The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) 📕
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Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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“The popularity of Corso was now thoroughly undermined, and the priors, after sounding the Campana for a general assembly of the armed citizens, laid a formal accusation before the Podestà Piero Branca d’ Agobbio against him for conspiring to overthrow the liberties of his country, and endeavoring to make himself Tyrant of Florence: he was immediately cited to appear, and, not complying, from a reasonable distrust of his judges, was within one hour, against all legal forms, condemned to lose his head, as a rebel and traitor to the commonwealth.
“Not willing to allow the culprit more time for an armed resistance than had been given for legal vindication, the Scignory, preceded by the Gonfalonier of justice, and followed by the Podestà, the captain of the people, and the executor—all attended by their guards and officers—issued from the palace; and with the whole civic force marshalled in companies, with banners flying, moved forward to execute an illegal sentence against a single citizen, who nevertheless stood undaunted on his defence.
“Corso, on first hearing of the prosecution, had hastily barricaded all the approaches to his palace, but, disabled by the gout, could only direct the nenessary operations from his bed; yet thus helpless, thus abandoned by all but his own immediate friends and vassals; suddenly condemned to death; encompassed by the bitterest foes, with the whole force of the republic banded against him, he never cowered for an instant, but courageously determined to resist, until succored by Uguccione della Faggiola, to whom he had sent for aid. This attack continued during the greater part of the day, and generally with advantage to the Donati, for the people were not unanimous, and many fought unwillingly, so that, if the Rossi, Bardi, and other friends had joined, and Uguccioni’s forces arrived, it would have gone hard with the citizens. The former were intimidated, the latter turned back on hearing how matters stood; and then only did Corso’s adherents lose heart and slink from from the barricades, while the townsmen pursued their advantage by breaking down a garden wall opposite the Stinche prisons and taking their enemy in the rear. This completed the disaster, and Corso, seing no chance remaining, fled towards the Casentino; but, being overtaken by some Catalonian troopers in the Florentine service, he was led back a prisoner from Rovezzano. After vainly endeavoring to bribe them, unable to support the indignity of a public execution at the hands of his enemies, he let himself fall from his horse, and, receiving several stabs in the neck and flank from the Catalan lances, his body was left bleeding on the road, until the monks of San Salvi removed it to their convent, where he was interred next morning with the greatest privacy. Thus perished Corso Donati, ‘the wisest and most worthy knight of his time; the best speaker, the most experienced statesman; the most renowned, the boldest, and most enterprising nobleman in Italy: he was handsome in person and of the most gracious manners, but very worldly, and caused infinite disturbance in Florence on account of his ambition.’ …2105 ‘People now began to repose, and his unhappy death was often and variously discussed, according to the feelings of friendship or enmity that moved the speaker; but in truth, his life was dangerous, and his death reprehensible. He was a knight of great mind and name, gentle in manners as in blood; of a fine figure even in his old age, with a beautitul countenance, delicate features, and a fair complexion; pleasing, wise; and an eloquent speaker. His attention was ever fixed on important things; he was intimate with all the great and noble, had an extensive influence, and was famous throughout Italy. He was an enemy of the middle classes and their supporters, beloved by the troops, but full of malicious thoughts, wicked, and artful. He was thus basely murdered by a foreign soldier, and his fellow -citizens well knew the man, for he was instantly conveyed away: those who ordered his death were Rosso della Tosa and Pazzino de’ Pazzi, as is commonly said by all; and some bless him and some the contrary. Many believe that the two said knights killed him, and I, wishing to ascertain the truth, inquired diligently, and found what I have said to be true.’2106 Such is the character of Corso Donati, which has come down to us from two authors who must have been personally acquainted with this distinguished chief, but opposed to each other in the general politics of their country.”
See also Note 94. ↩
Virgil and Statius. ↩
Dante had only so far gone round the circle, as to come in sight of the second of these trees, which from distance to distance encircle the mountain. ↩
In the Terrestrial Paradise on the top of the mountain. ↩
The Centaurs, born of Ixion and the Cloud, and having the “double breasts” of man and horse, became drunk with wine at the marriage of Hippodamia and Pirithous, and strove to carry off the bride and the other women by violence. Theseus and the rest of the Lapithae opposed them, and drove them from the feast. This famous battle is described at great length by Ovid, Metamorphoses XII, Dryden’s Tr.:—
“For one, most brutal of the brutal brood,
Or whether wine or beauty fired his blood,
Or both at once, beheld with lustful eyes
The bride; at once resolved to make his prize.
Down went the board; and fastening on her hair,
He seized with sudden force the frighted fair.
’Twas Eurytus began: his bestial kind
His crime pursued; and each, as pleased his mind,
Or her whom chance presented, took: the feast
An image of a taken town expressed.
“The cave resounds with female shrieks;
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