New Grub Street by George Gissing (best mobile ebook reader .txt) π

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Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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βWell, all I can say is,β exclaimed the girl impatiently, βitβs very lucky for him that heβs got a mother who willingly sacrifices her daughters to him.β
βThatβs how you always break out. You donβt care what unkindness you say!β
βItβs a simple truth.β
βDora never speaks like that.β
βBecause sheβs afraid to be honest.β
βNo, because she has too much love for her mother. I canβt bear to talk to you, Maud. The older I get, and the weaker I get, the more unfeeling you are to me.β
Scenes of this kind were no uncommon thing. The clash of tempers lasted for several minutes, then Maud flung out of the room. An hour later, at dinnertime, she was rather more caustic in her remarks than usual, but this was the only sign that remained of the stormy mood.
Jasper renewed the breakfast-table conversation.
βLook here,β he began, βwhy donβt you girls write something? Iβm convinced you could make money if you tried. Thereβs a tremendous sale for religious stories; why not patch one together? I am quite serious.β
βWhy donβt you do it yourself,β retorted Maud.
βI canβt manage stories, as I have told you; but I think you could. In your place, Iβd make a speciality of Sunday-school prize-books; you know the kind of thing I mean. They sell like hot cakes. And thereβs so deuced little enterprise in the business. If youβd give your mind to it, you might make hundreds a year.β
βBetter say βabandon your mind to it.βββ
βWhy, there you are! Youβre a sharp enough girl. You can quote as well as anyone I know.β
βAnd please, why am I to take up an inferior kind of work?β
βInferior? Oh, if you can be a George Eliot, begin at the earliest opportunity. I merely suggested what seemed practicable. But I donβt think you have genius, Maud. People have got that ancient prejudice so firmly rooted in their headsβ βthat one mustnβt write save at the dictation of the Holy Spirit. I tell you, writing is a business. Get together half-a-dozen fair specimens of the Sunday-school prize; study them; discover the essential points of such composition; hit upon new attractions; then go to work methodically, so many pages a day. Thereβs no question of the divine afflatus; that belongs to another sphere of life. We talk of literature as a trade, not of Homer, Dante, and Shakespeare. If I could only get that into poor Reardonβs head. He thinks me a gross beast, often enough. What the devilβ βI mean what on earth is there in typography to make everything it deals with sacred? I donβt advocate the propagation of vicious literature; I speak only of good, coarse, marketable stuff for the worldβs vulgar. You just give it a thought, Maud; talk it over with Dora.β
He resumed presently:
βI maintain that we people of brains are justified in supplying the mob with the food it likes. We are not geniuses, and if we sit down in a spirit of long-eared gravity we shall produce only commonplace stuff. Let us use our wits to earn money, and make the best we can of our lives. If only I had the skill, I would produce novels out-trashing the trashiest that ever sold fifty thousand copies. But it needs skill, mind you: and to deny it is a gross error of the literary pedants. To please the vulgar you must, one way or another, incarnate the genius of vulgarity. For my own part, I shanβt be able to address the bulkiest multitude; my talent doesnβt lend itself to that form. I shall write for the upper middle-class of intellect, the people who like to feel that what they are reading has some special cleverness, but who canβt distinguish between stones and paste. Thatβs why Iβm so slow in warming to the work. Every month I feel surer of myself, however. That last thing of mine in The West End distinctly hit the mark; it wasnβt too flashy, it wasnβt too solid. I heard fellows speak of it in the train.β
Mrs. Milvain kept glancing at Maud, with eyes which desired her attention to these utterances. None the less, half an hour after dinner, Jasper found himself encountered by his sister in the garden, on her face a look which warned him of what was coming.
βI want you to tell me something, Jasper. How much longer shall you look to mother for support? I mean it literally; let me have an idea of how much longer it will be.β
He looked away and reflected.
βTo leave a margin,β was his reply, βlet us say twelve months.β
βBetter say your favourite βten yearsβ at once.β
βNo. I speak by the card. In twelve monthsβ time, if not before, I shall begin to pay my debts. My dear girl, I have the honour to be a tolerably long-headed individual. I know what Iβm about.β
βAnd let us suppose mother were to die within half a year?β
βI should make shift to do very well.β
βYou? And pleaseβ βwhat of Dora and me?β
βYou would write Sunday-school prizes.β
Maud turned away and left him.
He knocked the dust out of the pipe he had been smoking, and again set off for a stroll along the lanes. On his countenance was just a trace of solicitude, but for the most part he wore a thoughtful smile. Now and then he stroked his smoothly-shaven jaws with thumb and fingers. Occasionally he became observant of wayside detailsβ βof the colour of a maple leaf, the shape of a tall thistle, the consistency of a fungus. At the few people who passed he looked keenly, surveying them from head to foot.
On turning, at the limit of his walk, he found himself almost face to face with two persons, who were coming along in silent companionship; their appearance interested him. The one was a man of fifty, grizzled, hard featured, slightly bowed in the shoulders; he wore a grey felt hat with a broad brim and a decent suit of broadcloth. With him was
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