New Grub Street by George Gissing (best mobile ebook reader .txt) 📕
Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. He’s forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwin’s increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwin’s nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel that’s true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an “alarmingly modern” writer laser-focused on earning as much money as possible no matter what he’s made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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It was agreed that Miss Harrow and Marian should come on the second day after to have tea with the Milvains. And when Jasper took leave of Alfred Yule, the latter expressed a wish that they might have a walk together one of these mornings.
III HolidayJasper’s favourite walk led him to a spot distant perhaps a mile and a half from home. From a tract of common he turned into a short lane which crossed the Great Western railway, and thence by a stile into certain meadows forming a compact little valley. One recommendation of this retreat was that it lay sheltered from all winds; to Jasper a wind was objectionable. Along the bottom ran a clear, shallow stream, overhung with elder and hawthorn bushes; and close by the wooden bridge which spanned it was a great ash tree, making shadow for cows and sheep when the sun lay hot upon the open field. It was rare for anyone to come along this path, save farm labourers morning and evening.
But today—the afternoon that followed his visit to John Yule’s house—he saw from a distance that his lounging-place on the wooden bridge was occupied. Someone else had discovered the pleasure there was in watching the sun-flecked sparkle of the water as it flowed over the clean sand and stones. A girl in a yellow-straw hat; yes, and precisely the person he had hoped, at the first glance, that it might be. He made no haste as he drew nearer on the descending path. At length his footstep was heard; Marian Yule turned her head and clearly recognised him.
She assumed an upright position, letting one of her hands rest upon the rail. After the exchange of ordinary greetings, Jasper leaned back against the same support and showed himself disposed for talk.
“When I was here late in the spring,” he said, “this ash was only just budding, though everything else seemed in full leaf.”
“An ash, is it?” murmured Marian. “I didn’t know. I think an oak is the only tree I can distinguish. Yet,” she added quickly, “I knew that the ash was late; some lines of Tennyson come to my memory.”
“Which are those?”
“Delaying, as the tender ash delays
To clothe herself when all the woods are green,
somewhere in the Idylls.”
“I don’t remember; so I won’t pretend to—though I should do so as a rule.”
She looked at him oddly, and seemed about to laugh, yet did not.
“You have had little experience of the country?” Jasper continued.
“Very little. You, I think, have known it from childhood?”
“In a sort of way. I was born in Wattleborough, and my people have always lived here. But I am not very rural in temperament. I have really no friends here; either they have lost interest in me, or I in them. What do you think of the girls, my sisters?”
The question, though put with perfect simplicity, was embarrassing.
“They are tolerably intellectual,” Jasper went on, when he saw that it would be difficult for her to answer. “I want to persuade them to try their hands at literary work of some kind or other. They give lessons, and both hate it.”
“Would literary work be less—burdensome?” said Marian, without looking at him.
“Rather more so, you think?”
She hesitated.
“It depends, of course, on—on several things.”
“To be sure,” Jasper agreed. “I don’t think they have any marked faculty for such work; but as they certainly haven’t for teaching, that doesn’t matter. It’s a question of learning a business. I am going through my apprenticeship, and find it a long affair. Money would shorten it, and, unfortunately, I have none.”
“Yes,” said Marian, turning her eyes upon the stream, “money is a help in everything.”
“Without it, one spends the best part of one’s life in toiling for that first foothold which money could at once purchase. To have money is becoming of more and more importance in a literary career; principally because to have money is to have friends. Year by year, such influence grows of more account. A lucky man will still occasionally succeed by dint of his own honest perseverance, but the chances are dead against anyone who can’t make private interest with influential people; his work is simply overwhelmed by that of the men who have better opportunities.”
“Don’t you think that, even today, really good work will sooner or later be recognised?”
“Later, rather than sooner; and very likely the man can’t wait; he starves in the meantime. You understand that I am not speaking of genius; I mean marketable literary work. The quantity turned out is so great that there’s no hope for the special attention of the public unless one can afford to advertise hugely. Take the instance of a successful all-round man of letters; take Ralph Warbury, whose name you’ll see in the first magazine you happen to open. But perhaps he is a friend of yours?”
“Oh no!”
“Well, I wasn’t going to abuse him. I was only going to ask: Is there any quality which distinguishes his work from that of twenty struggling writers one could name? Of course not. He’s a clever, prolific man; so are they. But he began with money and friends; he came from Oxford into the thick of advertised people; his name was mentioned in print six times a week before he had written a dozen articles. This kind of thing will become the rule. Men won’t succeed in literature that they may get into society, but will get into society that they may succeed in literature.”
“Yes, I know it is true,” said Marian, in a low voice.
“There’s a friend of mine who writes novels,” Jasper pursued. “His books are
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