Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
Read free book «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Henryk Sienkiewicz
Read book online «Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕». Author - Henryk Sienkiewicz
“She sleeps—she is able to sleep,” thought Acte. “She is a child yet.” Still, after a while it came to her mind that that child chose to flee rather than remain the beloved of Vinicius; she preferred want to shame, wandering to a lordly house, to robes, jewels, and feasts, to the sound of lutes and citharas.
“Why?”
And she gazed at Lygia, as if to find an answer in her sleeping face. She looked at her clear forehead, at the calm arch of her brows, at her dark tresses, at her parted lips, at her virgin bosom moved by calm breathing; then she thought again—“How different from me!”
Lygia seemed to her a miracle, a sort of divine vision, something beloved of the gods, a hundred times more beautiful than all the flowers in Caesar’s garden, than all the statues in his palace. But in the Greek woman’s heart there was no envy. On the contrary, at thought of the dangers which threatened the girl, great pity seized her. A certain motherly feeling rose in the woman. Lygia seemed to her not only as beautiful as a beautiful vision, but also very dear, and, putting her lips to her dark hair, she kissed it.
But Lygia slept on calmly, as if at home, under the care of Pomponia Graecina. And she slept rather long. Midday had passed when she opened her blue eyes and looked around the cubiculum in astonishment. Evidently she wondered that she was not in the house of Aulus.
“That is thou, Acte?” said she at last, seeing in the darkness the face of the Greek.
“I, Lygia.”
“Is it evening?”
“No, child; but midday has passed.”
“And has Ursus not returned?”
“Ursus did not say that he would return; he said that he would watch in the evening, with Christians, for the litter.”
“True.”
Then they left the cubiculum and went to the bath, where Acte bathed Lygia; then she took her to breakfast and afterward to the gardens of the palace, in which no dangerous meeting might be feared, since Caesar and his principal courtiers were sleeping yet. For the first time in her life Lygia saw those magnificent gardens, full of pines, cypresses, oaks, olives, and myrtles, among which appeared white here and there a whole population of statues. The mirror of ponds gleamed quietly; groves of roses were blooming, watered with the spray of fountains; entrances to charming grottos were encircled with a growth of ivy or woodbine; silver-colored swans were sailing on the water; amidst statues and trees wandered tame gazelles from the deserts of Africa, and rich-colored birds from all known countries on earth.
The gardens were empty; but here and there slaves were working, spade in hand, singing in an undertone; others, to whom was granted a moment of rest, were sitting by ponds or in the shade of groves, in trembling light produced by sun-rays breaking in between leaves; others were watering roses or the pale lily-colored blossoms of the saffron. Acte and Lygia walked rather long, looking at all the wonders of the gardens; and though Lygia’s mind was not at rest, she was too much a child yet to resist pleasure, curiosity, and wonder. It occurred to her, even, that if Caesar were good, he might be very happy in such a palace, in such gardens.
But at last, tired somewhat, the two women sat down on a bench hidden almost entirely by dense cypresses and began to talk of that which weighed on their hearts most—that is, of Lygia’s escape in the evening. Acte was far less at rest than Lygia touching its success. At times it seemed to her even a mad project, which could not succeed. She felt a growing pity for Lygia. It seemed to her that it would be a hundred times safer to try to act on Vinicius. After a while she inquired of Lygia how long she had known him, and whether she did not think that he would let himself be persuaded to return her to Pomponia.
But Lygia shook her dark head in sadness. “No. In Aulus’s house, Vinicius had been different, he had been very kind, but since yesterday’s feast she feared him, and would rather flee to the Lygians.”
“But in Aulus’s house,” inquired Acte, “he was dear to thee, was he not?”
“He was,” answered Lygia, inclining her head.
“And thou wert not a slave, as I was,” said Acte, after a moment’s thought. “Vinicius might marry thee. Thou art a hostage, and a daughter of the Lygian king. Aulus and Pomponia love thee as their own child; I am sure that they are ready to adopt thee. Vinicius might marry thee, Lygia.”
But
Comments (0)