Lavengro by George Borrow (read me a book txt) π
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrowβs early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the βsequelβ to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrowβs subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrowβs discussions with βthe man in black,β depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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- Author: George Borrow
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I declined his offer, assigning as a reason the recent death of Mrs. Hearne, of which I was the cause, although innocent. βA pretty life I should lead with those two,β said I, βwhen they came to know it.β βPooh,β said Mr. Petulengro, βthey will never know it. I shanβt blab, and as for Leonora, that girl has a head on her shoulders.β βUnlike the woman in the sign,β said I, βwhose head is cut off. You speak nonsense, Mr. Petulengro; as long as a woman has a head on her shoulders sheβll talkβ βbut, leaving women out of the case, it is impossible to keep anything a secret; an old master of mine told me so long ago. I have moreover another reason for declining your offer. I am at present not disposed for society. I am become fond of solitude. I wish I could find some quiet place to which I could retire to hold communion with my own thoughts, and practise, if I thought fit, either of my trades.β βWhat trades?β said Mr. Petulengro. βWhy, the one which I have lately been engaged in, or my original one, which I confess I should like better, that of a kaulomescro.β βAh, I have frequently heard you talk of making horseshoes,β said Mr. Petulengro. βI, however, never saw you make one, and no one else that I am aware. I donβt believeβ βcome, brother, donβt be angry, itβs quite possible that you may have done things which neither I nor anyone else has seen you do, and that such things may some day or other come to light, as you say nothing can be kept secret. Be that, however, as it may, pay the reckoning and let us be going; I think I can advise you to just such a kind of place as you seem to want.β
βAnd how do you know that I have got wherewithal to pay the reckoning?β I demanded. βBrother,β said Mr. Petulengro, βI was just now looking in your face, which exhibited the very look of a person conscious of the possession of property; there was nothing hungry or sneaking in it. Pay the reckoning, brother.β
And when we were once more upon the road Mr. Petulengro began to talk of the place which he conceived would serve me as a retreat under present circumstances. βI tell you frankly, brother, that it is a queer kind of place, and I am not very fond of pitching my tent in it, it is so surprisingly dreary. It is a deep dingle in the midst of a large field, on an estate about which there has been a lawsuit for some years past. I daresay you will be quiet enough, for the nearest town is five miles distant, and there are only a few huts and hedge public-houses in the neighbourhood. Brother, I am fond of solitude myself, but not that kind of solitude; I like a quiet heath, where I can pitch my house, but I always like to have a gay, stirring place not far off, where the women can pen dukkerin, and I myself can sell or buy a horse, if needfulβ βsuch a place as the Chong Gav. I never feel so merry as when there, brother, or on the heath above it, where I taught you Rommany.β
Shortly after this discourse we reached a milestone, and a few yards from the milestone, on the left hand, was a crossroad. Thereupon Mr. Petulengro said: βBrother, my path lies to the left; if you choose to go with me to my camp, good, if not, Chal Devlehi.β But I again refused Mr. Petulengroβs invitation, and, shaking him by the hand, proceeded forward alone, and about ten miles farther on I reached the town of which he had spoken, and following certain directions which he had given, discovered, though not without some difficulty, the dingle which he had mentioned.200 It was a deep hollow in the midst of a wide field, the shelving sides were overgrown with trees and bushes, a belt of sallows surrounded it on the top, a steep winding path led down into the depths, practicable, however, for a light cart, like mine; at the bottom was an open space, and there I pitched my tent, and there I contrived to put up my forge. βI will here ply the trade of kaulomescro,β said I.
LXXXIIIIt has always struck me that there is something highly poetical about a forge. I am not singular in this opinion: various individuals have assured me that they can never pass by one, even in the midst of a crowded town, without experiencing sensations which they can scarcely define, but which are highly pleasurable. I have a decided penchant for forges, especially rural ones, placed in some quaint, quiet spotβ βa dingle, for example, which is a poetical place, or at a meeting of four roads, which is still more so; for how many a superstitionβ βand superstition is the soul of poetryβ βis connected with these crossroads! I love to light upon such a one, especially after nightfall, as everything about a forge tells to most advantage at night; the hammer sounds more solemnly in the stillness; the glowing particles scattered by the strokes sparkle with more effect in the darkness, whilst the sooty
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