Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Again he waitedâ âwaited in silence, absolutely not daring to speak, kept mute by something in Shirleyâs faceâ âa very awful somethingâ âinscrutable to him as the writing on the wall to Belshazzar. He was moved more than once to call Daniel, in the person of Louis Moore, and to ask an interpretation; but his dignity forbade the familiarity. Daniel himself, perhaps, had his own private difficulties connected with that baffling bit of translation; he looked like a student for whom grammars are blank and dictionaries dumb.
Mr. Sympson had been out, to while away an anxious hour in the society of his friends at De Walden Hall. He returned a little sooner than was expected. His family and Miss Keeldar were assembled in the oak parlour. Addressing the latter, he requested her to step with him into another room. He wished to have with her a âstrictly private interview.â
She rose, asking no questions and professing no surprise.
âVery well, sir,â she said, in the tone of a determined person who is informed that the dentist is come to extract that large double tooth of his, from which he has suffered such a purgatory this month past. She left her sewing and her thimble in the window-seat, and followed her uncle where he led.
Shut into the drawing-room, the pair took seats, each in an armchair, placed opposite, a few yards between them.
âI have been to De Walden Hall,â said Mr. Sympson. He paused. Miss Keeldarâs eyes were on the pretty white-and-green carpet. That information required no response. She gave none.
âI have learned,â he went on slowlyâ ââI have learned a circumstance which surprises me.â
Resting her cheek on her forefinger, she waited to be told what circumstance.
âIt seems that Nunnely Priory is shut upâ âthat the family are gone back to their place in âžșâ shire. It seems that the baronetâ âthat the baronetâ âthat Sir Philip himself has accompanied his mother and sisters.â
âIndeed!â said Shirley.
âMay I ask if you share the amazement with which I received this news?â
âNo, sir.â
âIs it news to you?â
âYes, sir.â
âI meanâ âI mean,â pursued Mr. Sympson, now fidgeting in his chair, quitting his hitherto brief and tolerably clear phraseology, and returning to his customary wordy, confused, irritable styleâ ââI mean to have a thorough explanation. I will not be put off. Iâ âIâ âshall insist on being heard, and onâ âon having my own way. My questions must be answered. I will have clear, satisfactory replies. I am not to be trifled with.â (Silence.)
âIt is a strange and an extraordinary thingâ âa very singularâ âa most odd thing! I thought all was right, knew no other; and thereâ âthe family are gone!â
âI suppose, sir, they had a right to go.â
âSir Philip is gone!â (with emphasis).
Shirley raised her brows. âBon voyage!â said she.
âThis will not do; this must be altered, maâam.â
He drew his chair forward; he pushed it back; he looked perfectly incensed, and perfectly helpless.
âCome, come now, uncle,â expostulated Shirley, âdo not begin to fret and fume, or we shall make no sense of the business. Ask me what you want to know. I am as willing to come to an explanation as you. I promise you truthful replies.â
âI wantâ âI demand to know, Miss Keeldar, whether Sir Philip has made you an offer?â
âHe has.â
âYou avow it?â
âI avow it. But now, go on. Consider that point settled.â
âHe made you an offer that night we dined at the priory?â
âIt is enough to say that he made it. Go on.â
âHe proposed in the recessâ âin the room that used to be a picture-galleryâ âthat Sir Monckton converted into it saloon?â
No answer.
âYou were both examining a cabinet. I saw it all. My sagacity was not at faultâ âit never is. Subsequently you received a letter from him. On what subjectâ âof what nature were the contents?â
âNo matter.â
âMaâam, is that the way in which you speak to me?â
Shirleyâs foot tapped quick on the carpet.
âThere you sit, silent and sullenâ âyou who promised truthful replies.â
âSir, I have answered you thus far. Proceed.â
âI should like to see that letter.â
âYou cannot see it.â
âI must and shall, maâam; I am your guardian.â
âHaving ceased to be a ward, I have no guardian.â
âUngrateful being! Reared by me as my own daughterâ ââ
âOnce more, uncle, have the kindness to keep to the point. Let us both remain cool. For my part, I do not wish to get into a passion; but, you know, once drive me beyond certain bounds, I care little what I sayâ âI am not then soon checked. Listen! You have asked me whether Sir Philip made me an offer. That question is answered. What do you wish to know next?â
âI desire to know whether you accepted or refused him, and know it I will.â
âCertainly, you ought to know it. I refused him.â
âRefused him! Youâ âyou, Shirley Keeldar, refused Sir Philip Nunnely?â
âI did.â
The poor gentleman bounced from his chair, and first rushed and then trotted through the room.
âThere it is! There it is! There it is!â
âSincerely speaking, I am sorry, uncle, you are so disappointed.â
Concession, contrition, never do any good with some people. Instead of softening and conciliating, they but embolden and harden them. Of that number was Mr. Sympson.
âI disappointed? What is it to me? Have I an interest in it? You would insinuate, perhaps, that I have motives?â
âMost people have motives of some sort for their actions.â
âShe accuses me to my face! I, that have been a parent to her, she charges with bad motives!â
âBad motives I did not say.â
âAnd now you prevaricate; you have no principles!â
âUncle, you tire me. I want to go away.â
âGo you shall not! I will be answered. What are your intentions, Miss Keeldar?â
âIn what respect?â
âIn respect of matrimony?â
âTo be quiet, and to do just as I please.â
âJust as you please! The words are to the last degree indecorous.â
âMr. Sympson, I advise you not to become insulting. You know
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