Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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But to defer thought in this way was something like trying to talk without singing in her own ears. The thought that is bound up with our passion is as penetrative as air—everything is porous to it; bows, smiles, conversation, repartee, are mere honeycombs where such thoughts rushes freely, not always with a taste of honey. And without shutting herself up in any solitude, Gwendolen seemed at the end of nine or ten hours to have gone through a labyrinth of reflection, in which already the same succession of prospects had been repeated, the same fallacious outlets rejected, the same shrinking from the necessities of every course. Already she was undergoing some hardening effect from feeling that she was under eyes which saw her past actions solely in the light of her lowest motives. She lived back in the scenes of her courtship, with the new bitter consciousness of what had been in Grandcourt’s mind—certain now, with her present experience of him, that he had a peculiar triumph in conquering her dumb repugnance, and that ever since their marriage he had had a cold exultation in knowing her fancied secret. Her imagination exaggerated every tyrannical impulse he was capable of. “I will insist on being separated from him”—was her first darting determination; then, “I will leave him whether he consents or not. If this boy becomes his heir, I have made an atonement.” But neither in darkness nor in daylight could she imagine the scenes which must carry out those determinations with the courage to feel them endurable. How could she run away to her own family—carry distress among them, and render herself an object of scandal in the society she had left behind her? What future lay before her as Mrs. Grandcourt gone back to her mother, who would be made destitute again by the rupture of the marriage for which one chief excuse had been that it had brought that mother a maintenance? She had lately been seeing her uncle and Anna in London, and though she had been saved from any difficulty about inviting them to stay in Grosvenor Square by their wish to be with Rex, who would not risk a meeting with her, the transient visit she had had from them helped now in giving stronger color to the picture of what it would be for her to take refuge in her own family. What could she say to justify her flight? Her uncle would tell her to go back. Her mother would cry. Her aunt and Anna would look at her with wondering alarm. Her husband would have power to compel her. She had absolutely nothing that she could allege against him in judicious or judicial ears. And to “insist on separation!” That was an easy combination of words; but considered as an action to be executed against Grandcourt, it would be about as practicable as to give him a pliant disposition and a dread of other people’s unwillingness. How was she to begin? What was she to say that would not be a condemnation of herself? “If I am to have misery anyhow,” was the bitter refrain of her rebellious dreams, “I had better have the misery that I can keep to myself.” Moreover, her capability of rectitude told her again and again that she had no right to complain of her contract, or to withdraw from it.
And always among the images that drove her back to submission was Deronda. The idea of herself separated from her husband, gave Deronda a changed, perturbing, painful place in her consciousness: instinctively she felt that the separation would be from him too, and in the prospective vision of herself as a solitary, dubiously-regarded woman, she felt some tingling bashfulness at the remembrance of her behavior towards him. The association of Deronda with a dubious position for herself was intolerable. And what would he say if he knew everything? Probably that she ought to bear what she had brought on herself, unless she were sure that she could make herself a better woman by taking any other course. And what sort of woman was she to be—solitary, sickened of life, looked at with a suspicious kind of pity?—even if she could dream of success in getting that dreary freedom. Mrs. Grandcourt “run away” would be a more pitiable creature than Gwendolen Harleth condemned to teach the bishop’s daughters, and to be inspected by Mrs. Mompert.
One characteristic trait in her conduct is worth mentioning. She would not look a second time at the paper Lush had given her; and before ringing for her maid she locked it up in a traveling-desk which was at hand, proudly resolved against curiosity about what was allotted to herself in connection with Gadsmere—feeling herself branded in the minds of her husband and his confidant with the meanness that would accept marriage and wealth on any conditions,
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