Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕

when the announcement was made at last that the ludus would begin again after three days’ interval.

Meanwhile beautiful weather returned. The amphitheater was filled at daybreak with thousands of people. Caesar came early with the vestals and the court. The spectacle was to begin with a battle among the Christians, who to this end were arrayed as gladiators and furnished with all kinds of weapons which served gladiators by profession in offensive and defensive struggles. But here came disappointment. The Christians threw nets, darts, tridents, and swords on the arena, embraced and encouraged one another to endurance in view of torture and death. At this deep indignation and resentment seized the hearts of the multitude. Some reproached the Christians with cowardice and pusillanimity; others asserted that they refused to fight through hatred of the people, so as to deprive them of that pleasure which the sight of bravery produces. Finally, at command of Caesar, real gladiators were let out, who dispatched in one twinkle the kneeling and defenseless victims.

When these bodies were removed, the spectacle was a series of mythologic pictures⁠—Caesar’s own idea. The audience saw Hercules blazing in living fire on Mount Oeta. Vinicius had trembled at the thought that the role of Hercules might be intended for Ursus; but evidently the turn of Lygia’s faithful servant had not come, for on the pile some other Christian was burning⁠—a man quite unknown to Vinicius. In the next picture Chilo, whom Caesar would not excuse from attendance, saw acquaintances. The death of Daedalus was represented, and also that of Icarus. In the role of Daedalus appeared Euricius, that old man who had given Chilo the sign of the fish; the role of Icarus was taken by his son, Quartus. Both were raised aloft with cunning machinery, and then hurled suddenly from an immense height to the arena. Young Quartus fell so near Caesar’s podium that he spattered with blood not only the external ornaments but the purple covering spread over the front of the podium. Chilo did not see the fall, for he closed his eyes; but he heard the dull thump of the body, and when after a time he saw blood there close to him, he came near fainting a second time.

The pictures changed quickly. The shameful torments of maidens violated before death by gladiators dressed as wild beasts, delighted the hearts of the rabble. They saw priestesses of Cybele and Ceres, they saw the Danaides, they saw Dirce and Pasiphaë; finally they saw young girls, not mature yet, torn asunder by wild horses. Every moment the crowd applauded new ideas of Nero, who, proud of them, and made happy by plaudits, did not take the emerald from his eye for one instant while looking at white bodies torn with iron, and the convulsive quivering of victims.

Pictures were given also from the history of the city. After the maidens they saw Mucius Scaevola, whose hand fastened over a fire to a tripod filled the amphitheater with the odor of burnt flesh; but this man, like the real Scaevola, remained without a groan, his eyes raised and the murmur of prayer on his blackening lips. When he had expired and his body was dragged to the spoliarium, the usual midday interlude followed. Caesar with the vestals and the Augustians left the amphitheater, and withdrew to an immense scarlet tent erected purposely; in this was prepared for him and the guests a magnificent prandium. The spectators for the greater part followed his example, and, streaming out, disposed themselves in picturesque groups around the tent, to rest their limbs wearied from long sitting, and enjoy the food which, through Caesar’s favor, was served by slaves to them. Only the most curious descended to the arena itself, and, touching with their fingers lumps of sand held together by blood, conversed, as specialists and amateurs, of that which had happened and of that which was to follow. Soon even these went away, lest they might be late for the feast; only those few were left who stayed not through curiosity, but sympathy for the coming victims. Those concealed themselves behind seats or in the lower places.

Meanwhile the arena was leveled, and slaves began to dig holes one near the other in rows throughout the whole circuit from side to side, so that the last row was but a few paces distant from Caesar’s podium. From outside came the murmur of people, shouts and plaudits, while within they were preparing in hot haste for new tortures. The cunicula were opened simultaneously, and in all passages leading to the arena were urged forward crowds of Christians naked and carrying crosses on their shoulders. The whole arena was filled with them. Old men, bending under the weight of wooden beams, ran forward; at the side of these went men in the prime of life, women with loosened hair behind which they strove to hide their nakedness, small boys, and little children. The crosses, for the greater part, as well as the victims, were wreathed with flowers. The servants of the amphitheater beat the unfortunates with clubs, forcing them to lay down their crosses near the holes prepared, and stand themselves there in rows. Thus were to perish those whom executioners had had no chance to drive out as food for dogs and wild beasts the first day of the games. Black slaves seized the victims, laid them face upward on the wood, and fell to nailing their hands hurriedly and quickly to the arms of the crosses, so that people returning after the interlude might find all the crosses standing. The whole amphitheater resounded with the noise of hammers which echoed through all the rows, went out to the space surrounding the amphitheater, and into the tent where Caesar was entertaining his suite and the vestals. There he drank wine, bantered with Chilo, and whispered strange words in the ears of the priestesses of Vesta; but on the arena the