Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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And her face began to flush and smile. Consolation entered her anew, as if the hope of rescue had turned to reality. She threw herself on Acte’s neck suddenly, and, putting her beautiful lips to Acte’s cheek, she whispered:
“Thou wilt not betray, Acte, wilt thou?”
“By the shade of my mother,” answered the freedwoman, “I will not; but pray to thy God that Ursus be able to bear thee away.”
The blue, childlike eyes of the giant were gleaming with happiness. He had not been able to frame any plan, though he had been breaking his poor head; but a thing like this he could do—and whether in the day or in the night it was all one to him! He would go to the bishop, for the bishop can read in the sky what is needed and what is not. Besides, he could assemble Christians himself. Are his acquaintances few among slaves, gladiators, and free people, both in the Subura and beyond the bridges? He can collect a couple of thousand of them. He will rescue his lady, and take her outside the city, and he can go with her. They will go to the end of the world, even to that place from which they had come, where no one has heard of Rome.
Here he began to look forward, as if to see things in the future and very distant.
“To the forest? Ay, what a forest, what a forest!”
But after a while he shook himself out of his visions. Well, he will go to the bishop at once, and in the evening will wait with something like a hundred men for the litter. And let not slaves, but even pretorians, take her from him! Better for any man not to come under his fist, even though in iron armor—for is iron so strong? When he strikes iron earnestly, the head underneath will not survive.
But Lygia raised her finger with great and also childlike seriousness.
“Ursus, do not kill,” said she.
Ursus put his fist, which was like a maul, to the back of his head, and, rubbing his neck with great seriousness, began to mutter. But he must rescue “his light.” She herself had said that his turn had come. He will try all he can. But if something happens in spite of him? In every case he must save her. But should anything happen, he will repent, and so entreat the Innocent Lamb that the Crucified Lamb will have mercy on him, poor fellow. He has no wish to offend the Lamb; but then his hands are so heavy.
Great tenderness was expressed on his face; but wishing to hide it, he bowed and said—“Now I will go to the holy bishop.”
Acte put her arms around Lygia’s neck, and began to weep. Once more the freedwoman understood that there was a world in which greater happiness existed, even in suffering, than in all the excesses and luxury of Caesar’s house. Once more a kind of door to the light was opened a little before her, but she felt at once that she was unworthy to pass through it.
IXLygia was grieved to lose Pomponia Graecina, whom she loved with her whole soul, and she grieved for the household of Aulus; still her despair passed away. She felt a certain delight even in the thought that she was sacrificing plenty and comfort for her Truth, and was entering on an unknown and wandering existence. Perhaps there was in this a little also of childish curiosity as to what that life would be, off somewhere in remote regions, among wild beasts and barbarians. But there was still more a deep and trusting faith, that by acting thus she was doing as the Divine Master had commanded, and that henceforth He Himself would watch over her, as over an obedient and faithful child. In such a case what harm could meet her? If sufferings come, she will endure them in His name. If sudden death comes, He will take her; and some time, when Pomponia dies, they will be together for all eternity. More than once when she was in the house of Aulus, she tortured her childish head because she, a Christian, could do nothing for that Crucified, of whom Ursus spoke with such tenderness. But now the moment had come. Lygia felt almost happy, and began to speak of her happiness to Acte, who could not understand her, however. To leave everything—to leave house, wealth, the city, gardens, temples, porticos, everything that is beautiful; leave a sunny land and people near to one—and for what purpose? To hide from the love of a young and stately knight. In Acte’s head these things could not find place. At times she felt that Lygia’s action was right, that there must be some immense mysterious happiness in it; but she could not give a clear account to herself of the matter, especially since an adventure was before Lygia which might have an evil ending—an adventure in which she might lose her life simply. Acte was timid by nature, and she thought with dread of what the coming evening might bring. But she was loath to mention her fears to Lygia; meanwhile, as the day was clear and the sun looked into the atrium, she began to persuade her to take the rest needed after a night without sleep. Lygia did not refuse; and both went to the cubiculum, which was spacious and furnished with luxury because of Acte’s former relations with Caesar. There they lay down side by side, but in spite of her weariness Acte could not sleep. For a long time she had been sad and unhappy, but now she was seized by a certain uneasiness which she had never felt before. So far life had seemed to her simply grievous and deprived of a morrow; now all at once it seemed to her dishonorable.
Increasing chaos rose in her head. Again the door
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