Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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That was the sort of crisis which was at this moment beginning in Gwendolen’s small life: she was for the first time feeling the pressure of a vast mysterious movement, for the first time being dislodged from her supremacy in her own world, and getting a sense that her horizon was but a dipping onward of an existence with which her own was revolving. All the troubles of her wifehood and widowhood had still left her with the implicit impression which had accompanied her from childhood, that whatever surrounded her was somehow specially for her, and it was because of this that no personal jealousy had been roused in her relation to Deronda: she could not spontaneously think of him as rightfully belonging to others more than to her. But here had come a shock which went deeper than personal jealousy—something spiritual and vaguely tremendous that thrust her away, and yet quelled all her anger into self-humiliation.
There had been a long silence. Deronda had stood still, even thankful for an interval before he needed to say more, and Gwendolen had sat like a statue with her wrists lying over each other and her eyes fixed—the intensity of her mental action arresting all other excitation. At length something occurred to her that made her turn her face to Deronda and say in a trembling voice,
“Is that all you can tell me?”
The question was like a dart to him. “The Jew whom I mentioned just now,” he answered, not without a certain tremor in his tones too, “the remarkable man who has greatly influenced my mind, has not perhaps been totally unheard of by you. He is the brother of Miss Lapidoth, whom you have often heard sing.”
A great wave of remembrance passed through Gwendolen and spread as a deep, painful flush over neck and face. It had come first at the scene of that morning when she had called on Mirah, and heard Deronda’s voice reading, and been told, without then heeding it, that he was reading Hebrew with Mirah’s brother.
“He is very ill—very near death now,” Deronda went on, nervously, and then stopped short. He felt that he must wait. Would she divine the rest?
“Did she tell you that I went to her?” said Gwendolen, abruptly, looking up at him.
“No,” said Deronda. “I don’t understand you.”
She turned away her eyes again, and sat thinking. Slowly the color dried out of face and neck, and she was as pale as before—with that almost withered paleness which is seen after a painful flush. At last she said—without turning toward him—in a low, measured voice, as if she were only thinking aloud in preparation for future speech,
“But can you marry?”
“Yes,” said Deronda, also in a low voice. “I am going to marry.”
At first there was no change in Gwendolen’s attitude: she only began to tremble visibly; then she looked before her with dilated eyes, as at something lying in front of her, till she stretched her arms out straight, and cried with a smothered voice,
“I said I should be forsaken. I have been a cruel woman. And I am forsaken.”
Deronda’s anguish was intolerable. He could not help himself. He seized her outstretched hands and held them together, and kneeled at her feet. She was the victim of his happiness.
“I am cruel, too, I am cruel,” he repeated, with a sort of groan, looking up at her imploringly.
His presence and touch seemed to dispel a horrible vision, and she met his upward look of sorrow with something like the return of consciousness after fainting. Then she dwelt on it with that growing pathetic movement of the brow which accompanies the revival of some tender recollection. The look of sorrow brought back what seemed a very far-off moment—the first time she had ever seen it, in the library at the Abbey. Sobs rose, and great tears fell fast. Deronda would not let her hands go—held them still with one of his, and himself pressed her handkerchief against her eyes. She submitted like a half-soothed child, making an effort to speak, which was hindered by struggling sobs. At last she succeeded in saying, brokenly,
“I said—I said—it should be better—better with me—for having known you.”
His eyes too were larger with tears. She wrested one of her hands from his, and returned his action, pressing his tears away.
“We shall not be quite parted,” he said. “I will write to you always, when I can, and you will answer?”
He waited till she said in a whisper, “I will try.”
“I shall be more with you than I used to be,” Deronda said with gentle urgency, releasing her hands and rising from his kneeling posture. “If we had been much together before, we should have felt our differences more, and seemed to get farther apart. Now we can perhaps never
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