Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI do. I should like an occupation; and if I were a boy, it would not be so difficult to find one. I see such an easy, pleasant way of learning a business, and making my way in life.â
âGo on. Let us hear what way.â
âI could be apprenticed to your tradeâ âthe cloth-trade. I could learn it of you, as we are distant relations. I would do the countinghouse work, keep the books, and write the letters, while you went to market. I know you greatly desire to be rich, in order to pay your fatherâs debts; perhaps I could help you to get rich.â
âHelp me? You should think of yourself.â
âI do think of myself; but must one forever think only of oneself?â
âOf whom else do I think? Of whom else dare I think? The poor ought to have no large sympathies; it is their duty to be narrow.â
âNo, Robertâ ââ
âYes, Caroline. Poverty is necessarily selfish, contracted, grovelling, anxious. Now and then a poor manâs heart, when certain beams and dews visit it, may smell like the budding vegetation in yonder garden on this spring day, may feel ripe to evolve in foliage, perhaps blossom; but he must not encourage the pleasant impulse; he must invoke Prudence to check it, with that frosty breath of hers, which is as nipping as any north wind.â
âNo cottage would be happy then.â
âWhen I speak of poverty, I do not so much mean the natural, habitual poverty of the workingman, as the embarrassed penury of the man in debt. My grub-worm is always a straitened, struggling, careworn tradesman.â
âCherish hope, not anxiety. Certain ideas have become too fixed in your mind. It may be presumptuous to say it, but I have the impression that there is something wrong in your notions of the best means of attaining happiness, as there is inâ ââ Second hesitation.
âI am all ear, Caroline.â
âIn (courage! let me speak the truth)â âin your mannerâ âmind, I say only mannerâ âto these Yorkshire workpeople.â
âYou have often wanted to tell me that, have you not?â
âYes; oftenâ âvery often.â
âThe faults of my manner are, I think, only negative. I am not proud. What has a man in my position to be proud of? I am only taciturn, phlegmatic, and joyless.â
âAs if your living cloth-dressers were all machines like your frames and shears. In your own house you seem different.â
âTo those of my own house I am no alien, which I am to these English clowns. I might act the benevolent with them, but acting is not my forte. I find them irrational, perverse; they hinder me when I long to hurry forward. In treating them justly I fulfil my whole duty towards them.â
âYou donât expect them to love you, of course?â
âNor wish it.â
âAh!â said the monitress, shaking her head and heaving a deep sigh. With this ejaculation, indicative that she perceived a screw to be loose somewhere, but that it was out of her reach to set it right, she bent over her grammar, and sought the rule and exercise for the day.
âI suppose I am not an affectionate man, Caroline. The attachment of a very few suffices me.â
âIf you please, Robert, will you mend me a pen or two before you go?â
âFirst let me rule your book, for you always contrive to draw the lines aslant. There now. And now for the pens. You like a fine one, I think?â
âSuch as you generally make for me and Hortense; not your own broad points.â
âIf I were of Louisâs calling I might stay at home and dedicate this morning to you and your studies, whereas I must spend it in Skyesâs wool-warehouse.â
âYou will be making money.â
âMore likely losing it.â
As he finished mending the pens, a horse, saddled and bridled, was brought up to the garden-gate.
âThere, Fred is ready for me; I must go. Iâll take one look to see what the spring has done in the south border, too, first.â
He quitted the room, and went out into the garden ground behind the mill. A sweet fringe of young verdure and opening flowersâ âsnowdrop, crocus, even primroseâ âbloomed in the sunshine under the hot wall of the factory. Moore plucked here and there a blossom and leaf, till he had collected a little bouquet. He returned to the parlour, pilfered a thread of silk from his sisterâs workbasket, tied the flowers, and laid them on Carolineâs desk.
âNow, good morning.â
âThank you, Robert. It is pretty; it looks, as it lies there, like sparkles of sunshine and blue sky. Good morning.â
He went to the door, stopped, opened his lips as if to speak, said nothing, and moved on. He passed through the wicket, and mounted his horse. In a second he had flung himself from his saddle again, transferred the reins to Murgatroyd, and re-entered the cottage.
âI forgot my gloves,â he said, appearing to take something from the side-table; then, as an impromptu thought, he remarked, âYou have no binding engagement at home perhaps, Caroline?â
âI never have. Some childrenâs socks, which Mrs. Ramsden has ordered, to knit for the Jewâs basket; but they will keep.â
âJewâs basket beâ âsold! Never was utensil better named. Anything more Jewish than itâ âits contents and their pricesâ âcannot be conceived. But I see something, a very tiny curl, at the corners of your lip, which tells me that you know its merits as well as I do. Forget the Jewâs basket, then, and spend the day here as a change. Your uncle wonât break his heart at your absence?â
She smiled. âNo.â
âThe old Cossack! I dare say not,â muttered Moore.
âThen stay and dine with Hortense; she will be glad of your company. I shall return in good time. We will have a little reading in the evening. The moon rises at half-past eight, and I will walk up to the rectory with you at nine. Do you agree?â
She nodded her head, and her eyes lit up.
Moore lingered yet two minutes. He bent over Carolineâs desk and glanced at her grammar, he fingered her pen, he lifted her bouquet and played with it;
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