Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) š
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Daniel Deronda, published in 1876, was George Eliotās last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolenās family was well-off. She lived in comfort and was indulged and pampered. But the familyās fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugoās natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish cultureāand in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Danielās kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Danielās attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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She sank into silence for a minute, submerged by the weight of memory which no words could represent.
āBut yet, all the while I felt that I was getting more wicked. And what had been with me so much, came to me just thenā āwhat you once saidā āabout dreading to increase my wrongdoing and my remorseā āI should hope for nothing then. It was all like a writing of fire within me. Getting wicked was miseryā ābeing shut out forever from knowing what youā āwhat better lives were. That had always been coming back to me thenā ābut yet with a despairā āa feeling that it was no useā āevil wishes were too strong. I remember then letting go the tiller and saying āGod help me!ā But then I was forced to take it again and go on; and the evil longings, the evil prayers came again and blotted everything else dim, till, in the midst of themā āI donāt know how it wasā āhe was turning the sailā āthere was a gustā āhe was struckā āI know nothingā āI only know that I saw my wish outside me.ā
She began to speak more hurriedly, and in more of a whisper.
āI saw him sink, and my heart gave a leap as if it were going out of me. I think I did not move. I kept my hands tight. It was long enough for me to be glad, and yet to think it was no useā āhe would come up again. And he was comeā āfarther offā āthe boat had moved. It was all like lightning. āThe rope!ā he called out in a voiceā ānot his ownā āI hear it nowā āand I stooped for the ropeā āI felt I mustā āI felt sure he could swim, and he would come back whether or not, and I dreaded him. That was in my mindā āhe would come back. But he was gone down again, and I had the rope in my handā āno, there he was againā āhis face above the waterā āand he cried againā āand I held my hand, and my heart said, āDie!āā āand he sank; and I felt āIt is doneā āI am wicked, I am lost!ā āand I had the rope in my handā āI donāt know what I thoughtā āI was leaping away from myselfā āI would have saved him then. I was leaping from my crime, and there it wasā āclose to me as I fellā āthere was the dead faceā ādead, dead. It can never be altered. That was what happened. That was what I did. You know it all. It can never be altered.ā
She sank back in her chair, exhausted with the agitation of memory and speech. Deronda felt the burden on his spirit less heavy than the foregoing dread. The word āguiltyā had held a possibility of interpretations worse than the fact; and Gwendolenās confession, for the very reason that her conscience made her dwell on the determining power of her evil thoughts, convinced him the more that there had been throughout a counterbalancing struggle of her better will. It seemed almost certain that her murderous thought had had no outward effectā āthat, quite apart from it, the death was inevitable. Still, a question as to the outward effectiveness of a criminal desire dominant enough to impel even a momentary act, cannot alter our judgment of the desire; and Deronda shrank from putting that question forward in the first instance. He held it likely that Gwendolenās remorse aggravated her inward guilt, and that she gave the character of decisive action to what had been an inappreciably instantaneous glance of desire. But her remorse was the precious sign of a recoverable nature; it was the culmination of that self-disapproval which had been the awakening of a new life within her; it marked her off from the criminals whose only regret is failure in securing their evil wish. Deronda could not utter one word to diminish that sacred aversion to her worst selfā āthat thorn-pressure which must come with the crowning of the sorrowful better, suffering because of the worse. All this mingled thought and feeling kept him silent; speech was too momentous to be ventured on rashly. There were no words of comfort that did not carry some sacrilege. If he had opened his lips to speak, he could only have echoed, āIt can never be alteredā āit remains unaltered, to alter other things.ā But he was silent and motionlessā āhe did not know how longā ābefore he turned to look at her, and saw her sunk back with closed eyes, like a lost, weary, storm-beaten white doe, unable to rise and pursue its unguided way. He rose and stood before her. The movement touched her consciousness, and she opened her eyes with a slight quivering that seemed like fear.
āYou must rest now. Try to rest: try to sleep. And may I see you again this eveningā ātomorrowā āwhen you have had some rest? Let us say no more now.ā
The tears came, and she could not answer except by a slight movement of the head. Deronda rang for attendance, spoke urgently of the necessity that she should be got to rest, and then left her.
LVIIThe unripe grape, the ripe, and the dried. All things are changes, not into nothing, but into that which is not at present.
āā Marcus Aurelius.āDeeds are the pulse of Time, his beating life,
And righteous or unrighteous, being done,
Must throb in after-throbs till Time itself
Be laid in darkness, and the universe
Quiver and breathe upon no mirror more.ā
In the evening she sent for him again. It was already near the hour at which she had been brought in from the sea the evening before, and the light was subdued enough with blinds drawn up and windows open. She was seated gazing fixedly on the sea, resting her cheek on her hand, looking less shattered than when he had left her, but with a deep melancholy in her expression which as Deronda approached her passed into an anxious timidity. She did not put out her hand, but said, āHow long ago it is!ā Then,
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