War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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On the twenty-fourth the weather cleared up after a spell of rain, and after dinner Pierre left Moscow. When changing horses that night in PerkhΓΊshkovo, he learned that there had been a great battle that evening. (This was the battle of ShevΓ‘rdino.) He was told that there in PerkhΓΊshkovo the earth trembled from the firing, but nobody could answer his questions as to who had won. At dawn next day Pierre was approaching MozhΓ‘ysk.
Every house in MozhΓ‘ysk had soldiers quartered in it, and at the hostel where Pierre was met by his groom and coachman there was no room to be had. It was full of officers.
Everywhere in MozhΓ‘ysk and beyond it, troops were stationed or on the march. Cossacks, foot and horse soldiers, wagons, caissons, and cannon were everywhere. Pierre pushed forward as fast as he could, and the farther he left Moscow behind and the deeper he plunged into that sea of troops the more was he overcome by restless agitation and a new and joyful feeling he had not experienced before. It was a feeling akin to what he had felt at the SlobΓ³da Palace during the Emperorβs visitβ βa sense of the necessity of undertaking something and sacrificing something. He now experienced a glad consciousness that everything that constitutes menβs happinessβ βthe comforts of life, wealth, even life itselfβ βis rubbish it is pleasant to throw away, compared with somethingβ ββ β¦ With what? Pierre could not say, and he did not try to determine for whom and for what he felt such particular delight in sacrificing everything. He was not occupied with the question of what to sacrifice for; the fact of sacrificing in itself afforded him a new and joyous sensation.
XIXOn the twenty-fourth of August the battle of the ShevΓ‘rdino Redoubt was fought, on the twenty-fifth not a shot was fired by either side, and on the twenty-sixth the battle of BorodinΓ³ itself took place.
Why and how were the battles of ShevΓ‘rdino and BorodinΓ³ given and accepted? Why was the battle of BorodinΓ³ fought? There was not the least sense in it for either the French or the Russians. Its immediate result for the Russians was, and was bound to be, that we were brought nearer to the destruction of Moscowβ βwhich we feared more than anything in the world; and for the French its immediate result was that they were brought nearer to the destruction of their whole armyβ βwhich they feared more than anything in the world. What the result must be was quite obvious, and yet Napoleon offered and KutΓΊzov accepted that battle.
If the commanders had been guided by reason, it would seem that it must have been obvious to Napoleon that by advancing thirteen hundred miles and giving battle with a probability of losing a quarter of his army, he was advancing to certain destruction, and it must have been equally clear to KutΓΊzov that by accepting battle and risking the loss of a quarter of his army he would certainly lose Moscow. For KutΓΊzov this was mathematically clear, as it is that if when playing draughts I have one man less and go on exchanging, I shall certainly lose, and therefore should not exchange. When my opponent has sixteen men and I have fourteen, I am only one eighth weaker than he, but when I have exchanged thirteen more men he will be three times as strong as I am.
Before the battle of BorodinΓ³ our strength in proportion to the French was about as five to six, but after that battle it was little more than one to two: previously we had a hundred thousand against a hundred and twenty thousand; afterwards little more than fifty thousand against a hundred thousand. Yet the shrewd and experienced KutΓΊzov accepted the battle, while Napoleon, who was said to be a commander of genius, gave it, losing a quarter of his army and lengthening his lines of communication still more. If it is said that he expected to end the campaign by occupying Moscow as he had ended a previous campaign by occupying Vienna, there is much evidence to the contrary. Napoleonβs historians themselves tell us that from SmolΓ©nsk onwards he wished to stop, knew the danger of his extended position, and knew that the occupation of Moscow would not be the end of the campaign, for he had seen at SmolΓ©nsk the state in which Russian towns were left to him, and had not received a single reply to his repeated announcements of his wish to negotiate.
In giving and accepting battle at BorodinΓ³, KutΓΊzov acted involuntarily and irrationally. But later on, to fit what had occurred, the historians provided cunningly devised evidence of the foresight and genius of the generals who, of all the blind tools of history were the most enslaved and involuntary.
The ancients have left us model heroic poems in which the heroes furnish the whole interest of the story, and we are still unable to accustom ourselves to the fact that for our epoch histories of that kind are meaningless.
On the other question, how the battle of BorodinΓ³ and the preceding battle of ShevΓ‘rdino were fought, there also exists a definite and well-known, but quite false, conception. All the historians describe the affair as follows:
The Russian army, they say, in its retreat from SmolΓ©nsk sought out for itself the best position for a general engagement and found such a position at BorodinΓ³.
The Russians, they say, fortified this position in advance on the left of the highroad (from Moscow to SmolΓ©nsk) and almost at a right angle to it, from BorodinΓ³ to UtΓtsa, at the very place where the battle was fought.
In front of this position, they say, a fortified outpost was set up on the ShevΓ‘rdino mound to observe the enemy. On the twenty-fourth, we are told,
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