Lavengro by George Borrow (read me a book txt) 📕

he must have gone wild; so to employ himself he drew upon one of his resources, the only one available at the time. Authorship had nearly killed him, he was sick of reading, and had besides no books; but he possessed the rudiments of an art akin to tinkering; he knew something of smithery, having served a kind of apprenticeship in Ireland to a fairy smith; so he draws upon his smithery to enable him to acquire tinkering, and through the help which it affords him, owing to its connection with tinkering, he speedily acquires that craft, even as he had speedily acquired Welsh, owing to its connection with Irish, which language he possessed; and with tinkering he amuses himself until he lays it aside to resume smithery. A man who has any innocent resource, has quite as much right to draw upon it in need, as he has upon a banker in whose hands he has placed a sum; Lavengro turns to advantage, under particular circumstances, a certain resource which he has, but people who are not so forlorn as Lavengro, and have not served the same apprenticeship which he had, are not advised to follow his example. Surely he was better employed in plying the trades of tinker and smith than in having recourse to vice, in running after milkmaids, for example. Running after milkmaids is by no means an ungenteel rural diversion; but let anyone ask some respectable casuist (The Bishop of London for example), whether Lavengro was not far better employed, when in the country, at tinkering and smithery than he would have been in running after all the milkmaids in Cheshire, though tinkering is in general considered a very ungenteel employment, and smithery little better, notwithstanding that an Orcadian poet,371 who wrote in Norse about eight hundred years ago, reckons the latter among nine noble arts which he possessed, naming it along with playing at chess, on the harp, and ravelling runes, or as the original has it, “treading runes”⁠—that is, compressing them into a small compass by mingling one letter with another, even as the Turkish caligraphists ravel the Arabic letters, more especially those who write talismans.

Nine arts have I, all noble;
I play at chess so free,
At ravelling runes I’m ready,
At books and smithery;
I’m skill’d o’er ice at skimming
On skates, I shoot and row,
And few at harping match me,
Or minstrelsy, I trow.

But though Lavengro takes up smithery, which, though the Orcadian ranks it with chess-playing and harping, is certainly somewhat of a grimy art, there can be no doubt that, had he been wealthy and not so forlorn as he was, he would have turned to many things, honourable, of course, in preference. He has no objection to ride a fine horse when he has the opportunity: he has his daydream of making a fortune of two hundred thousand pounds by becoming a merchant and doing business after the Armenian fashion; and there can be no doubt that he would have been glad to wear fine clothes, provided he had had sufficient funds to authorise him in wearing them. For the sake of wandering the country and plying the hammer and tongs, he would not have refused a commission in the service of that illustrious monarch George the Fourth, provided he had thought that he could live on his pay, and not be forced to run in debt to tradesmen, without any hope of paying them, for clothes and luxuries, as many highly genteel officers in that honourable service were in the habit of doing. For the sake of tinkering, he would certainly not have refused a secretaryship of an embassy to Persia, in which he might have turned his acquaintance with Persian, Arabic, and the Lord only knows what other languages, to account. He took to tinkering and smithery, because no better employments were at his command. No war is waged in the book against rank, wealth, fine clothes or dignified employments; it is shown, however, that a person may be a gentleman and a scholar without them. Rank, wealth, fine clothes and dignified employments, are no doubt very fine things, but they are merely externals, they do not make a gentleman, they add external grace and dignity to the gentleman and scholar, but they make neither; and is it not better to be a gentleman without them than not a gentleman with them? Is not Lavengro, when he leaves London on foot with twenty pounds in his pocket, entitled to more respect than Mr. Flamson flaming in his coach with a million? And is not even the honest jockey at Horncastle, who offers a fair price to Lavengro for his horse, entitled to more than the scoundrel lord, who attempts to cheat him of one-fourth of its value.

Millions, however, seem to think otherwise, by their servile adoration of people whom without rank, wealth and fine clothes they would consider infamous, but whom possessed of rank, wealth and glittering habiliments they seem to admire all the more for their profligacy and crimes. Does not a blood-spot, or a lust-spot, on the clothes of a blooming emperor, give a kind of zest to the genteel young god? Do not the pride, superciliousness and selfishness of a certain aristocracy make it all the more regarded by its worshippers? and do not the clownish and gutter-blood admirers of Mr. Flamson like him all the more because they are conscious that he is a knave? If such is the case⁠—and alas! is it not the case?⁠—they cannot be too frequently told that fine clothes, wealth and titles adorn a person in proportion as he adorns them; that if worn by the magnanimous and good they are ornaments indeed, but if by the vile and profligate they are merely san benitos, and only serve to make their infamy doubly apparent; and that a person in seedy raiment and tattered hat, possessed of courage, kindness and virtue, is entitled to more respect from those to