Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕
Description
Sartor Resartus was a strange and new book when it was first published in 1833, and in many ways it remains a strange and new book today. The bulk of the novel takes the form of the a commentary on the life and works of the fictional Diogenes Teufelsdröckh, a sort of renaissance-man German philosopher who develops a “Philosophy of Clothes.” The commentary is composed by a fictional English commentator, known only as the “Editor”; the Editor claims to have translated many of Teufelsdröckh’s ideas and quotes from German. As the commentary progresses, the Editor receives a bag of paper scraps on which are written various autobiographical fragments from Teufelsdröckh’s life. The Editor’s attempts to organize and interpret these scraps forms the second part of the novel.
The work is multi-faceted: sometimes a parody, sometimes a comedy, sometimes a satire, and sometimes seriously philosophical. Some critics consider it an early existentialist text. At the very least its unique structure and use of meta-narrative is hugely influential to modern literature; Borges was said to have memorized entire pages, and modern texts like Nabokov’s Pale Fire borrow liberally from the concept of a meta-narrative organized on scraps of paper.
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- Author: Thomas Carlyle
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In such rose-coloured light does our Professor, as Poets are wont, look back on his childhood; the historical details of which (to say nothing of much other vague oratorical matter) he accordingly dwells on with an almost wearisome minuteness. We hear of Entepfuhl standing “in trustful derangement” among the woody slopes; the paternal Orchard flanking it as extreme outpost from below; the little Kuhbach gushing kindly by, among beech-rows, through river after river, into the Donau, into the Black Sea, into the Atmosphere and Universe; and how “the brave old Linden,” stretching like a parasol of twenty ells in radius, overtopping all other rows and clumps, towered-up from the central Agora and Campus Martius of the Village, like its Sacred Tree; and how the old men sat talking under its shadow (Gneschen often greedily listening), and the wearied labourers reclined, and the unwearied children sported, and the young men and maidens often danced to flute-music. “Glorious summer twilights,” cries Teufelsdröckh, “when the Sun, like a proud Conqueror and Imperial Taskmaster, turned his back, with his gold-purple emblazonry, and all his fireclad bodyguard (of Prismatic Colours); and the tired brickmakers of this clay Earth might steal a little frolic, and those few meek Stars would not tell of them!”
Then we have long details of the Weinlesen (Vintage), the Harvest-Home, Christmas, and so forth; with a whole cycle of the Entepfuhl Children’s-games, differing apparently by mere superficial shades from those of other countries. Concerning all which, we shall here, for obvious reasons, say nothing. What cares the world for our as yet miniature Philosopher’s achievements under that “brave old Linden”? Or even where is the use of such practical reflections as the following? “In all the sports of Children, were it only in their wanton breakages and defacements, you shall discern a creative instinct (schaffenden Trieb): the Mankin feels that he is a born Man, that his vocation is to work. The choicest present you can make him is a Tool; be it knife or pen-gun, for construction or for destruction; either way it is for Work, for Change. In gregarious sports of skill or strength, the Boy trains himself to Cooperation, for war or peace, as governor or governed: the little Maid again, provident of her domestic destiny, takes with preference to Dolls.”
Perhaps, however, we may give this anecdote, considering who it is that relates it: “My first short-clothes were of yellow serge; or rather, I should say, my first short-cloth, for the vesture was one and indivisible, reaching from neck to ankle, a mere body with four limbs: of which fashion how little could I then divine the architectural, how much less the moral significance!”
More graceful is the following little picture: “On fine evenings I was wont to carry-forth my supper (breadcrumb boiled in milk), and eat it out-of-doors. On the coping of the Orchard-wall, which I could reach by climbing, or still more easily if Father Andreas would setup the pruning-ladder, my porringer was placed: there, many a sunset, have I, looking at the distant western Mountains, consumed, not without relish, my evening meal. Those hues of gold and azure, that hush of World’s expectation as Day died, were still a Hebrew Speech for me; nevertheless I was looking at the fair illuminated Letters, and had an eye for their gilding.”
With “the little one’s friendship for cattle and poultry” we shall not much intermeddle. It may be that hereby he acquired a “certain deeper sympathy with animated Nature”: but when, we would ask, saw any man, in a collection of Biographical Documents, such a piece as this: “Impressive enough (bedeutungsvoll) was it to hear, in early morning, the Swineherd’s horn; and know that so many hungry happy quadrupeds were, on all sides, starting in hot haste to join him, for breakfast on the Heath. Or to see them at eventide, all marching-in again, with short squeak, almost in military order; and each, topographically correct, trotting-off in succession to the right or left, through its own lane, to its own dwelling; till old Kunz, at the Village-head, now left alone, blew his last blast, and retired for the night. We are wont to love the Hog chiefly in the form of Ham; yet did not these bristly thick-skinned beings here manifest intelligence, perhaps humour of character;
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