Lavengro by George Borrow (read me a book txt) π
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Lavengro, the Scholar, the Gypsy, the Priest, published in 1851, is a heavily fictionalized account of George Borrowβs early years. Borrow, born in 1803, was a writer and self-taught polyglot, fluent in many European languages, and a lover of literature.
The Romany Rye, published six years later in 1857, is sometimes described as the βsequelβ to Lavengro, but in fact it begins with a straight continuation of the action of the first book, which breaks off rather suddenly. The two books therefore are best considered as a whole and read together, and this Standard Ebooks edition combines the two into one volume.
In the novel Borrow tells of his upbringing as the son of an army recruiting officer, moving with the regiment to different locations in Britain, including Scotland and Ireland. It is in Ireland that he first encounters a strange new language which he is keen to learn, leading to a life-long passion for acquiring new tongues. A couple of years later in England, he comes across a camp of gypsies and meets the gypsy Jasper Petulengro, who becomes a life-long friend. Borrow is delighted to discover that the Romany have their own language, which of course he immediately sets out to learn.
Borrowβs subsequent life, up to his mid-twenties, is that of a wanderer, traveling from place to place in Britain, encountering many interesting individuals and having a variety of entertaining adventures. He constantly comes in contact with the gypsies and with Petulengro, and becomes familiar with their language and culture.
The book also includes a considerable amount of criticism of the Catholic Church and its priests. Several chapters are devoted to Borrowβs discussions with βthe man in black,β depicted as a cynical Catholic priest who has no real belief in the religious teachings of the Church but who is devoted to seeing it reinstated in England in order for its revenues to increase.
Lavengro was not an immediate critical success on its release, but after Borrow died in 1881, it began to grow in popularity and critical acclaim. It is now considered a classic of English Literature. This Standard Ebooks edition of Lavengro and The Romany Rye is based on the editions published by John Murray and edited by W. I. Knapp, with many clarifying notes.
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- Author: George Borrow
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I am not going to enter into further details with respect to the processβ βit was rather a wearisome one. I had to contend with various disadvantages; my forge was a rude one, my tools might have been better; I was in want of one or two highly necessary implements, but, above all, manual dexterity. Though free of the forge, I had not practised the albeytarian art for very many years, never sinceβ βbut stay, it is not my intention to tell the reader, at least in this place, how and when I became a blacksmith. There was one thing, however, which stood me in good stead in my labour, the same thing which through life has ever been of incalculable utility to me, and has not unfrequently supplied the place of friends, money, and many other things of almost equal importanceβ βiron perseverance, without which all the advantages of time and circumstance are of very little avail in any undertaking. I was determined to make a horseshoe, and a good one, in spite of every obstacleβ βay, in spite of dukkerin. At the end of four days, during which I had fashioned and refashioned the thing at least fifty times, I had made a petul such as no master of the craft need have been ashamed of; with the second shoe I had less difficulty, and, by the time I had made the fourth, I would have scorned to take off my hat to the best smith in Cheshire.
But I had not yet shod my little gry; this I proceeded now to do. After having first well pared the hoofs with my churi, I applied each petul hot, glowing hot to the pindro. Oh, how the hoofs hissed; and, oh, the pleasant, pungent odour which diffused itself through the dingle, an odour good for an ailing spirit.
I shod the little horse bravelyβ βmerely pricked him once, slightly, with a cafi, for doing which, I remember, he kicked me down; I was not disconcerted, however, but, getting up, promised to be more cautious in future; and having finished the operation, I filed the hoof well with the rin baro; then dismissed him to graze amongst the trees, and, putting my smaller tools into the muchtar, I sat down on my stone, and, supporting my arm upon my knee, leaned my head upon my hand. Heaviness had come over me.
LXXXIVHeaviness had suddenly come over me, heaviness of heart, and of body also. I had accomplished the task which I had imposed upon myself, and now that nothing more remained to do, my energies suddenly deserted me, and I felt without strength, and without hope. Several causes, perhaps, cooperated to bring about the state in which I then felt myself. It is not improbable that my energies had been overstrained during the work, the progress of which I have attempted to describe; and everyone is aware that the results of overstrained energies are feebleness and lassitudeβ βwant of nourishment might likewise have something to do with it. During my sojourn in the dingle, my food had been of the simplest and most unsatisfying description, by no means calculated to support the exertion which the labour I had been engaged upon required; it had consisted of coarse oaten cakes, and hard cheese, and for beverage I had been indebted to a neighbouring pit, in which, in the heat of the day, I frequently saw, not golden or silver fish, but frogs and eftes swimming about. I am, however, inclined to believe that Mrs. Hearneβs cake had quite as much to do with the matter as insufficient nourishment. I had never entirely recovered from the effects of its poison, but had occasionally, especially at night, been visited by a grinding pain in the stomach, and my whole body had been suffused with cold sweat; and indeed these memorials of the drow have never entirely disappearedβ βeven at the present time they display themselves in my system, especially after much fatigue of body and excitement of mind. So there I sat in the dingle upon my stone, nerveless and hopeless, by whatever cause or causes that state had been producedβ βthere I sat with my head leaning upon my hand, and so I continued a long, long time. At last I lifted my head from my hand, and began to cast anxious, unquiet looks about the dingleβ βthe entire hollow was now enveloped in deep shadeβ βI cast my eyes up; there was a golden gleam on the tops of the trees which grew towards the upper parts of the dingle, but lower down all was gloom and twilight, yet, when I first sat down on my stone, the sun was right above the dingle, illuminating all its depths by the rays which it cast perpendicularly down, so I must have sat a long, long time upon my stone. And now, once more, I rested my head upon my hand, but almost instantly lifted it again in a kind of fear, and began looking at the objects before me, the forge, the tools, the branches of the trees, endeavouring to follow their rows, till they were lost in the darkness of the dingle; and now I found my right hand grasping convulsively the three forefingers of the left, first collectively, and then successively, wringing them till the joints cracked; then I became quiet, but not for long.
Suddenly I started up, and could scarcely repress the shriek which was rising to my lips. Was it possible? Yes, all too certain; the evil one was
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