Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI am going, however, Mr. Moore,â said the rector sternly. âCome with me or not, as you please.â
âNay, he shall not have the choice; he shall go with you,â responded Yorke. âItâs midnight, and past; and Iâll have nobâdy staying up iâ my house any longer. Ye mun all go.â
He rang the bell.
âDeb,â said he to the servant who answered it, âclear them folk out oâ tâ kitchen, and lock tâ doors, and be off to bed.â âHere is your way, gentlemen,â he continued to his guests; and, lighting them through the passage, he fairly put them out at his front door.
They met their party hurrying out pell-mell by the back way. Their horses stood at the gate; they mounted, and rode off, Moore laughing at their abrupt dismissal, Helstone deeply indignant thereat.
V Hollowâs CottageMooreâs good spirits were still with him when he rose next morning. He and Joe Scott had both spent the night in the mill, availing themselves of certain sleeping accommodations producible from recesses in the front and back countinghouses. The master, always an early riser, was up somewhat sooner even than usual. He awoke his man by singing a French song as he made his toilet.
âYeâre not custen dahn, then, maister?â cried Joe.
âNot a stiver, mon garçonâ âwhich means, my lad. Get up, and weâll take a turn through the mill before the hands come in, and Iâll explain my future plans. Weâll have the machinery yet, Joseph. You never heard of Bruce, perhaps?â
âAnd thâ arrand (spider)? Yes, but I hev. Iâve read thâ history oâ Scotland, and happen knaw as mich onât as ye; and I understand ye to mean to say yeâll persevere.â
âI do.â
âIs there mony oâ your makâ iâ your country?â inquired Joe, as he folded up his temporary bed, and put it away.
âIn my country! Which is my country?â
âWhy, Franceâ âisnât it?â
âNot it, indeed! The circumstance of the French having seized Antwerp, where I was born, does not make me a Frenchman.â
âHolland, then?â
âI am not a Dutchman. Now you are confounding Antwerp with Amsterdam.â
âFlanders?â
âI scorn the insinuation, Joe! I a Flamand! Have I a Flemish faceâ âthe clumsy nose standing out, the mean forehead falling back, the pale blue eyes âĂ fleur de tĂȘteâ? Am I all body and no legs, like a Flamand? But you donât know what they are like, those Netherlanders. Joe, Iâm an Anversois. My mother was an Anversoise, though she came of French lineage, which is the reason I speak French.â
âBut your father war Yorkshire, which maks ye a bit Yorkshire too; and onybody may see yeâre akin to us, yeâre so keen oâ making brass, and getting forrards.â
âJoe, youâre an impudent dog; but Iâve always been accustomed to a boorish sort of insolence from my youth up. The âclasse ouvriĂšreââ âthat is, the working people in Belgiumâ âbear themselves brutally towards their employers; and by brutally, Joe, I mean brutalementâ âwhich, perhaps, when properly translated, should be âroughly.âââ
âWe allus speak our minds iâ this country; and them young parsons and grand folk froâ London is shocked at wer âincivility;â and we like weel enough to giâe âem summat to be shocked at, âcause itâs sport to us to watch âem turn up the whites oâ their een, and spreed out their bits oâ hands, like as theyâre flayed wiâ bogards, and then to hear âem say, nipping off their words short like, âDear! dear! Whet seveges! How very corse!âââ
âYou are savages, Joe. You donât suppose youâre civilized, do you?â
âMiddling, middling, maister. I reckon âat us manufacturing lads iâ thâ north is a deal more intelligent, and knaws a deal more nor thâ farming folk iâ thâ south. Trade sharpens wer wits; and them thatâs mechanics like me is forced to think. Ye know, what wiâ looking after machinery and sich like, Iâve getten into that way that when I see an effect, I look straight out for a cause, and I oft lig hold onât to purpose; and then I like reading, and Iâm curious to knaw what them that reckons to govern us aims to do for us and wiâ us. And thereâs many âcuter nor me; thereâs many a one amang them greasy chaps âat smells oâ oil, and amang them dyers wiâ blue and black skins, that has a long head, and that can tell what a fooil of a law is, as well as ye or old Yorke, and a deal better nor soft uns like Christopher Sykes oâ Whinbury, and greet hectoring nowts like yondâ Irish Peter, Helstoneâs curate.â
âYou think yourself a clever fellow, I know, Scott.â
âAy! Iâm fairish. I can tell cheese froâ chalk, and Iâm varry weel aware that Iâve improved sich opportunities as I have had, a deal better nor some âat reckons to be aboon me; but thereâs thousands iâ Yorkshire thatâs as good as me, and a two-three thatâs better.â
âYouâre a great manâ âyouâre a sublime fellow; but youâre a prig, a conceited noodle with it all, Joe! You need not to think that because youâve picked up a little knowledge of practical mathematics, and because you have found some scantling of the elements of chemistry at the bottom of a dyeing vat, that therefore youâre a neglected man
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