The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) 📕
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Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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Bunyan, Pilgrim’s Progress:—
“I saw then, that they went on their way to a pleasant river, which David the king called ‘the river of God’; but John, ‘the river of the water of life.’ Now their way lay just upon the bank of the river: here therefore Christian and his companion walked with great delight: they drank also of the water of the river, which was pleasant, and enlivening to their weary spirits. Besides, on the banks of this river, on either side, were green trees for all manner of fruit; and the leaves they ate to prevent surfeits and other diseases that are incident to those that heat their blood by travels. On either side of the river was also a meadow, curiously beautified with lilies; and it was green all the year long. In this meadow they lay down and slept; for here they might lie down safely. When they awoke, they gathered again of the fruits of the trees, and drank again of the water of the river, and then lay down again to sleep.”
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Sir John Denham says:—
“The sweetest cordial we receive at last
Is conscience of our virtuous actions past.”
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The last word in this division of the poem, as in the other two, is the suggestive word “Stars.” ↩
Dante’s theory of the universe is the old one, which made the earth a stationary central point, around which all the heavenly bodies revolved; a theory, that, according to Milton, Paradise Lost, VIII 15, astonished even Adam in Paradise:—
“When I behold this goodly frame, this world,
Of heaven and earth consisting, and compute
Their magnitudes; this earth, a spot, a grain,
An atom, with the firmament compared
And all her numbered stars, that seem to roll
Spaces incomprehensible (for such
Their distance argues, and their swift return
Diurnal), merely to officiate light
Round this opacous earth, this punctual spot,
One day and night; in all their vast survey
Useless besides; reasoning I oft admire,
How Nature, wise and frugal, could commit
Such disproportions, with superfluous hand
So many nobler bodies to create,
Greater so manifold, to this one use,
For aught appears, and on their orbs impose
Such restless revolution day by day
Repeated; while the sedentary earth,
That better might with far less compass mov
Served by more noble than herself, attains
Her end without least motion, and receives,
As tribute, such a sumless journey brought
Of incorporeal speed, her warmth and light—
Speed, to describe whose swiftness number fails.”
The reply that Raphael makes to “our general ancestor,” may be addressed to every reader of the Paradiso:—
“Whether the sun, predominant in heaven,
Rise on the earth, or earth rise on the sun;
He from the east his flaming road begin,
Or she from west her silent course advance,
With inoffensive pace that spinning sleeps
On her soft axle; while she paces even,
And bears thee soft with the smooth air along;
Solicit not thy thoughts with matters hid.”
Thus, taking the earth as the central point, and speaking of the order of the Ten Heavens, Dante says, Convito, II 4:—
“The first is that wfcere the Mopfi is; the second is that where Mercury is; the third is that where Venus is; the fourth is that where the Sun is; the fifth is that where Mars is; the sixth is that where Jupiter is; the seventh is that where Saturn is; the eighth is that of the Stars; the ninth is not visible, save by the motion mentioned above, and is called by many the Crystalline; that is, diaphanous, or wholly transparent. Beyond all these, indeed, the Catholics place the Empyrean Heaven; that is to say, the Heaven of flame, or luminous; and this they suppose to be immovable, from having within itself, in every part, that which its matter demands. And this is the cause why the Primum Mobile has a very swift motion; from the fervent longing which each part of that ninth heaven has to be conjoined with that Divinest Heaven, the Heaven of Rest, which is next to it, it revolves therein with so great desire, that its velocity is almost incomprehensible; and quiet and peaceful is the place of that supreme Deity, who alone doth perfectly see himself.”
Of the symbolism of these Heavens he says, Convito, II 14:—
“As narrated above, the seven Heavens nearest to us are those of the Planets; and above these are two movable Heavens, and one motionless over all. To the first seven correspond the seven sciences of the Trivium and Quadrivium; that is, Grammar, Dialectics, Rhetoric, Arithmetic, Music, Geometry, and Astrology. To the eighth, that is, to the starry sphere, Natural Science, called Physics, corresponds, and the first science, which is called Metaphysics; and to the ninth sphere corresponds Moral Science; and to the Heaven of Rest, the Divine Science, which is called Theology.”
The details of these correspondences will be given later in their appropriate places.
These Ten Heavens are the heavens of the Paradiso; nine of them revolving about the earth as a central point, and the motionless Empyrean encircling and containing all.
In the first Heaven, or that of the Moon, are seen the spirits of those who, having taken monastic vows, were forced to violate them. In the second, or that of Mercury, the spirits of those whom desire of fame incited to noble deeds. In the third, or that of Venus, the spirits of Lovers. In the fourth, or that of the Sun, the spirits of Theologians and Fathers of the Church. In the fifth, or that of Mars, the spirits of Crusaders and those who died for the true Faith. In the sixth, or that of Jupiter, the spirits of righteous Kings and Rulers. In the seventh, or that of Saturn, the spirits of the Contemplative. In the eighth, or that of the Fixed Stars, the Triumph of Christ. In the ninth, or Primum Mobile, the Angelic Hierarchies. In the tenth, or the Empyrean, is the Visible Presence of God.
It must be observed, however, that the lower spheres, in which
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