flies with its grizzled tail.
It was teatime when he went in. Maud was not at home, and Mrs. Milvain, tormented by a familiar headache, kept her room; so Jasper and Dora sat down together. Each had an open book on the table; throughout the meal they exchanged only a few words.
βGoing to play a little?β Jasper suggested when they had gone into the sitting-room.
βIf you like.β
She sat down at the piano, whilst her brother lay on the sofa, his hands clasped beneath his head. Dora did not play badly, but an absentmindedness which was commonly observable in her had its effect upon the music. She at length broke off idly in the middle of a passage, and began to linger on careless chords. Then, without turning her head, she asked:
βWere you serious in what you said about writing storybooks?β
βQuite. I see no reason why you shouldnβt do something in that way. But I tell you what; when I get back, Iβll inquire into the state of the market. I know a man who was once engaged at Jolly & Monkβsβ βthe chief publishers of that kind of thing, you know; I must look him upβ βwhat a mistake it is to neglect any acquaintance!β βand get some information out of him. But itβs obvious what an immense field there is for anyone who can just hit the taste of the new generation of Board school children. Mustnβt be too goody-goody; that kind of thing is falling out of date. But youβd have to cultivate a particular kind of vulgarity. Thereβs an idea, by the by. Iβll write a paper on the characteristics of that new generation; it may bring me a few guineas, and it would be a help to you.β
βBut what do you know about the subject?β asked Dora doubtfully.
βWhat a comical question! It is my business to know something about every subjectβ βor to know where to get the knowledge.β
βWell,β said Dora, after a pause, βthereβs no doubt Maud and I ought to think very seriously about the future. You are aware, Jasper, that mother has
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