Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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Rex, who had no partisanship with the Israelites, having made a troublesome acquaintance with the minutiae of their ancient history in the form of “cram,” was amusing himself by playfully exaggerating the notion of each speaker, while Anna begged them all to understand that he was only joking, when the laughter was interrupted by the bringing in of a letter for Mrs. Davilow. A messenger had run with it in great haste from the rectory. It enclosed a telegram, and as Mrs. Davilow read and reread it in silence and agitation, all eyes were turned on her with anxiety, but no one dared to speak. Looking up at last and seeing the young faces “painted with fear,” she remembered that they might be imagining something worse than the truth, something like her own first dread which made her unable to understand what was written, and she said, with a sob which was half relief,
“My dears, Mr. Grandcourt—” She paused an instant, and then began again, “Mr. Grandcourt is drowned.”
Rex started up as if a missile had been suddenly thrown into the room. He could not help himself, and Anna’s first look was at him. But then, gathering some self-command while Mrs. Davilow was reading what the rector had written on the enclosing paper, he said,
“Can I do anything, aunt? Can I carry any word to my father from you?”
“Yes, dear. Tell him I will be ready—he is very good. He says he will go with me to Genoa—he will be here at half-past six. Jocosa and Alice, help me to get ready. She is safe—Gwendolen is safe—but she must be ill. I am sure she must be very ill. Rex, dear—Rex and Anna—go and tell your father I will be quite ready. I would not for the world lose another night. And bless him for being ready so soon. I can travel night and day till we get there.”
Rex and Anna hurried away through the sunshine which was suddenly solemn to them, without uttering a word to each other: she chiefly possessed by solicitude about any reopening of his wound, he struggling with a tumultuary crowd of thoughts that were an offence against his better will. The tumult being undiminished when they were at the rectory gate, he said,
“Nannie, I will leave you to say everything to my father. If he wants me immediately, let me know. I shall stay in the shrubbery for ten minutes—only ten minutes.”
Who has been quite free from egoistic escapes of the imagination, picturing desirable consequences on his own future in the presence of another’s misfortune, sorrow, or death? The expected promotion or legacy is the common type of a temptation which makes speech and even prayer a severe avoidance of the most insistent thoughts, and sometimes raises an inward shame, a self-distaste that is worse than any other form of unpleasant companionship. In Rex’s nature the shame was immediate, and overspread like an ugly light all the hurrying images of what might come, which thrust themselves in with the idea that Gwendolen was again free—overspread them, perhaps, the more persistently because every phantasm of a hope was quickly nullified by a more substantial obstacle. Before the vision of “Gwendolen free” rose the impassable vision of “Gwendolen rich, exalted, courted;” and if in the former time, when both their lives were fresh, she had turned from his love with repugnance, what ground was there for supposing that her heart would be more open to him in the future?
These thoughts, which he wanted to master and suspend, were like a tumultuary ringing of opposing chimes that he could not escape from by running. During the last year he had brought himself into a state of calm resolve, and now it seemed that three words had been enough to undo all that difficult work, and cast him back into the wretched fluctuations of a longing which he recognized as simply perturbing and hopeless. And at this moment the activity of such longing had an untimeliness that made it repulsive to his better self. Excuse poor Rex; it was not much more than eighteen months since he had been laid low by an archer who sometimes touches his arrow with a subtle, lingering poison. The disappointment of a youthful passion has effects as incalculable as those of smallpox which may make one person plain and a genius, another less plain and more foolish, another plain without detriment to his folly, and leave perhaps the majority without obvious change. Everything depends—not on the mere fact of disappointment, but—on the nature affected and the force that stirs it. In Rex’s well-endowed nature, brief as the hope had been, the passionate stirring had gone deep, and the effect of disappointment was revolutionary, though fraught with a beneficent new order which retained most of the old virtues; in certain respects he believed that it had finally determined the bias and color of his life. Now, however, it seemed that his inward peace was hardly more than that of republican Florence, and his heart no better than the alarm-bell that made work slack and tumult busy.
Rex’s love had been of that sudden, penetrating, clinging sort which the ancients knew and sung, and in singing made a fashion of talk for many moderns whose experience has by no means a fiery, demonic character. To have the consciousness suddenly steeped with another’s personality, to have the strongest inclinations possessed by an image which retains its dominance in spite
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