Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âIt is the carriage returned,â said Shirley; âand dinner must be just ready, and I am not dressed.â
A servant came in with Mr. Mooreâs candle and tea; for the tutor and his pupil usually dined at luncheon time.
âMr. Sympson and the ladies are returned,â she said, âand Sir Philip Nunnely is with them.â
âHow you did start, and how your hand trembled, Shirley!â said Henry, when the maid had closed the shutter and was gone. âBut I know whyâ âdonât you, Mr. Moore? I know what papa intends. He is a little ugly man, that Sir Philip. I wish he had not come. I wish sisters and all of them had stayed at De Walden Hall to dine.â âShirley should once more have made tea for you and me, Mr. Moore, and we would have had a happy evening of it.â
Moore was locking up his desk and putting away his St. Pierre. âThat was your plan, was it, my boy?â
âDonât you approve it, sir?â
âI approve nothing utopian. Look Life in its iron face; stare Reality out of its brassy countenance. Make the tea, Henry; I shall be back in a minute.â
He left the room; so did Shirley, by another door.
XXVIII PhoebeShirley probably got on pleasantly with Sir Philip that evening, for the next morning she came down in one of her best moods.
âWho will take a walk with me?â she asked, after breakfast. âIsabella and Gertrude, will you?â
So rare was such an invitation from Miss Keeldar to her female cousins that they hesitated before they accepted it. Their mamma, however, signifying acquiescence in the project, they fetched their bonnets, and the trio set out.
It did not suit these three young persons to be thrown much together. Miss Keeldar liked the society of few ladies; indeed, she had a cordial pleasure in that of none except Mrs. Pryor and Caroline Helstone. She was civil, kind, attentive even to her cousins; but still she usually had little to say to them. In the sunny mood of this particular morning, she contrived to entertain even the Misses Sympson. Without deviating from her wonted rule of discussing with them only ordinary themes, she imparted to these themes an extraordinary interest; the sparkle of her spirit glanced along her phrases.
What made her so joyous? All the cause must have been in herself. The day was not bright. It was dimâ âa pale, waning autumn day. The walks through the dun woods were damp; the atmosphere was heavy, the sky overcast; and yet it seemed that in Shirleyâs heart lived all the light and azure of Italy, as all its fervour laughed in her gray English eye.
Some directions necessary to be given to her foreman, John, delayed her behind her cousins as they neared Fieldhead on their return. Perhaps an interval of twenty minutes elapsed between her separation from them and her re-entrance into the house. In the meantime she had spoken to John, and then she had lingered in the lane at the gate. A summons to luncheon called her in. She excused herself from the meal, and went upstairs.
âIs not Shirley coming to luncheon?â asked Isabella. âShe said she was hungry.â
An hour after, as she did not quit her chamber, one of her cousins went to seek her there. She was found sitting at the foot of the bed, her head resting on her hand; she looked quite pale, very thoughtful, almost sad.
âYou are not ill?â was the question put.
âA little sick,â replied Miss Keeldar.
Certainly she was not a little changed from what she had been two hours before.
This change, accounted for only by those three words, explained no otherwise; this changeâ âwhencesoever springing, effected in a brief ten minutesâ âpassed like no light summer cloud. She talked when she joined her friends at dinner, talked as usual. She remained with them during the evening. When again questioned respecting her health, she declared herself perfectly recovered. It had been a mere passing faintness, a momentary sensation, not worth a thought; yet it was felt there was a difference in Shirley.
The next dayâ âthe day, the week, the fortnight afterâ âthis new and peculiar shadow lingered on the countenance, in the manner of Miss Keeldar. A strange quietude settled over her look, her movements, her very voice. The alteration was not so marked as to court or permit frequent questioning, yet it was there, and it would not pass away. It hung over her like a cloud which no breeze could stir or disperse. Soon it became evident that to notice this change was to annoy her. First she shrank from remark; and, if persisted in, she, with her own peculiar hauteur, repelled it. âWas she ill?â The reply came with decision.
âI am not.â
âDid anything weigh on her mind? Had anything happened to affect her spirits?â
She scornfully ridiculed the idea. âWhat did they mean by spirits? She had no spirits, black or white, blue or gray, to affect.â
âSomething must be the matterâ âshe was so altered.â
âShe supposed she had a right to alter at her ease. She knew she was plainer. If it suited her to grow ugly, why need others fret themselves on the subject?â
âThere must be a cause for the change. What was it?â
She peremptorily requested to be let alone.
Then she would make every effort to appear quite gay, and she seemed indignant at herself that she could not perfectly succeed. Brief self-spurning epithets burst from her lips when alone. âFool! coward!â she would term herself. âPoltroon!â she would say, âif you must tremble, tremble in secret! Quail where no eye sees you!â
âHow dare you,â she would ask herselfâ ââhow dare you show your weakness and betray your imbecile anxieties? Shake them off; rise above them. If you cannot do this, hide them.â
And to hide them she did her best. She once more became resolutely lively in company. When weary of effort and forced to relax, she sought solitudeâ ânot the solitude of her chamber (she refused to mope, shut up between four walls),
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