The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) π
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Dante Alighieriβs Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Danteβs vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Danteβs deathβnot his actual death that would come shortly after his workβs completion, but his fictional deathβwhere the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive Godβs love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellowβs blank verse translation. Longfellow succeeds in capturing the original brilliance of Danteβs internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Danteβs writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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Shakespeare, King Lear, V 3:β β
βAnd in this habit
Met I my father with his bleeding rings,
Their precious stones new lost.β
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In this fanciful recognition of the word omo (homo, man) in the human face, so written as to place the two oβs between the outer strokes of the m, the former represent the eyes, and the latter the nose and cheekbones:β β
Brother Berthold, a Franciscan monk of Regensburg, in the thirteenth century, makes the following allusion to it in one of his sermons. See Wackernagel, Deutsches Lesebuch, I 678. The monk carries out the resemblance into still further detail:β β
βNow behold, ye blessed children of God, the Almighty has created you soul and body. And he has written it under your eyes and on your faces, that you are created in his likeness. He has written it upon your very faces with ornamented letters. With great diligence are they embellished and ornamented. This your learned men well understand, but the unlearned may not understand it. The two eyes are two oβs. The h is properly no letter; it only helps the others; so that homo with an h means Man. Likewise the brows arched above, and the nose down between them are an m, beautiful with three strokes. So is the ear a d, beautifully rounded and ornamented. So are the nostrils beautifully formed like a Greek Ξ΅, beautifully rounded and ornamented. So is the mouth an i, beautifully adorned and ornamented. Now behold, ye good Christian people, how skilfully he has adorned you with these six letters, to show that ye are his own, and that he has created you! Now read me an o and an m and another o together; that spells homo. Then read me a d and an e and an i together; that spells dei. Homo dei, man of God, man of God!β
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Forese Donati, the brother-in-law and intimate friend of Dante.
βThis Forese,β says Buti, βwas a citizen of Florence, and was brother of Messer Corso Donati, and was very gluttonous; and therefore the author feigns that he found him here, where the Gluttons are punished.β
Certain vituperative sonnets, addressed to Dante, have been attributed to Forese. If authentic, they prove that the friendship between the two poets was not uninterrupted. See Rossetti, Early Italian Poets, Appendix to Part II. β©
The same desire that sacrifice and atonement may be complete. β©
Matthew 27:46:β β
βEli, Eli, lama sabacthani? that is to say. My God, my God, why hast thou forsaken me?β
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Outside the gate of Purgatory, where those who had postponed repentance till the last hour were forced to wait as many years and days as they had lived impenitent on earth, unless aided by the devout prayers of those on earth. See Canto IV. β©
Nella, contraction of Giovannella, widow of Forese. Nothing is known of this good woman but the name, and what Forese here says in her praise. β©
Covino, Descriz. Geograf. dellβ Italia, p. 52, says:β β
βIn the district ot Arborea, on the slopes of the Gennargentu, the most vast and lofty mountain range of Sardinia, spreads an alpine country which in Danteβs time, being almost barbarous, was called the Barbagia.β
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Sacchetti, the Italian novelist of the fourteenth century, severely criticises the fashions of the Florentines, and their sudden changes, which he says it would take a whole volume of his stories to enumerate. In Nov. 178, he speaks of their wearing their dresses βfar below their armpits,β and then βup to their earsβ; and continues, in Napierβs version, Florentine History, II 539:β β
βThe young Florentine girls, who used to dress so modestly, have now changed the fashion of their hoods to resemble courtesans,
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