Short Fiction by Nikolai Gogol (primary phonics .TXT) 📕
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying “We all come out from Gogol’s ‘Overcoat,’ ” (presented here as “The Mantle”) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that “no-one can compare with him,” and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including “The Nose” as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogol’s short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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Recovering himself, he took his grandfather’s hunting whip from the wall, and was about to belabour Peter’s back with it, when Pidorka’s little six-year-old brother Ivas rushed up from somewhere or other, and, grasping his father’s legs with his little hands, screamed out, “Daddy, daddy! don’t beat Peter!” What was to be done? A father’s heart is not made of stone. Hanging the whip again on the wall, he led Peter quietly from the house. “If you ever show yourself in my cottage again, or even under the windows, look out, Peter, for, by heaven, your black moustache will disappear; and your black locks, though wound twice about your ears, will take leave of your pate, or my name is not Terentiy Korzh.” So saying, he gave him such a taste of his fist in the nape of his neck, that all grew dark before Peter, and he flew headlong out of the place.
So there was an end of their kissing. Sorrow fell upon our turtle doves; and a rumour grew rife in the village that a certain Pole, all embroidered with gold, with moustaches, sabre, spurs, and pockets jingling like the bells of the bag with which our sacristan Taras goes through the church every day, had begun to frequent Korzh’s house. Now, it is well known why a father has visitors when there is a black-browed daughter about. So, one day, Pidorka burst into tears, and caught the hand of her brother Ivas. “Ivas, my dear! Ivas, my love! fly to Peter, my child of gold, like an arrow from a bow. Tell him all: I would have loved his brown eyes, I would have kissed his fair face, but my fate decrees otherwise. More than one handkerchief have I wet with burning tears. I am sad and heavy at heart. And my own father is my enemy. I will not marry the Pole, whom I do not love. Tell him they are making ready for a wedding, but there will be no music at our wedding: priests will sing instead of pipes and viols. I shall not dance with my bridegroom: they will carry me out. Dark, dark will be my dwelling of maple wood; and, instead of chimneys, a cross will stand upon the roof.”
Peter stood petrified, without moving from the spot, when the innocent child lisped out Pidorka’s words to him. “And I, wretched man, had thought to go to the Crimea and Turkey, to win gold and return to thee, my beauty! But it may not be. We have been overlooked by the evil eye. I too shall have a wedding, dear one; but no ecclesiastics will be present at that wedding. The black crow instead of the
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