Short Fiction by Anton Chekhov (libby ebook reader .txt) 📕

to find ladies who will help her. Every day she has work of some sort; she washes and scrubs, and is by turns a midwife, a matchmaker, or a beggar. It is true she, too, is not disinclined to drown her sorrows, but even when she has had a drop she does not forget her duties. In Russia there are many such tough old women, and how much of its welfare rests upon them!

When he has finished his tea, Vassya packs up his books in a satchel and goes behind the stove; his greatcoat ought to be hanging there beside his granny’s clothes. A minute later he comes out from behind the stove and asks:

“Where is my greatcoat?”

The grandmother and the other children look for the greatcoat together, they waste a long time in looking for it, but the greatcoat has utterly vanished. Where is it? The grandmother and Vassya are pale and frightened. Even Yegoritch is surprised. Putohin is the only one who does not move. Though he is quick to notice anything irregular or disorderly, this time he makes a pretence of hearing and seeing nothing. That is suspicious.

“He’s sold it for drink,” Yegoritch declares.

Putohin says nothing, so it is the truth. Vassya is overcome with horror. His greatcoat, his splendid greatcoat, made of his dead mother’s cloth dress, with a splendid calico lining, gone for drink at the tavern! And with the greatcoat is gone too, of course, the blue pencil that lay in the pocket, and the notebook with “Nota bene” in gold letters on it! There’s another pencil with india-rubber stuck into the notebook, and, besides that, there are transfer pictures lying in it.

Vassya would like to cry, but to cry is impossible. If his father, who has a headache, heard crying he would shout, stamp with his feet, and begin fighting, and after drinking he fights horribly. Granny would stand up for Vassya, and his father would strike granny too; it would end in Yegoritch getting mixed up in it too, clutching at his father and falling on the floor with him. The two would roll on the floor, struggling together and gasping with drunken animal fury, and granny would cry, the children would scream, the neighbours would send for the porter. No, better not cry.

Because he mustn’t cry, or give vent to his indignation aloud, Vassya moans, wrings his hands and moves his legs convulsively, or biting his sleeve shakes it with his teeth as a dog does a hare. His eyes are frantic, and his face is distorted with despair. Looking at him, his granny all at once takes the shawl off her head, and she too makes queer movements with her arms and legs in silence, with her eyes fixed on a point in the distance. And at that moment I believe there is a definite certainty in the minds of the boy and the old woman that their life is ruined, that there is no hope.⁠ ⁠…

Putohin hears no crying, but he can see it all from his room. When, half an hour later, Vassya sets off to school, wrapped in his grandmother’s shawl, he goes out with a face I will not undertake to describe, and walks after him. He longs to call the boy, to comfort him, to beg his forgiveness, to promise him on his word of honour, to call his dead mother to witness, but instead of words, sobs break from him. It is a grey, cold morning. When he reaches the town school Vassya untwists his granny’s shawl, and goes into the school with nothing over his jacket for fear the boys should say he looks like a woman. And when he gets home Putohin sobs, mutters some incoherent words, bows down to the ground before his mother and Yegoritch, and the locksmith’s table. Then, recovering himself a little, he runs to me and begs me breathlessly, for God’s sake, to find him some job. I give him hopes, of course.

“At last I am myself again,” he said. “It’s high time, indeed, to come to my senses. I’ve made a beast of myself, and now it’s over.”

He is delighted and thanks me, while I, who have studied these gentry thoroughly during the years I have owned the house, look at him, and am tempted to say:

“It’s too late, dear fellow! You are a dead man already.”

From me, Putohin runs to the town school. There he paces up and down, waiting till his boy comes out.

“I say, Vassya,” he says joyfully, when the boy at last comes out, “I have just been promised a job. Wait a bit, I will buy you a splendid fur-coat.⁠ ⁠… I’ll send you to the high school! Do you understand? To the high school! I’ll make a gentleman of you! And I won’t drink any more. On my honour I won’t.”

And he has intense faith in the bright future. But the evening comes on. The old woman, coming back from the Jews with twenty kopecks, exhausted and aching all over, sets to work to wash the children’s clothes. Vassya is sitting doing a sum. Yegoritch is not working. Thanks to Putohin he has got into the way of drinking, and is feeling at the moment an overwhelming desire for drink. It’s hot and stuffy in the room. Steam rises in clouds from the tub where the old woman is washing.

“Are we going?” Yegoritch asks surlily.

My lodger does not answer. After his excitement he feels insufferably dreary. He struggles with the desire to drink, with acute depression and⁠ ⁠… and, of course, depression gets the best of it. It is a familiar story.

Towards night, Yegoritch and Putohin go out, and in the morning Vassya cannot find granny’s shawl.

That is the drama that took place in that flat. After selling the shawl for drink, Putohin did not come home again. Where he disappeared to I don’t know. After he disappeared, the old woman first got drunk, then took to her bed. She was