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I left it off; and when I have finished the song, I take out the iron, but this time with my plaistra, or pincers, and then I recommence hammering, turning the iron round and round with my pincers: and now I bend the iron, and lo, and behold, it has assumed something the outline of a petul.

I am not going to enter into further details with respect to the process⁠—it was rather a wearisome one. I had to contend with various disadvantages; my forge was a rude one, my tools might have been better; I was in want of one or two highly necessary implements, but, above all, manual dexterity. Though free of the forge, I had not practised the albeytarian art for very many years, never since⁠—but stay, it is not my intention to tell the reader, at least in this place, how and when I became a blacksmith. There was one thing, however, which stood me in good stead in my labour, the same thing which through life has ever been of incalculable utility to me, and has not unfrequently supplied the place of friends, money, and many other things of almost equal importance⁠—iron perseverance, without which all the advantages of time and circumstance are of very little avail in any undertaking. I was determined to make a horseshoe, and a good one, in spite of every obstacle⁠—ay, in spite of dukkerin. At the end of four days, during which I had fashioned and refashioned the thing at least fifty times, I had made a petul such as no master of the craft need have been ashamed of; with the second shoe I had less difficulty, and, by the time I had made the fourth, I would have scorned to take off my hat to the best smith in Cheshire.

But I had not yet shod my little gry; this I proceeded now to do. After having first well pared the hoofs with my churi, I applied each petul hot, glowing hot to the pindro. Oh, how the hoofs hissed; and, oh, the pleasant, pungent odour which diffused itself through the dingle, an odour good for an ailing spirit.

I shod the little horse bravely⁠—merely pricked him once, slightly, with a cafi, for doing which, I remember, he kicked me down; I was not disconcerted, however, but, getting up, promised to be more cautious in future; and having finished the operation, I filed the hoof well with the rin baro; then dismissed him to graze amongst the trees, and, putting my smaller tools into the muchtar, I sat down on my stone, and, supporting my arm upon my knee, leaned my head upon my hand. Heaviness had come over me.

LXXXIV

Heaviness had suddenly come over me, heaviness of heart, and of body also. I had accomplished the task which I had imposed upon myself, and now that nothing more remained to do, my energies suddenly deserted me, and I felt without strength, and without hope. Several causes, perhaps, cooperated to bring about the state in which I then felt myself. It is not improbable that my energies had been overstrained during the work, the progress of which I have attempted to describe; and everyone is aware that the results of overstrained energies are feebleness and lassitude⁠—want of nourishment might likewise have something to do with it. During my sojourn in the dingle, my food had been of the simplest and most unsatisfying description, by no means calculated to support the exertion which the labour I had been engaged upon required; it had consisted of coarse oaten cakes, and hard cheese, and for beverage I had been indebted to a neighbouring pit, in which, in the heat of the day, I frequently saw, not golden or silver fish, but frogs and eftes swimming about. I am, however, inclined to believe that Mrs. Hearne’s cake had quite as much to do with the matter as insufficient nourishment. I had never entirely recovered from the effects of its poison, but had occasionally, especially at night, been visited by a grinding pain in the stomach, and my whole body had been suffused with cold sweat; and indeed these memorials of the drow have never entirely disappeared⁠—even at the present time they display themselves in my system, especially after much fatigue of body and excitement of mind. So there I sat in the dingle upon my stone, nerveless and hopeless, by whatever cause or causes that state had been produced⁠—there I sat with my head leaning upon my hand, and so I continued a long, long time. At last I lifted my head from my hand, and began to cast anxious, unquiet looks about the dingle⁠—the entire hollow was now enveloped in deep shade⁠—I cast my eyes up; there was a golden gleam on the tops of the trees which grew towards the upper parts of the dingle, but lower down all was gloom and twilight, yet, when I first sat down on my stone, the sun was right above the dingle, illuminating all its depths by the rays which it cast perpendicularly down, so I must have sat a long, long time upon my stone. And now, once more, I rested my head upon my hand, but almost instantly lifted it again in a kind of fear, and began looking at the objects before me, the forge, the tools, the branches of the trees, endeavouring to follow their rows, till they were lost in the darkness of the dingle; and now I found my right hand grasping convulsively the three forefingers of the left, first collectively, and then successively, wringing them till the joints cracked; then I became quiet, but not for long.

Suddenly I started up, and could scarcely repress the shriek which was rising to my lips. Was it possible? Yes, all too certain; the evil one was

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