New Grub Street by George Gissing (best mobile ebook reader .txt) π

Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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βIt pleases me to meet you, Mr. Milvain,β he said, as he stretched out his bony hand. βYour name reminds me of a paper in The Wayside a month or two ago, which you will perhaps allow a veteran to say was not ill done.β
βI am grateful to you for noticing it,β replied Jasper.
There was positively a touch of visible warmth upon his cheek. The allusion had come so unexpectedly that it caused him keen pleasure.
Mr. Yule seated himself awkwardly, crossed his legs, and began to stroke the back of his left hand, which lay on his knee. He seemed to have nothing more to say at present, and allowed Miss Harrow and the girls to support conversation. Jasper listened with a smile for a minute or two, then he addressed the veteran.βHave you seen The Study this week, Mr. Yule?β
βYes.β
βDid you notice that it contains a very favourable review of a novel which was tremendously abused in the same columns three weeks ago?β
Mr. Yule started, but Jasper could perceive at once that his emotion was not disagreeable.
βYou donβt say so.β
βYes. The novel is Miss Hawkβs On the Boards. How will the editor get out of this?β
βHβm! Of course Mr. Fadge is not immediately responsible; but itβll be unpleasant for him, decidedly unpleasant.β He smiled grimly. βYou hear this, Marian?β
βHow is it explained, father?β
βMay be accident, of course; butβ βwell, thereβs no knowing. I think it very likely this will be the end of Mr. Fadgeβs tenure of office. Rackett, the proprietor, only wants a plausible excuse for making a change. The paper has been going downhill for the last year; I know of two publishing houses who have withdrawn their advertising from it, and who never send their books for review. Everyone foresaw that kind of thing from the day Mr. Fadge became editor. The tone of his paragraphs has been detestable. Two reviews of the same novel, eh? And diametrically opposed? Ha! Ha!β
Gradually he had passed from quiet appreciation of the joke to undisguised mirth and pleasure. His utterance of the name βMr. Fadgeβ sufficiently intimated that he had some cause of personal discontent with the editor of The Study.
βThe author,β remarked Milvain, βought to make a good thing out of this.β
βWill, no doubt. Ought to write at once to the papers, calling attention to this sample of critical impartiality. Ha! ha!β
He rose and went to the window, where for several minutes he stood gazing at vacancy, the same grim smile still on his face. Jasper in the meantime amused the ladies (his sisters had heard him on the subject already) with a description of the two antagonistic notices. But he did not trust himself to express so freely as he had done at home his opinion of reviewing in general; it was more than probable that both Yule and his daughter did a good deal of such work.
βSuppose we go into the garden,β suggested Miss Harrow, presently. βIt seems a shame to sit indoors on such a lovely afternoon.β
Hitherto there had been no mention of the master of the house. But Mr. Yule now remarked to Jasper:
βMy brother would be glad if you would come and have a word with him. He isnβt quite well enough to leave his room today.β
So, as the ladies went gardenwards, Jasper followed the man of letters upstairs to a room on the first floor. Here, in a deep cane chair, which was placed by the open window, sat John Yule. He was completely dressed, save that instead of coat he wore a dressing-gown. The facial likeness between him and his brother was very strong, but Johnβs would universally have been judged the finer countenance; illness notwithstanding, he had a complexion which contrasted in its pure colour with Alfredβs parchmenty skin, and there was more finish about his features. His abundant hair was reddish, his long moustache and trimmed beard a lighter shade of the same hue.
βSo you too are in league with the doctors,β was his bluff greeting, as he held a hand to the young man and inspected him with a look of slighting good-nature.
βWell, that certainly is one way of regarding the literary profession,β admitted Jasper, who had heard enough of Johnβs way of thinking to understand the remark.
βA young fellow with all the world before him, too. Hang it, Mr. Milvain, is there no less pernicious work you can turn your hand to?β
βIβm afraid not, Mr. Yule. After all, you know, you must be held in a measure responsible for my depravity.β
βHowβs that?β
βI understand that you have devoted most of your life to the making of paper. If that article were not so cheap and so abundant, people wouldnβt have so much temptation to scribble.β
Alfred Yule uttered a short laugh.
βI think you are cornered, John.β
βI wish,β answered John, βthat you were both condemned to write on such paper as I chiefly made; it was a special kind of whitey-brown, used by shopkeepers.β
He chuckled inwardly, and at the same time reached out for a box of cigarettes on a table near him. His brother and Jasper each took one as he offered them, and began to smoke.
βYou would like to see literary production come entirely to an end?β said Milvain.
βI should like to see the business of literature abolished.β
βThereβs a distinction, of course. But, on the whole, I should say that even the business serves a good purpose.β
βWhat purpose?β
βIt helps to spread civilisation.β
βCivilisation!β exclaimed John, scornfully. βWhat do you mean by civilisation? Do you call it civilising men to make them weak, flabby creatures, with ruined eyes and dyspeptic stomachs? Who is it that reads most of the stuff thatβs poured out daily
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