Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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Nearing my eyes to the very face of the artist, I asked him in a cautious whisper, as the occasion required, dividing each word from the other:
“Don’t you think that when the devil tempted Him in the desert He did not renounce him, as He said later, but consented, sold Himself—that He did not renounce the devil, but sold Himself. Do you understand? Does not that passage in the Gospels seem doubtful to you?”
Extreme fright was expressed on the face of my young friend. Forcing the palms of his hands against my chest, as if to push me away, he ejaculated in a voice so low that I could hardly hear his indistinct words:
“What? You say Jesus sold Himself? What for?”
I explained softly:
“That the people, my child, that the people should believe Him.”
“Well?”
I smiled. K.’s eyes became round, as if a noose was strangling him. Suddenly, with that lack of respect for old age which was one of his characteristics, he threw me down on the bed with a sharp thrust and jumped away into a corner. When I was slowly getting up from the awkward position into which the unrestraint of that young man had forced me—I fell backward, with my head between the pillow and the back of the bed—he cried to me loudly:
“Don’t you dare! Don’t you dare get up, you Devil.”
But I did not think of rising to my feet. I simply sat down on the bed, and, thus seated, with an involuntary smile at the passionate outburst of the youth, I shook my head good naturedly and laughed.
“Oh, young man, young man! You yourself have drawn me into this theological conversation.”
But he stared at me stubbornly, wide eyed, and kept repeating:
“Sit there, sit there! I did not say this. No, no!”
“You said it, you, young man—you. Do you remember Spain, the picture gallery! You said it and now you deny it, mocking my clumsy old age. Oh!”
K. suddenly lowered his hands and admitted in a low voice:
“Yes. I said it. But you, old man—”
I do not remember what he said after that—it is so hard to recall all the childish chatter of this kind, but unfortunately too light-minded young man. I remember only that we parted as friends, and he pressed my hand warmly, expressing to me his sincere gratitude, even calling me, so far as I can remember, his “saviour.”
By the way, I succeeded in convincing the Warden that the portrait of even such a man as I, after all a prisoner, was out of place in such a solemn official room as the office of our prison. And now the portrait hangs on the wall of my cell, pleasantly breaking the cold monotony of the pure white walls.
Leaving for a time our artist, who is now carried away by the portrait of the Warden, I shall continue my story.
VIIMy spiritual clearness, as I had the pleasure of informing the reader before, has built up for me a considerable circle of men and women admirers. With self-evident emotion I shall tell of the pleasant hours of our hearty conversations, which I modestly call “My talks.”
It is difficult for me to explain how I deserved it, but the majority of those who come to me regard me with a feeling of the profoundest respect, even adoration, and only a few come for the purpose of arguing with me, but these arguments are usually of a moderate and proper character. I usually seat myself in the middle of the room, in a soft and deep armchair, which is furnished me for this occasion by the Warden; my hearers surround me closely, and some of them, the more enthusiastic youths and maidens, seat themselves at my feet.
Having before me an audience more than half of which is composed of women, and entirely disposed in my favour, I always appeal not so much to the mind as to the sensitive and truthful heart. Fortunately I possess a certain oratorical power, and the customary effects of the oratorical art, to which all preachers, beginning in all probability with Mohammed, have resorted, and which I can handle rather cleverly, allow me to influence my hearers in the desired direction. It is easily understood that to the dear ladies in my audience I am not so much the sage, who has solved the mystery of the iron grate, as a great martyr of a righteous cause, which they do not quite understand. Shunning abstract discussions, they eagerly hang on every word of compassion and kindness, and respond with the same. Allowing them to love me and to believe in my immutable knowledge of life, I afford them the happy opportunity to depart at least for a time from the coldness of life, from its painful doubts and questions.
I say openly without any false modesty, which I despise even as I despise hypocrisy, there were lectures at which I myself being in a state of exaltation, called forth in my audience, especially in my nervous lady visitors, a mood of intense agitation, which turned into hysterical laughter and tears. Of course I am not a prophet; I am merely a modest thinker, but no one would succeed in convincing my lady admirers that there is no prophetic meaning and significance in my speeches.
I remember one such lecture which took place two months ago. The night before I could not sleep as soundly as I usually slept; perhaps it was simply because of the full moon, which affects sleep, disturbing and interrupting it. I vaguely remember the strange sensation which I experienced when the pale crescent of the moon appeared in my window and the iron squares cut it with ominous black lines into small silver squares. …
When I started for the lecture I felt exhausted and rather inclined to silence than to conversation; the vision of the night before disturbed me. But
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