New Grub Street by George Gissing (best mobile ebook reader .txt) π

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Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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Marian urged a hesitating objection.
βBut, under the circumstances, wasnβt it in the authorβs power to make friends? Was money really indispensable?β
βWhy, yesβ βbecause he chose to marry. As a bachelor he might possibly have got into the right circles, though his character would in any case have made it difficult for him to curry favour. But as a married man, without means, the situation was hopeless. Once married you must live up to the standard of the society you frequent; you canβt be entertained without entertaining in return. Now if his wife had brought him only a couple of thousand pounds all might have been well. I should have advised him, in sober seriousness, to live for two years at the rate of a thousand a year. At the end of that time he would have been earning enough to continue at pretty much the same rate of expenditure.β
βPerhaps.β
βWell, I ought rather to say that the average man of letters would be able to do that. As for Reardonβ ββ
He stopped. The name had escaped him unawares.
βReardon?β said Marian, looking up. βYou are speaking of him?β
βI have betrayed myself, Miss Yule.β
βBut what does it matter? You have only spoken in his favour.β
βI feared the name might affect you disagreeably.β
Marian delayed her reply.
βIt is true,β she said, βwe are not on friendly terms with my cousinβs family. I have never met Mr. Reardon. But I shouldnβt like you to think that the mention of his name is disagreeable to me.β
βIt made me slightly uncomfortable yesterdayβ βthe fact that I am well acquainted with Mrs. Edmund Yule, and that Reardon is my friend. Yet I didnβt see why that should prevent my making your fatherβs acquaintance.β
βSurely not. I shall say nothing about it; I mean, as you uttered the name unintentionally.β
There was a pause in the dialogue. They had been speaking almost confidentially, and Marian seemed to become suddenly aware of an oddness in the situation. She turned towards the uphill path, as if thinking of resuming her walk.
βYou are tired of standing still,β said Jasper. βMay I walk back a part of the way with you?β
βThank you; I shall be glad.β
They went on for a few minutes in silence.
βHave you published anything with your signature, Miss Yule?β Jasper at length inquired.
βNothing. I only help father a little.β
The silence that again followed was broken this time by Marian.
βWhen you chanced to mention Mr. Reardonβs name,β she said, with a diffident smile in which lay that suggestion of humour so delightful upon a womanβs face, βyou were going to say something more about him?β
βOnly thatβ ββ he broke off and laughed. βNow, how boyish it was, wasnβt it? I remember doing just the same thing once when I came home from school and had an exciting story to tell, with preservation of anonymities. Of course I blurted out a name in the first minute or two, to my fatherβs great amusement. He told me that I hadnβt the diplomatic character. I have been trying to acquire it ever since.
βBut why?β
βItβs one of the essentials of success in any kind of public life. And I mean to succeed, you know. I feel that I am one of the men who do succeed. But I beg your pardon; you asked me a question. Really, I was only going to say of Reardon what I had said before: that he hasnβt the tact requisite for acquiring popularity.β
βThen I may hope that it isnβt his marriage with my cousin which has proved a fatal misfortune?β
βIn no case,β replied Milvain, averting his look, βwould he have used his advantages.β
βAnd now? Do you think he has but poor prospects?β
βI wish I could see any chance of his being estimated at his right value. Itβs very hard to say what is before him.β
βI knew my cousin Amy when we were children,β said Marian, presently. βShe gave promise of beauty.β
βYes, she is beautiful.β
βAndβ βthe kind of woman to be of help to such a husband?β
βI hardly know how to answer, Miss Yule,β said Jasper, looking frankly at her. βPerhaps I had better say that itβs unfortunate they are poor.β
Marian cast down her eyes.
βTo whom isnβt it a misfortune?β pursued her companion. βPoverty is the root of all social ills; its existence accounts even for the ills that arise from wealth. The poor man is a man labouring in fetters. I declare there is no word in our language which sounds so hideous to me as βPoverty.βββ
Shortly after this they came to the bridge over the railway line. Jasper looked at his watch.
βWill you indulge me in a piece of childishness?β he said. βIn less than five minutes a London express goes by; I have often watched it here, and it amuses me. Would it weary you to wait?β
βI should like to,β she replied with a laugh.
The line ran along a deep cutting, from either side of which grew hazel bushes and a few larger trees. Leaning upon the parapet of the bridge, Jasper kept his eye in the westward direction, where the gleaming rails were visible for more than a mile. Suddenly he raised his finger.
βYou
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