Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI am afraid you are not very happy in England, Hortense.â
âIt is my duty to be happy where you are, brother; but otherwise there are certainly a thousand things which make me regret our native town. All the world here appears to me ill-bred (mal-Ă©levĂ©). I find my habits considered ridiculous. If a girl out of your mill chances to come into the kitchen and find me in my jupon and camisole preparing dinner (for you know I cannot trust Sarah to cook a single dish), she sneers. If I accept an invitation out to tea, which I have done once or twice, I perceive I am put quite into the background; I have not that attention paid me which decidedly is my due. Of what an excellent family are the GĂ©rards, as we know, and the Moores also! They have a right to claim a certain respect, and to feel wounded when it is withheld from them. In Antwerp I was always treated with distinction; here, one would think that when I open my lips in company I speak English with a ridiculous accent, whereas I am quite assured that I pronounce it perfectly.â
âHortense, in Antwerp we were known rich; in England we were never known but poor.â
âPrecisely, and thus mercenary are mankind. Again, dear brother, last Sunday, if you recollect, was very wet; accordingly I went to church in my neat black sabots, objects one would not indeed wear in a fashionable city, but which in the country I have ever been accustomed to use for walking in dirty roads. Believe me, as I paced up the aisle, composed and tranquil, as I am always, four ladies, and as many gentlemen, laughed and hid their faces behind their prayer-books.â
âWell, well! donât put on the sabots again. I told you before I thought they were not quite the thing for this country.â
âBut, brother, they are not common sabots, such as the peasantry wear. I tell you, they are sabots noirs, trĂšs propres, trĂšs convenables. At Mons and Leuzeâ âcities not very far removed from the elegant capital of Brusselsâ âit is very seldom that the respectable people wear anything else for walking in winter. Let anyone try to wade the mud of the Flemish chaussĂ©es in a pair of Paris brodequins, on mâen dirait des nouvelles!â
âNever mind Mons and Leuze and the Flemish chaussĂ©es; do at Rome as the Romans do. And as to the camisole and jupon, I am not quite sure about them either. I never see an English lady dressed in such garments. Ask Caroline Helstone.â
âCaroline! I ask Caroline? I consult her about my dress? It is she who on all points should consult me. She is a child.â
âShe is eighteen, or at least seventeenâ âold enough to know all about gowns, petticoats, and chaussures.â
âDo not spoil Caroline, I entreat you, brother. Do not make her of more consequence than she ought to be. At present she is modest and unassuming: let us keep her so.â
âWith all my heart. Is she coming this morning?â
âShe will come at ten, as usual, to take her French lesson.â
âYou donât find that she sneers at you, do you?â
âShe does not. She appreciates me better than anyone else here; but then she has more intimate opportunities of knowing me. She sees that I have education, intelligence, manner, principlesâ âall, in short, which belongs to a person well born and well bred.â
âAre you at all fond of her?â
âFor fond I cannot say. I am not one who is prone to take violent fancies, and, consequently, my friendship is the more to be depended on. I have a regard for her as my relative; her position also inspires interest, and her conduct as my pupil has hitherto been such as rather to enhance than diminish the attachment that springs from other causes.â
âShe behaves pretty well at lessons?â
âTo me she behaves very well; but you are conscious, brother, that I have a manner calculated to repel over-familiarity, to win esteem, and to command respect. Yet, possessed of penetration, I perceive clearly that Caroline is not perfect, that there is much to be desired in her.â
âGive me a last cup of coffee, and while I am drinking it amuse me with an account of her faults.â
âDear brother, I am happy to see you eat your breakfast with relish, after the fatiguing night you have passed. Caroline, then, is defective; but with my forming hand and almost motherly care she may improve. There is about her an occasional somethingâ âa reserve, I thinkâ âwhich I do not quite like, because it is not sufficiently girlish and submissive; and there are glimpses of an unsettled hurry in her nature, which put me out. Yet she is usually most tranquil, too dejected and thoughtful indeed sometimes. In time, I doubt not, I shall make her uniformly sedate and decorous, without being unaccountably pensive. I ever disapprove what is not intelligible.â
âI donât understand your account in the least. What do you mean by âunsettled hurries,â for instance?â
âAn example will, perhaps, be the most satisfactory explanation. I sometimes, you are aware, make her read French poetry by way of practice in pronunciation. She has in the course of her lessons gone through much of Corneille and Racine, in a very steady, sober spirit, such as I approve. Occasionally she showed, indeed, a degree of languor in the perusal of those esteemed authors, partaking rather of apathy than sobriety; and apathy is what I cannot tolerate in those who have the benefit of my instructionsâ âbesides, one should not be apathetic in studying standard works. The other day I put into her hands a volume of short fugitive pieces. I sent her to the window to learn one by heart, and when I looked up I saw her turning the leaves over impatiently, and curling her lip, absolutely
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