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Had she not before her marriage inwardly determined to speak and act on their behalf?⁠—and since he had lately implied that he wanted to be in town because he was making arrangements about his will, she ought to have been glad of any sign that he kept a conscience awake toward those at Gadsmere; and yet, now that she was a wife, the sense that Grandcourt was gone to Gadsmere was like red heat near a burn. She had brought on herself this indignity in her own eyes⁠—this humiliation of being doomed to a terrified silence lest her husband should discover with what sort of consciousness she had married him; and as she had said to Deronda, she “must go on.” After the intense moments of secret hatred toward this husband who from the very first had cowed her, there always came back the spiritual pressure which made submission inevitable. There was no effort at freedoms that would not bring fresh and worse humiliation. Gwendolen could dare nothing except an impulsive action⁠—least of all could she dare premeditatedly a vague future in which the only certain condition was indignity. In spite of remorse, it still seemed the worst result of her marriage that she should in any way make a spectacle of herself; and her humiliation was lightened by her thinking that only Mrs. Glasher was aware of the fact which caused it. For Gwendolen had never referred the interview at the Whispering Stones to Lush’s agency; her disposition to vague terror investing with shadowy omnipresence any threat of fatal power over her, and so hindering her from imagining plans and channels by which news had been conveyed to the woman who had the poisoning skill of a sorceress. To Gwendolen’s mind the secret lay with Mrs. Glasher, and there were words in the horrible letter which implied that Mrs. Glasher would dread disclosure to the husband, as much as the usurping Mrs. Grandcourt.

Something else, too, she thought of as more of a secret from her husband than it really was⁠—namely that suppressed struggle of desperate rebellion which she herself dreaded. Grandcourt could not indeed fully imagine how things affected Gwendolen: he had no imagination of anything in her but what affected the gratification of his own will; but on this point he had the sensibility which seems like divination. What we see exclusively we are apt to see with some mistake of proportions; and Grandcourt was not likely to be infallible in his judgments concerning this wife who was governed by many shadowy powers, to him nonexistent. He magnified her inward resistance, but that did not lessen his satisfaction in the mastery of it.

XLV

Behold my lady’s carriage stop the way.
With powdered lackey and with charming bay;
She sweeps the matting, treads the crimson stair.
Her arduous function solely “to be there.”
Like Sirius rising o’er the silent sea.
She hides her heart in lustre loftily.

So the Grandcourts were in Grosvenor Square in time to receive a card for the musical party at Lady Mallinger’s, there being reasons of business which made Sir Hugo know beforehand that his ill-beloved nephew was coming up. It was only the third evening after their arrival, and Gwendolen made rather an absentminded acquaintance with her new ceilings and furniture, preoccupied with the certainty that she was going to speak to Deronda again, and also to see the Miss Lapidoth who had gone through so much, and was “capable of submitting to anything in the form of duty.” For Gwendolen had remembered nearly every word that Deronda had said about Mirah, and especially that phrase, which she repeated to herself bitterly, having an ill-defined consciousness that her own submission was something very different. She would have been obliged to allow, if anyone had said it to her, that what she submitted to could not take the shape of duty, but was submission to a yoke drawn on her by an action she was ashamed of, and worn with a strength of selfish motives that left no weight for duty to carry.

The drawing-rooms in Park Lane, all white, gold, and pale crimson, were agreeably furnished, and not crowded with guests, before Mr. and Mrs. Grandcourt entered; and more than half an hour of instrumental music was being followed by an interval of movement and chat. Klesmer was there with his wife, and in his generous interest for Mirah he proposed to accompany her singing of Leo’s “O patria mia,” which he had before recommended her to choose, as more distinctive of her than better known music. He was already at the piano, and Mirah was standing there conspicuously, when Gwendolen, magnificent in her pale green velvet and poisoned diamonds, was ushered to a seat of honor well in view of them. With her long sight and self-command she had the rare power of quickly distinguishing persons and objects on entering a full room, and while turning her glance toward Mirah she did not neglect to exchange a bow with Klesmer as she passed. The smile seemed to each a lightning-flash back on that morning when it had been her ambition to stand as the “little Jewess” was standing, and survey a grand audience from the higher rank of her talent⁠—instead of which she was one of the ordinary crowd in silk and gems, whose utmost performance it must be to admire or find fault. “He thinks I am in the right road now,” said the lurking resentment within her.

Gwendolen had not caught sight of Deronda in her passage, and while she was seated acquitting herself in chat with Sir Hugo, she glanced round her with careful ease, bowing a recognition here and there, and fearful lest an anxious-looking exploration in search of Deronda might be observed by her husband, and afterward rebuked as something “damnably vulgar.” But all traveling, even that of a slow gradual glance round a room, brings a liability to undesired encounters, and amongst the eyes that met Gwendolen’s, forcing her into a slight

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