Lavengro by George Borrow (read me a book txt) 📕

countrymen are far more careful not to transgress the customs of what they call gentility, than to violate the laws of honour or morality. They will shrink from carrying their own carpetbag, and from speaking to a person in seedy raiment, whilst to matters of much higher importance they are shamelessly indifferent. Not so Lavengro; he will do anything that he deems convenient, or which strikes his fancy, provided it does not outrage decency, or is unallied to profligacy; is not ashamed to speak to a beggar in rags, and will associate with anybody, provided he can gratify a laudable curiosity. He has no abstract love for what is low, or what the world calls low. He sees that many things which the world looks down upon are valuable, so he prizes much which the world contemns; he sees that many things which the world admires are contemptible, so he despises much which the world does not; but when the world prizes what is really excellent, he does not contemn it, because the world regards it. If he learns Irish, which all the world scoffs at, he likewise learns Italian, which all the world melts at. If he learns Gypsy, the language of the tattered tent, he likewise learns Greek, the language of the college hall. If he learns smithery, he also learns⁠—ah! what does he learn to set against smithery?⁠—the law? No; he does not learn the law, which, by the way, is not very genteel. Swimming? Yes, he learns to swim. Swimming, however, is not genteel; and the world⁠—at least the genteel part of it⁠—acts very wisely in setting its face against it; for to swim you must be naked, and how would many a genteel person look without his clothes? Come, he learns horsemanship; a very genteel accomplishment, which every genteel person would gladly possess, though not all genteel people do.

Again as to associates: if he holds communion when a boy with Murtagh, the scarecrow of an Irish academy, he associates in after life with Francis Ardry, a rich and talented young Irish gentleman about town. If he accepts an invitation from Mr. Petulengro to his tent, he has no objection to go home with a rich genius to dinner; who then will say that he prizes a thing or a person because they are ungenteel? That he is not ready to take up with everything that is ungenteel he gives a proof, when he refuses, though on the brink of starvation, to become bonnet to the thimble-man, an office, which, though profitable, is positively ungenteel. Ah! but some sticker-up for gentility will exclaim: “The hero did not refuse this office from an insurmountable dislike to its ungentility, but merely from a feeling of principle.” Well! the writer is not fond of argument, and he will admit that such was the case; he admits that it was a love of principle, rather than an over-regard for gentility, which prevented the hero from accepting, when on the brink of starvation, an ungenteel though lucrative office, an office which, the writer begs leave to observe, many a person with a great regard for gentility, and no particular regard for principle, would in a similar strait have accepted; for when did a mere love for gentility keep a person from being a dirty scoundrel, when the alternatives apparently were “either be a dirty scoundrel or starve?” One thing, however, is certain, which is, that Lavengro did not accept the office, which if a love for what is low had been his ruling passion he certainly would have done; consequently, he refuses to do one thing which no genteel person would willingly do, even as he does many things which every genteel person would gladly do, for example, speaks Italian, rides on horseback, associates with a fashionable young man, dines with a rich genius, et cetera. Yet⁠—and it cannot be minced⁠—he and gentility with regard to many things are at strange divergency; he shrinks from many things at which gentility placidly hums a tune, or approvingly simpers, and does some things at which gentility positively shrinks. He will not run into debt for clothes or lodgings, which he might do without any scandal to gentility; he will not receive money from Francis Ardry, and go to Brighton with the sister of Annette Le Noir, though there is nothing ungenteel in borrowing money from a friend, even when you never intend to repay him, and something poignantly genteel in going to a watering-place with a gay young Frenchwoman; but he has no objection, after raising twenty pounds by the sale of that extraordinary work Joseph Sell, to set off into the country, mend kettles under hedgerows, and make pony and donkey shoes in a dingle. Here, perhaps, some plain, well-meaning person will cry⁠—and with much apparent justice⁠—how can the writer justify him in this act? What motive, save a love for what is low, could induce him to do such things? Would the writer have everybody who is in need of recreation go into the country, mend kettles under hedges, and make pony shoes in dingles? To such an observation the writer would answer, that Lavengro had an excellent motive in doing what he did, but that the writer is not so unreasonable as to wish everybody to do the same. It is not everybody who can mend kettles. It is not everybody who is in similar circumstances to those in which Lavengro was. Lavengro flies from London and hack authorship, and takes to the roads from fear of consumption; it is expensive to put up at inns, and even at public-houses, and Lavengro has not much money; so he buys a tinker’s cart and apparatus, and sets up as tinker, and subsequently as blacksmith; a person living in a tent, or in anything else, must do something or go mad; Lavengro had a mind, as he himself well knew, with some slight tendency to madness, and had he not employed himself,