Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âBe sure you do, Hortense. Here she comes. That was her shadow passed the window, I believe.â
âAh! truly. She is too earlyâ âhalf an hour before her time.â âMy child, what brings you here before I have breakfasted?â
This question was addressed to an individual who now entered the room, a young girl, wrapped in a winter mantle, the folds of which were gathered with some grace round an apparently slender figure.
âI came in haste to see how you were, Hortense, and how Robert was too. I was sure you would be both grieved by what happened last night. I did not hear till this morning. My uncle told me at breakfast.â
âAh! it is unspeakable. You sympathize with us? Your uncle sympathizes with us?â
âMy uncle is very angryâ âbut he was with Robert, I believe, was he not?â âDid he not go with you to Stilbroâ Moor?â
âYes, we set out in very martial style, Caroline; but the prisoners we went to rescue met us halfway.â
âOf course nobody was hurt?â
âWhy, no; only Joe Scottâs wrists were a little galled with being pinioned too tightly behind his back.â
âYou were not there? You were not with the wagons when they were attacked?â
âNo. One seldom has the fortune to be present at occurrences at which one would particularly wish to assist.â
âWhere are you going this morning? I saw Murgatroyd saddling your horse in the yard.â
âTo Whinbury. It is market day.â
âMr. Yorke is going too. I met him in his gig. Come home with him.â
âWhy?â
âTwo are better than one, and nobody dislikes Mr. Yorkeâ âat least, poor people do not dislike him.â
âTherefore he would be a protection to me, who am hated?â
âWho are misunderstood. That, probably, is the word. Shall you be late?â âWill he be late, Cousin Hortense?â
âIt is too probable. He has often much business to transact at Whinbury. Have you brought your exercise-book, child?â
âYes.â âWhat time will you return, Robert?â
âI generally return at seven. Do you wish me to be at home earlier?â
âTry rather to be back by six. It is not absolutely dark at six now, but by seven daylight is quite gone.â
âAnd what danger is to be apprehended, Caroline, when daylight is gone? What peril do you conceive comes as the companion of darkness for me?â
âI am not sure that I can define my fears, but we all have a certain anxiety at present about our friends. My uncle calls these times dangerous. He says, too, that mill-owners are unpopular.â
âAnd I am one of the most unpopular? Is not that the fact? You are reluctant to speak out plainly, but at heart you think me liable to Pearsonâs fate, who was shot atâ ânot, indeed, from behind a hedge, but in his own house, through his staircase window, as he was going to bed.â
âAnne Pearson showed me the bullet in the chamber-door,â remarked Caroline gravely, as she folded her mantle and arranged it and her muff on a side-table. âYou know,â she continued, âthere is a hedge all the way along the road from here to Whinbury, and there are the Fieldhead plantations to pass; but you will be back by sixâ âor before?â
âCertainly he will,â affirmed Hortense. âAnd now, my child, prepare your lessons for repetition, while I put the peas to soak for the purĂ©e at dinner.â
With this direction she left the room.
âYou suspect I have many enemies, then, Caroline,â said Mr. Moore, âand doubtless you know me to be destitute of friends?â
âNot destitute, Robert. There is your sister, your brother Louis, whom I have never seen; there is Mr. Yorke, and there is my uncleâ âbesides, of course, many more.â
Robert smiled. âYou would be puzzled to name your âmany more,âââ said he. âBut show me your exercise-book. What extreme pains you take with the writing! My sister, I suppose, exacts this care. She wants to form you in all things after the model of a Flemish schoolgirl. What life are you destined for, Caroline? What will you do with your French, drawing, and other accomplishments, when they are acquired?â
âYou may well say, when they are acquired; for, as you are aware, till Hortense began to teach me, I knew precious little. As to the life I am destined for, I cannot tell. I suppose to keep my uncleâs house tillâ ââ She hesitated.
âTill what? Till he dies?â
âNo. How harsh to say that! I never think of his dying. He is only fifty-five. But tillâ âin short, till events offer other occupations for me.â
âA remarkably vague prospect! Are you content with it?â
âI used to be, formerly. Children, you know, have little reflection, or rather their reflections run on ideal themes. There are moments now when I am not quite satisfied.â
âWhy?â
âI am making no moneyâ âearning nothing.â
âYou come to the point, Lina. You too,
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