Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âShe has loved none of these.â
âYet some of them were worthy of a womanâs affection.â
âOf some womenâs, but not of Shirleyâs.â
âIs she better than others of her sex?â
âShe is peculiar, and more dangerous to take as a wifeâ ârashly.â
âI can imagine that.â
âShe spoke of youâ ââ
âOh, she did! I thought you denied it.â
âShe did not speak in the way you fancy; but I asked her, and I would make her tell me what she thought of you, or rather how she felt towards you. I wanted to know; I had long wanted to know.â
âSo had I; but let us hear. She thinks meanly, she feels contemptuously, doubtless?â
âShe thinks of you almost as highly as a woman can think of a man. You know she can be eloquent. I yet feel in fancy the glow of the language in which her opinion was conveyed.â
âBut how does she feel?â
âTill you shocked her (she said you had shocked her, but she would not tell me how) she felt as a sister feels towards a brother of whom she is at once fond and proud.â
âIâll shock her no more, Cary, for the shock rebounded on myself till I staggered again. But that comparison about sister and brother is all nonsense. She is too rich and proud to entertain fraternal sentiments for me.â
âYou donât know her, Robert; and, somehow, I fancy now (I had other ideas formerly) that you cannot know her. You and she are not so constructed as to be able thoroughly to understand each other.â
âIt may be so. I esteem her, I admire her; and yet my impressions concerning her are harshâ âperhaps uncharitable. I believe, for instance, that she is incapable of loveâ ââ
âShirley incapable of love!â
âThat she will never marry. I imagine her jealous of compromising her pride, of relinquishing her power, of sharing her property.â
âShirley has hurt your amour propre.â
âShe did hurt it; though I had not an emotion of tenderness, nor a spark of passion for her.â
âThen, Robert, it was very wicked in you to want to marry her.â
âAnd very mean, my little pastor, my pretty priestess. I never wanted to kiss Miss Keeldar in my life, though she has fine lips, scarlet and round as ripe cherries; or, if I did wish it, it was the mere desire of the eye.â
âI doubt, now, whether you are speaking the truth. The grapes or the cherries are sourâ ââhung too high.âââ
âShe has a pretty figure, a pretty face, beautiful hair. I acknowledge all her charms and feel none of them, or only feel them in a way she would disdain. I suppose I was truly tempted by the mere gilding of the bait. Caroline, what a noble fellow your Robert isâ âgreat, good, disinterested, and then so pure!â
âBut not perfect. He made a great blunder once, and we will hear no more about it.â
âAnd shall we think no more about it, Cary? Shall we not despise him in our heartâ âgentle but just, compassionate but upright?â
âNever! We will remember that with what measure we mete it shall be measured unto us, and so we will give no scorn, only affection.â
âWhich wonât satisfy, I warn you of that. Something besides affectionâ âsomething far stronger, sweeter, warmerâ âwill be demanded one day. Is it there to give?â
Caroline was moved, much moved.
âBe calm, Lina,â said Moore soothingly. âI have no intention, because I have no right, to perturb your mind now, nor for months to come. Donât look as if you would leave me. We will make no more agitating allusions; we will resume our gossip. Do not tremble; look me in the face. See what a poor, pale, grim phantom I amâ âmore pitiable than formidable.â
She looked shyly. âThere is something formidable still, pale as you are,â she said, as her eye fell under his.
âTo return to Shirley,â pursued Moore: âis it your opinion that she is ever likely to marry?â
âShe loves.â
âPlatonicallyâ âtheoreticallyâ âall humbug!â
âShe loves what I call sincerely.â
âDid she say so?â
âI cannot affirm that she said so. No such confession as âI love this man or thatâ passed her lips.â
âI thought not.â
âBut the feeling made its way in spite of her, and I saw it. She spoke of one man in a strain not to be misunderstood. Her voice alone was sufficient testimony. Having wrung from her an opinion on your character, I demanded a second opinion ofâ âanother person about whom I had my conjectures, though they were the most tangled and puzzled conjectures in the world. I would make her speak. I shook her, I chid her, I pinched her fingers when she tried to put me off with gibes and jests in her queer provoking way, and at last out it came. The voice, I say, was enough; hardly raised above a whisper, and yet such a soft vehemence in its tones. There was no confession, no confidence, in the matter. To these things she cannot condescend; but I am sure that manâs happiness is dear to her as her own life.â
âWho is it?â
âI charged her with the fact. She did not deny, she did not avow, but looked at me. I saw her eyes by the snow-gleam. It was quite enough. I triumphed over her mercilessly.â
âWhat right had you to triumph? Do you mean to say you are fancy free?â
âWhatever I am, Shirley is a bondswoman. Lioness, she has found her captor. Mistress she may be of all round her, but her own mistress she is not.â
âSo you exulted at recognizing a fellow-slave in one so fair and imperial?â
âI did; Robert, you say right, in one so fair and imperial.â
âYou confess itâ âa fellow-slave?â
âI confess nothing; but I say that haughty Shirley is no more free than was Hagar.â
âAnd who, pray, is the Abraham, the hero of a patriarch who has achieved such a conquest?â
âYou still speak scornfully, and cynically, and sorely; but I will make you change your note before I have done with you.â
âWe will see that. Can she marry this Cupidon?â
âCupidon! he is just about as much a Cupidon as you
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