Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
Read free book «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Henryk Sienkiewicz
Read book online «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕». Author - Henryk Sienkiewicz
“Drink!” said she.
Vinicius drank, and fell to the floor.
The greater number of the guests were lying under the table; others were walking with tottering tread through the triclinium, while others were sleeping on couches at the table, snoring, or giving forth the excess of wine. Meanwhile, from the golden network, roses were dropping and dropping on those drunken consuls and senators, on those drunken knights, philosophers, and poets, on those drunken dancing damsels and patrician ladies, on that society all dominant as yet but with the soul gone from it, on that society garlanded and ungirdled but perishing.
Dawn had begun out of doors.
VIIINo one stopped Ursus, no one inquired even what he was doing. Those guests who were not under the table had not kept their own places; hence the servants, seeing a giant carrying a guest on his arm, thought him some slave bearing out his intoxicated mistress. Moreover, Acte was with them, and her presence removed all suspicion.
In this way they went from the triclinium to the adjoining chamber, and thence to the gallery leading to Acte’s apartments. To such a degree had her strength deserted Lygia, that she hung as if dead on the arm of Ursus. But when the cool, pure breeze of morning beat around her, she opened her eyes. It was growing clearer and clearer in the open air. After they had passed along the colonnade awhile, they turned to a side portico, coming out, not in the courtyard, but the palace gardens, where the tops of the pines and cypresses were growing ruddy from the light of morning. That part of the building was empty, so that echoes of music and sounds of the feast came with decreasing distinctness. It seemed to Lygia that she had been rescued from hell, and borne into God’s bright world outside. There was something, then, besides that disgusting triclinium. There was the sky, the dawn, light, and peace. Sudden weeping seized the maiden, and, taking shelter on the arm of the giant, she repeated, with sobbing—“Let us go home, Ursus! home, to the house of Aulus.”
“Let us go!” answered Ursus.
They found themselves now in the small atrium of Acte’s apartments. Ursus placed Lygia on a marble bench at a distance from the fountain. Acte strove to pacify her; she urged her to sleep, and declared that for the moment there was no danger—after the feast the drunken guests would sleep till evening. For a long time Lygia could not calm herself, and, pressing her temples with both hands, she repeated like a child—“Let us go home, to the house of Aulus!”
Ursus was ready. At the gates stood pretorians, it is true, but he would pass them. The soldiers would not stop outgoing people. The space before the arch was crowded with litters. Guests were beginning to go forth in throngs. No one would detain them. They would pass with the crowd and go home directly. For that matter, what does he care? As the queen commands, so must it be. He is there to carry out her orders.
“Yes, Ursus,” said Lygia, “let us go.”
Acte was forced to find reason for both. They would pass out, true; no one would stop them. But it is not permitted to flee from the house of Caesar; whoso does that offends Caesar’s majesty. They may go; but in the evening a centurion at the head of soldiers will take a death sentence to Aulus and Pomponia Graecina; they will bring Lygia to the palace again, and then there will be no rescue for her. Should Aulus and his wife receive her under their roof, death awaits them to a certainty.
Lygia’s arms dropped. There was no other outcome. She must choose her own ruin or that of Plautius. In going to the feast, she had hoped that Vinicius and Petronius would win her from Caesar, and return her to Pomponia; now she knew that it was they who had brought Caesar to remove her from the house of Aulus. There was no help. Only a miracle could save her from the abyss—a miracle and the might of God.
“Acte,” said she, in despair, “didst thou hear Vinicius say that Caesar had given me to him, and that he will send slaves here this evening to take me to his house?”
“I did,” answered Acte; and, raising her arms from her side, she was silent. The despair with which Lygia spoke found in her no echo. She herself had been Nero’s favorite. Her heart, though good, could not feel clearly the shame of such a relation. A former slave, she had grown too much inured to the law of slavery; and, besides, she loved Nero yet. If he returned to her, she would stretch her arms to him, as to happiness. Comprehending clearly that Lygia must become the mistress of the youthful and stately Vinicius, or expose Aulus and Pomponia to ruin, she failed to understand how the girl could hesitate.
“In Caesar’s house,” said she, after a while, “it would not be safer for thee than in that of Vinicius.”
And it did not occur to her that, though she told the truth, her words meant, “Be resigned to fate and become the concubine of Vinicius.”
As to Lygia, who felt on her lips yet his kisses, burning as coals and full of beastly desire, the blood rushed to her face with shame at the mere thought of them.
“Never,” cried she, with an outburst, “will I remain here, or at the house of Vinicius—never!”
“But,” inquired Acte, “is Vinicius hateful to thee?”
Lygia was unable to answer, for weeping seized her anew. Acte gathered the maiden to her bosom, and strove to calm her excitement. Ursus breathed heavily, and balled his giant fists; for, loving his queen with the devotion of a dog, he could not bear the sight of her tears. In his half-wild Lygian heart was the wish to return
Comments (0)