Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Her lips moved again with a meaningless whisper; her lids closed after a moment, her breast rose with a light sigh, and she fell into a deep sleep, for which the physician had been waiting, and after which she would return to health, he said.
Vinicius remained kneeling near her, however, sunk in prayer. His soul was melting with a love so immense that he forgot himself utterly. Theocles returned often to the chamber, and the golden-haired Eunice appeared behind the raised curtain a number of times; finally cranes, reared in the gardens, began to call, heralding the coming day, but Vinicius was still embracing in his mind the feet of Christ, neither seeing nor hearing what was passing around him, with a heart turned into a thanksgiving, sacrificial flame, sunk in ecstasy, and though alive, half seized into heaven.
LXVIIPetronius, after the liberation of Lygia, not wishing to irritate Caesar, went to the Palatine with other Augustians. He wanted to hear what they were saying, and especially to learn if Tigellinus was devising something new to destroy Lygia. Both she and Ursus had passed under the protection of the people, it is true, and no one could place a hand on them without raising a riot; still Petronius, knowing the hatred toward him of the all-powerful pretorian prefect, considered that very likely Tigellinus, while unable to strike him directly, would strive to find some means of revenge against his nephew.
Nero was angry and irritated, since the spectacle had ended quite differently from what he had planned. At first he did not wish even to look at Petronius; but the latter, without losing cool blood, approached him, with all the freedom of the arbiter elegantiarum, and said—
“Dost thou know, divinity, what occurs to me? Write a poem on the maiden who, at command of the lord of the world, was freed from the horns of the wild bull and given to her lover. The Greeks are sensitive, and I am sure that the poem will enchant them.”
This thought pleased Nero in spite of all his irritation, and it pleased him doubly, first, as a subject for a poem, and second, because in it he could glorify himself as the magnanimous lord of the earth; hence he looked for a time at Petronius, and then said—
“Yes! perhaps thou art right. But does it become me to celebrate my own goodness?”
“There is no need to give names. In Rome all will know who is meant, and from Rome reports go through the whole world.”
“But art thou sure that this will please the people in Achaea?”
“By Pollux, it will!” said Petronius.
And he went away satisfied, for he felt certain that Nero, whose whole life was an arrangement of reality to literary plans, would not spoil the subject, and by this alone he would tie the hands of Tigellinus. This, however, did not change his plan of sending Vinicius out of Rome as soon as Lygia’s health should permit. So when he saw him next day, he said—
“Take her to Sicily. As things have happened, on Caesar’s part thou art threatened by nothing; but Tigellinus is ready to use even poison—if not out of hatred to you both, out of hatred to me.”
Vinicius smiled at him, and said: “She was on the horns of the wild bull; still Christ saved her.”
“Then honor Him with a hecatomb,” replied Petronius, with an accent of impatience, “but do not beg Him to save her a second time. Dost remember how Eolus received Ulysses when he returned to ask a second time for favoring winds? Deities do not like to repeat themselves.”
“When her health returns, I will take her to Pomponia Graecina,” said Vinicius.
“And thou wilt do that all the better since Pomponia is ill; Antistius, a relative of Aulus, told me so. Meanwhile things will happen here to make people forget thee, and in these times the forgotten are the happiest. May Fortune be thy sun in winter, and thy shade in summer.”
Then he left Vinicius to his happiness, but went himself to inquire of Theocles touching the life and health of Lygia.
Danger threatened her no longer. Emaciated as she was in the dungeon after prison fever, foul air and discomfort would have killed her; but now she had the most tender care, and not only plenty, but luxury. At command of Theocles they took her to the gardens of the villa after two days; in these gardens she remained for hours. Vinicius decked her litter with anemones, and especially with irises, to remind her of the atrium of the house of Aulus. More than once, hidden in the shade of spreading trees, they spoke of past sufferings and fears, each holding the other’s hand. Lygia said that Christ had conducted him through suffering purposely to change his soul and raise it to Himself. Vinicius felt that this was true, and that there was in him nothing of the former patrician, who knew no law but his own desire. In those memories there was nothing bitter, however. It seemed to both that whole years had gone over their heads, and that the dreadful past lay far behind. At the same time such a calmness possessed them as they had never known before. A new life of immense happiness had come and taken them into itself. In Rome Caesar might rage and fill the world with terror—they felt above them a guardianship a hundred times mightier than his power, and had no further fear of his rage or his malice, just as if for them he had ceased to be the lord of life or death. Once, about sunset, the roar of lions and other beasts reached them from distant vivaria. Formerly those sounds filled Vinicius with fear because they were ominous; now he and Lygia merely looked at each other and raised their eyes to the evening twilight. At times Lygia, still very weak and unable to walk
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