Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Caroline scarcely heard mademoiselleâs explosion of wrath when she rejoined them; the long declamation about the âconduite indigne de cette mĂ©chante crĂ©atureâ sounded in her ear as confusedly as the agitated rattling of the china. Robert laughed a little at it, in very subdued sort, and then, politely and calmly entreating his sister to be tranquil, assured her that if it would yield her any satisfaction, she should have her choice of an attendant amongst all the girls in his mill. Only he feared they would scarcely suit her, as they were most of them, he was informed, completely ignorant of household work; and pert and self-willed as Sarah was, she was, perhaps, no worse than the majority of the women of her class.
Mademoiselle admitted the truth of this conjecture: according to her, âces paysannes anglaises Ă©taient tout insupportables.â What would she not give for some âbonne cuisiniĂšre anversoise,â with the high cap, short petticoat, and decent sabots proper to her classâ âsomething better, indeed, than an insolent coquette in a flounced gown, and absolutely without cap! (For Sarah, it appears, did not partake the opinion of St. Paul that âit is a shame for a woman to go with her head uncovered;â but, holding rather a contrary doctrine, resolutely refused to imprison in linen or muslin the plentiful tresses of her yellow hair, which it was her wont to fasten up smartly with a comb behind, and on Sundays to wear curled in front.)
âShall I try and get you an Antwerp girl?â asked Mr. Moore, who, stern in public, was on the whole very kind in private.
âMerci du cadeau!â was the answer. âAn Antwerp girl would not stay here ten days, sneered at as she would be by all the young coquines in your factory;â then softening, âYou are very good, dear brotherâ âexcuse my petulanceâ âbut truly my domestic trials are severe, yet they are probably my destiny; for I recollect that our revered mother experienced similar sufferings, though she had the choice of all the best servants in Antwerp. Domestics are in all countries a spoiled and unruly set.â
Mr. Moore had also certain reminiscences about the trials of his revered mother. A good mother she had been to him, and he honoured her memory; but he recollected that she kept a hot kitchen of it in Antwerp, just as his faithful sister did here in England. Thus, therefore, he let the subject drop, and when the coffee-service was removed, proceeded to console Hortense by fetching her music-book and guitar; and having arranged the ribbon of the instrument round her neck with a quiet fraternal kindness he knew to be all-powerful in soothing her most ruffled moods, he asked her to give him some of their motherâs favourite songs.
Nothing refines like affection. Family jarring vulgarizes; family union elevates. Hortense, pleased with her brother, and grateful to him, looked, as she touched her guitar, almost graceful, almost handsome; her everyday fretful look was gone for a moment, and was replaced by a âsourire plein de bontĂ©.â She sang the songs he asked for, with feeling; they reminded her of a parent to whom she had been truly attached; they reminded her of her young days. She observed, too, that Caroline listened with naive interest; this augmented her good-humour; and the exclamation at the close of the song, âI wish I could sing and play like Hortense!â achieved the business, and rendered her charming for the evening.
It is true a little lecture to Caroline followed, on the vanity of wishing and the duty of trying. âAs Rome,â it was suggested, âhad not been built in a day, so neither had Mademoiselle GĂ©rard Mooreâs education been completed in a week, or by merely wishing to be clever. It was effort that had accomplished that great work. She was ever remarkable for her perseverance, for her industry. Her masters had remarked that it was as delightful as it was uncommon to find so much talent united with so much solidity, and so on.â Once on the theme of her own merits, mademoiselle was fluent.
Cradled at last in blissful self-complacency, she took her knitting, and sat down tranquil. Drawn curtains, a clear fire, a softly-shining lamp, gave now to the little parlour its best, its evening charm. It is probable that the three there present felt this charm. They all looked happy.
âWhat shall we do now, Caroline?â asked Mr. Moore, returning to his seat beside his cousin.
âWhat shall we do, Robert?â repeated she playfully. âYou decide.â
âNot play at chess?â
âNo.â
âNor draughts, nor backgammon?â
âNo, no; we both hate silent games that only keep oneâs hands employed, donât we?â
âI believe we do. Then shall we talk scandal?â
âAbout whom? Are we sufficiently interested in anybody to take a pleasure in pulling their character to pieces?â
âA question that comes to the point. For my part, unamiable as it sounds, I must say no.â
âAnd I too. But it is strange, though we want no thirdâ âfourth, I mean (she hastily and with contrition glanced at Hortense), living person among usâ âso selfish we are in our happinessâ âthough we donât want to think of the present existing world, it would be pleasant to go back to the past, to hear people that have slept for generations in graves that are perhaps no longer graves now, but gardens and fields, speak to us and tell us their thoughts, and impart their ideas.â
âWho shall be the speaker? What language shall he utter? French?â
âYour French forefathers donât speak so sweetly, nor so solemnly, nor so impressively as your English ancestors, Robert. Tonight you shall be entirely English. You shall read an English book.â
âAn old English book?â
âYes, an old English bookâ âone that you like; and I will choose a part of it that is toned quite in harmony with something
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