Gil Blas by Alain-RenĂ© Lesage (best romance books of all time TXT) đ
Description
Gil Blas isnât the first picaresque novel, but itâs one of the genreâs most famous examples; itâs a novel that at one point in history was on the bookshelf of every good reader, and it has been featured in allusions across literature for centuries after its publication between 1715 and 1735.
Gil Blas is the name of a Spanish boy born to a poor stablehand and a chambermaid. Heâs educated by his uncle before leaving to attend a university, but on the way his journey is interrupted by a band of robbers, and his picaresque adventures begin. Blas embarks on a series of jobs, challenges, advances, setbacks, romances, and fights on his path through life, ultimately continuing to rise in station thanks to his affability and quick wit. On his way he encounters many different kinds of people, both honest and dishonest, as well as many different social classes. Blasâ series of breezy, episodic adventures give Lesage an opportunity to satirize every stratum of society, from the poor, to doctors, the clergy, writers and playwrights, the rich, and even royalty.
Though Lesage wrote in French, Gil Blas is ultimately a Spanish novel in nature: Blas himself is Spanish, and his adventures take place in Spain. The details Lesage wrote into the novel were so accurate that some accused him of lifting from earlier works, like Marcos de ObregĂłn by Vicente Espinel; others even accuse it of being written by someone else, arguing that no Frenchman could know so much detail about Spanish life and society.
Despite any controversy, Gil Blas was translated into English by Tobias Smollett in 1748. His translation was so complete that it became the standard translation up to the modern day.
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- Author: Alain-René Lesage
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âââNo, no,â said I, âit was for no laughing matter that he ran after me. He is a noted footpad, and meant to rob me; I am certain that he is now waiting for me at the corner of the street.â
âââThen he may wait long enough,â replied the knight of the iron spit; âfor you shall stay here till tomorrow. You shall sup with us, and we will give you a bed.â
âI was out of my little wits with joy at the mention of these last tidings; and it was like the turnpike road to paradise after crossing an Arabian desert, when, being led by Master Diego through the kitchens, I there saw my lord archbishopâs supper, and the stewpans in the last throes of parturition. There were fifteen accountable soulsâ âfor I reckoned them upâ âin attendance on the labor; but the litter of dishes far outnumbered the fecundity of nature in her most prolific mood: so much more gracious and bountiful is providence to the heads of the church in the indulgence of their appetites, than mindful of the worthless brute creation in the propagation of its kind. Here it was, at the fountain head of prelacy, inhaling an atmosphere of gravy, instead of just snuffing the scent as it lay upon the breeze, that I first shook hands with sensuality. I had the honor of supping with the scullions, and of sleeping in their roomâ âan initiation of friendship so sincere and strong, that on the following day, when I went to thank Master Diego for his goodness in vouchsafing me a refuge, he said, âOur kitchen lads have been with me in a body, to declare how excessively delighted they are with your manners, and to propose having you among them as a fellow-servant. How should you, on your part, like to make one of the society?â I answered that with such a feather in my cap, I should be the vainest and the happiest of mortals. âThen so be it, my friend,â replied he; âconsider yourself henceforth as a buttress of the hierarchy.â With this invitation, he introduced me to the majordomo, who thought he saw talent enough in me for a turnspit.
âNo sooner was I in possession of so honorable an office, than Master Diego, following the practice of cooks in great houses, who pamper up their pretty dears in private with all sorts of good things, selected me to supply a lady in the neighborhood with a regular table of butcherâs meat, poultry, and game. This good friend of his was a widow on the right side of thirty, very pretty, very lively, and to all appearance contenting herself with cupboard love for her cook. His generous passion was not confined to furnishing her with bread, meat, and garnish; she drank her wine too, and the archbishop was her wine-merchant.
âThe improvement of my parts kept pace with that of my carnal condition in his graceâs palace, where I gave a specimen of rising genius still ringing on the trump of fame at Seville. The pages and some others of the household had a mind to get up a play on my lord archbishopâs birthday. They chose a popular Spanish tragedy, and, wanting a boy about my age to personate the young King of LeĂłn, cast me for the part. The majordomo, a great spouter, undertook to train me for the stage, and, after a few lessons, pronounced that I should not be the worst actor of the company. His grace not wishing to starve so handsome a compliment to himself, no expense was spared in getting it up magnificently. The largest hall in the palace was fitted up as a theatre, with appropriate decorations. At the side scene there was a bed of turf, on which I was to be discovered asleep, when the Moors were to rush in and take me prisoner. When we had got so forward with our rehearsals as to be sure of being ready by the time fixed, the archbishop sent out cards of invitation to all the principal families in the city.
âAt length the great, the important day arrived; and each performer was big with the contrivance and adjustment of his dress. Mine was brought by a tailor, accompanied by our majordomo, who, after taking the trouble of drilling me at rehearsal, wished to see justice done to my outward appearance. The tailor put me on a rich robe of blue velvet, with hanging sleeves, gold lace, fringe, and buttons: the majordomo himself crowned me with a pasteboard crown, studded with false diamonds and real pearls. Moreover, they gave me a sash of pink silk worked in silver; so that every new ornament was like a quill-feather in the wing of a bird. At last, about dusk, the play began. The curtain drew up for my soliloquy, the purport of which was to express, in a roundabout, poetical way, that not being able to defend myself from the influence of sleep, I was going to lie down and take it as it came. To suit the action to the word, I sidled off to the corner between the flat and the wings, and squatted down on my bed of turf; but instead of going to sleep, according to promise, I was hammering upon the means of getting into the street, and running away with my coronation finery. A little private staircase, leading under the theatre into the lower saloon, seemed to furnish the probability of success. I slid away slyly, while the audience were considering some
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