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you⁠ ⁠…”

“Nonsense, I tell you. Your mother’s milk has hardly dried on your lips and you want to go into the army! There, there, I tell you,” and the count moved to go out of the room, taking the papers, probably to reread them in his study before having a nap.

“Well, Pyotr Kirílovich, let’s go and have a smoke,” he said.

Pierre was agitated and undecided. Natásha’s unwontedly brilliant eyes, continually glancing at him with a more than cordial look, had reduced him to this condition.

“No, I think I’ll go home.”

“Home? Why, you meant to spend the evening with us.⁠ ⁠… You don’t often come nowadays as it is, and this girl of mine,” said the count good-naturedly, pointing to Natásha, “only brightens up when you’re here.”

“Yes, I had forgotten⁠ ⁠… I really must go home⁠ ⁠… business⁠ ⁠…” said Pierre hurriedly.

“Well, then, au revoir!” said the count, and went out of the room.

“Why are you going? Why are you upset?” asked Natásha, and she looked challengingly into Pierre’s eyes.

“Because I love you!” was what he wanted to say, but he did not say it, and only blushed till the tears came, and lowered his eyes.

“Because it is better for me to come less often⁠ ⁠… because⁠ ⁠… No, simply I have business.⁠ ⁠…”

“Why? No, tell me!” Natásha began resolutely and suddenly stopped.

They looked at each other with dismayed and embarrassed faces. He tried to smile but could not: his smile expressed suffering, and he silently kissed her hand and went out.

Pierre made up his mind not to go to the Rostóvs’ any more.

XXI

After the definite refusal he had received, Pétya went to his room and there locked himself in and wept bitterly. When he came in to tea, silent, morose, and with tear-stained face, everybody pretended not to notice anything.

Next day the Emperor arrived in Moscow, and several of the Rostóvs’ domestic serfs begged permission to go to have a look at him. That morning Pétya was a long time dressing and arranging his hair and collar to look like a grown-up man. He frowned before his looking glass, gesticulated, shrugged his shoulders, and finally, without saying a word to anyone, took his cap and left the house by the back door, trying to avoid notice. Pétya decided to go straight to where the Emperor was and to explain frankly to some gentleman-in-waiting (he imagined the Emperor to be always surrounded by gentlemen-in-waiting) that he, Count Rostóv, in spite of his youth wished to serve his country; that youth could be no hindrance to loyalty, and that he was ready to⁠ ⁠… While dressing, Pétya had prepared many fine things he meant to say to the gentleman-in-waiting.

It was on the very fact of being so young that Pétya counted for success in reaching the Emperor⁠—he even thought how surprised everyone would be at his youthfulness⁠—and yet in the arrangement of his collar and hair and by his sedate deliberate walk he wished to appear a grown-up man. But the farther he went and the more his attention was diverted by the ever-increasing crowds moving toward the Krémlin, the less he remembered to walk with the sedateness and deliberation of a man. As he approached the Krémlin he even began to avoid being crushed and resolutely stuck out his elbows in a menacing way. But within the Trinity Gateway he was so pressed to the wall by people who probably were unaware of the patriotic intentions with which he had come that in spite of all his determination he had to give in, and stop while carriages passed in, rumbling beneath the archway. Beside Pétya stood a peasant woman, a footman, two tradesmen, and a discharged soldier. After standing some time in the gateway, Pétya tried to move forward in front of the others without waiting for all the carriages to pass, and he began resolutely working his way with his elbows, but the woman just in front of him, who was the first against whom he directed his efforts, angrily shouted at him:

“What are you shoving for, young lordling? Don’t you see we’re all standing still? Then why push?”

“Anybody can shove,” said the footman, and also began working his elbows to such effect that he pushed Pétya into a very filthy corner of the gateway.

Pétya wiped his perspiring face with his hands and pulled up the damp collar which he had arranged so well at home to seem like a man’s.

He felt that he no longer looked presentable, and feared that if he were now to approach the gentlemen-in-waiting in that plight he would not be admitted to the Emperor. But it was impossible to smarten oneself up or move to another place, because of the crowd. One of the generals who drove past was an acquaintance of the Rostóvs’, and Pétya thought of asking his help, but came to the conclusion that that would not be a manly thing to do. When the carriages had all passed in, the crowd, carrying Pétya with it, streamed forward into the Krémlin Square which was already full of people. There were people not only in the square, but everywhere⁠—on the slopes and on the roofs. As soon as Pétya found himself in the square he clearly heard the sound of bells and the joyous voices of the crowd that filled the whole Krémlin.

For a while the crowd was less dense, but suddenly all heads were bared, and everyone rushed forward in one direction. Pétya was being pressed so that he could scarcely breathe, and everybody shouted, “Hurrah! hurrah! hurrah!” Pétya stood on tiptoe and pushed and pinched, but could see nothing except the people about him.

All the faces bore the same expression of excitement and enthusiasm. A tradesman’s wife standing beside Pétya sobbed, and the tears ran down her cheeks.

“Father! Angel! Dear one!” she kept repeating, wiping away her tears with her fingers.

“Hurrah!” was heard on all sides.

For a moment the crowd stood still, but then it made another rush forward.

Quite beside himself, Pétya, clinching his teeth

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